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Martina Janková
Martina Janková (born 1972, Orlová) is a Czech operatic soprano. She has been successful in a number of opera contests, including winning first prize at the competition Neue Stimmen in Gütersloh. She has been a member of the Zürich Opera since 1998. She is particularly known for her portrayals in operas by Wolfgang Amadeus Mozart and George Frideric Handel. Biography Janková began her musical training in Ostrava and then pursued further studies in opera at the City of Basel Music Academy. She has also studied in masterclasses with Carlo Bergonzi, Gustav Kuhn and Michael Eliassen. She began her career in the mid 1990s as a member of the International Opera Studio at the Zürich Opera and while in the program portrayed the roles of Rosina in Mozart’s ''La finta semplice'', Karolka in Leoš Janáček’s ''Jenůfa'' under the baton of Franz Welser-Möst, and Gianetta in ''L'elisir d'amore'' with conductor Nello Santi. She also appeared in Carl Maria von Weber's ''Oberon'' und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlová
Orlová (; pl, ; german: Orlau) is a town in Karviná District in the Moravian-Silesian Region of the Czech Republic. It has about 28,000 inhabitants. Administrative parts Orlová is made up of four town parts: Lazy, Lutyně, Město and Poruba. Etymology The name is most probably possessive in origin, derived from the personal Slavic name ''Orel / Orzeł'' (literally "eagle" in English), although it may also be of topographic origins. Geography Orlová is located about east of Ostrava, in the historical region of Cieszyn Silesia. It lies in the Ostrava Basin. The town is situated at the confluence of the streams Rychvaldská Stružka and Petřvaldská Stružka. There are several ponds in the territory. History 12th–18th centuries According to legend, Duke Mieszko IV Tanglefoot went hunting with his pregnant wife Ludmila. As they rested upon a hill, an eagle suddenly took flight, frightening the couple. The eagle dropped his prey, which fell to earth near them. Ludmil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leoš Janáček
Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European folk music, to create an original, modern musical style.Sehnal and Vysloužil (2001), p. 175 Until 1895 he devoted himself mainly to folkloristic research. While his early musical output was influenced by contemporaries such as Antonín Dvořák, his later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''Káťa Kabanová'' and ''The Cunning Little Vixen'', the Sinfonietta, the ''Glag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Christie (musician)
William Lincoln Christie (born December 19, 1944) is an American-born French conductor and harpsichordist. He is a specialist in baroque and classical repertoire and is the founder of the ensemble Les Arts Florissants. Biography Christie studied art history at Harvard University, where he was briefly assistant conductor of the Harvard Glee Club. From 1966, he began studies at Yale University in music, where he was a student of harpsichordist Ralph Kirkpatrick. He was opposed to the Vietnam War, and served in a reserve officers course to avoid the draft. He subsequently taught at Dartmouth College. When his Dartmouth post was not renewed, Christie moved first to the United Kingdom (1970), and in 1971 to France. He was one of a number of young men who left the United States at this time because of disagreement with the Vietnam War, and in order to avoid the draft. In France, he became known for his interpretations of Baroque music, particularly French Baroque music, workin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphée Et Eurydice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the '' azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's ''The Magic Flute'', Beethoven's ''Fidelio'', and Wagner's ''Das Rheingold''. Though originally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rinaldo (opera)
''Rinaldo'' ( HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem ''Gerusalemme liberata'' ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres. Handel composed ''Rinaldo'' quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 1706–10, during which he established a considerable reputation. In the years followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prague
Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters. Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378). It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era. Prague is home to a number of well-known cultural attractions, many of which survived the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonie Denygrova
{{disambiguation, geo ...
Antonie may refer to: * Antonie (given name) * Antonie (surname) * Antonie, Lord of Monaco (died 1427) * Antonie, Masovian Voivodeship, Poland, a village * Antonie, Silesian Voivodeship, Poland, a village See also * Antoni, a given name and surname * Antony (other) Antony is a Danish, English, Finnish, German, Norwegian and Swedish given name that is a form of Anthony. As a surname it is derived from the Antonius root name. People with this name include the following: Given name * Mark Antony (83–30 BC), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon (Weber)
''Oberon, or The Elf-King's Oath'' ( J. 306) is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem ''Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance ''Huon de Bordeaux'', a French medieval tale. It was premiered in London on 12 April 1826. Against his doctor's advice, Weber undertook the project commissioned by the actor-impresario Charles Kemble for financial reasons. Having been offered the choice of Faust or Oberon as subject matter, he travelled to London to complete the music, learning English to be better able to follow the libretto, before the premiere of the opera. However, the pressure of rehearsals, social engagements and composing extra numbers destroyed his health, and Weber died in London on 5 June 1826. Performance history First performed at Covent Garden, London, on 12 April 1826, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nello Santi
Nello Santi (22 September 1931 – 6 February 2020) was an Italian conductor. He was associated with the Opernhaus Zürich for six decades, and was a regular conductor at the Metropolitan Opera in New York City. He was focused on Italian repertoire, especially operas by Verdi and Puccini, in a style following the tradition of Toscanini. He made sound and video recordings of Italian operas, including in 1971 Leoncavallo's ''Pagliacci'' with Plácido Domingo, Montserrat Caballé and Sherrill Milnes, in 1976 Montemezzi's ''L'amore dei tre re'' with Anna Moffo, Domingo and Pablo Elvira, in 2000 Verdi's '' I due Foscari'', and in 2006 Donizetti's ''Don Pasquale'' in a Zürich production. Santi conducted from memory, and said "I love all of Verdi, but when he composed ''Rigoletto'', ''Il trovatore'' and ''La traviata'' he was in a profound state of grace." Life Santi was born on 22 September 1931 in Adria (Veneto), Kingdom of Italy, to Giovanni and Alfonsina () Santi. His mother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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