Maria Landini
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Maria Landini
Maria Landini ( 1668 – 22 June 1722) was an Italian soprano who began her career as a singer at the court of Queen Christina in Rome but was primarily active at the imperial court in Vienna from 1711 until her death. She created numerous soprano roles in operas and oratorios by Fux, Caldara, and her second husband, Francesco Bartolomeo Conti and was reputedly the highest paid musician in Vienna at the time.Sadie, Julie Anne (1998)''Companion to Baroque Music'' p. 250. University of California Press. '' Oesterreichisches Musiklexikon'' (2016)"Landini-Contini (Landini-Conti, La Conti, La Contini, La Landina, di Chateauneuf, detta Landini, di Castelnuovo), Maria" Retrieved 18 July 2016 . Life and career Landini's mother, Francesca Portui, was the maid of Queen Christina of Sweden and married to Francesco Landini, the captain of Christina's guards. However, Francesco Landini was not her real father. Maria was born from a relationship between her mother and the marquise Orazio Del M ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Schottenkirche, Vienna
The Schottenkirche ( en, Scots Church) is a parish church in Vienna attached to the Schottenstift, founded by Hiberno (Irish)-Scots Benedictine monks in the 12th century. In 1418, the Duke Albert V of Austria transferred it to the German-speaking Benedictine monks from the Melk Abbey during the Melker Reform initiated after the Council of Constance. The church was elevated to the rank of Basilica Minor in 1958. The Schottenkirche is located in the Freyung in the first district of Vienna's Innere Stadt. History Irish missionaries out of monasteries in Ireland and Scotland (Iro-Schotten, Hiberno-Scottish) were instrumental in the spread of Christianity in Continental Europe during the Middle Ages.The Latin term '' Scotti'' refers to certain Gaelic-speaking people of Ireland (Hibernia) and Western Scotland. In early medieval times Ireland was known, not only as Éire, but also as Scotia as well as Hibernia, the Roman name for Ireland. By late Medieval times it referred more e ...
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Italian Operatic Sopranos
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ...
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1722 Deaths
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christi ...
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17th-century Births
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ...
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Don Chisciotte In Sierra Morena
''Don Chisciotte in Sierra Morena'' is a tragicomic opera in five acts composed by Francesco Bartolomeo Conti to an Italian libretto by Apostolo Zeno and Pietro Pariati. The libretto is based on the episodes set in the Sierra Morena mountains of Spain in Book I of the Miguel de Cervantes novel ''Don Quixote''. The opera premiered on 6 February 1719 at the Hoftheater in Vienna and proved to be one of Conti's most successful ones. It has had several revivals in modern times beginning in 1987 at the Buxton Festival. Background and performance history The opera's librettists, Apostolo Zeno and Pietro Pariati, had written the librettos for many of Conti's Vienna operas, either individually or jointly. On this occasion they remained quite faithful to the text and basic story recounted Book I of ''Don Quixote'' where he travels to the Sierra Morena mountains and has a series of encounters with the wily inhabitants and two pairs of unhappy lovers. Described in the libretto as a ''tragicome ...
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Dafne In Lauro
''Dafne in lauro'' (Daphne as a laurel tree) is a chamber opera, a ''componimento per camera'', composed by Johann Joseph Fux to a libretto by Pietro Pariati and performed for the imperial court before dinner on 1 October 1714 in the Favorita garden, Vienna, for the birthday of Emperor Charles VI. Harry White, ''Johann Joseph Fux and the Music of the Austro-Italian Baroque'', 2017. "This was ''Dafne in Lauro'', which was first performed in the Favorita garden before dinner on 1 October, 1714." The two main roles, Apollo and Dafne, with four arias each, were sung by Orsini and Maria Conti-Landini; the soprano part, Diana, was ... the sixteen-year-old soprano castrato Giovanni Vincenzi played Amore – often sung by boys – and the tenor Garghetti sang the role of Mercurio. The opera is based on the myth of Apollo and Daphne. Roles *Apollo, with four arias, alto castrato – Gaetano Orsini (1667–1750) *Dafne, also with four arias – Maria Conti-Landini *Diana, soprano – Regina ...
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Teatro San Cassiano
The Teatro San Cassiano (or Teatro di San Cassiano and other variants) in Venice was the world’s first public opera theatre, inaugurated as such in 1637. The first mention of its construction dates back to 1581. The name with which it is best known comes from the parish in which it was located, San Cassiano (Saint Cassian), in the Santa Croce district (‘sestiere’) not far from the Rialto. The theatre was owned by the Venetian Tron family and was the first ‘public’ opera house in the sense that it was the first to open to a paying audience. Until then, public theatres (i.e., those operating on a commercial basis) had staged only recited theatrical performances (''commedie'') while opera had remained a private spectacle, reserved for the aristocracy and the courts. The Teatro San Cassiano was, therefore, the first public theatre to stage opera and in so doing opened opera for wider public consumption. In 2019 a project, conceived by the English entrepreneur and musicologi ...
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Francesco Gasparini
Francesco Gasparini (19 March 1661 – 22 March 1727) was an Italian Baroque composer and teacher whose works were performed throughout Italy, and also on occasion in Germany and England. Biography Born in Camaiore, near Lucca, he studied in Rome with Corelli and Pasquini. His first important opera, ''Roderico'' (1694), was produced there. In 1702 he went to Venice and became one of the leading composers in the city. In 1720 he returned to Rome for his last important work, ''Tigrane'' (1724). He wrote the first opera using the story of Hamlet ('' Ambleto'', 1705) though this was not based on Shakespeare's play. Gasparini was also a teacher, the instructor of Marcello, Quantz and Domenico Scarlatti. He was musical director of the Ospedale della Pietà, where he employed Antonio Vivaldi as a violin master. He wrote a treatise on the harpsichord (1708). At one time, Metastasio was betrothed to his daughter. He died in Rome in 1727. Works Operas See List of operas by France ...
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Ludwig Ritter Von Köchel
Ludwig Alois Friedrich Ritter von Köchel (; 14 January 1800 – 3 June 1877) was an Austrian musicologist, writer, composer, botanist, and publisher. He is best known for cataloguing the works of Mozart and originating the 'KV-numbers' by which they are known (''KV'' for ''Köchel-Verzeichnis''). Life Born in the town of Stein, Lower Austria, he studied law in Vienna and graduated with a PhD in 1827. For fifteen years, he was tutor to the four sons of Archduke Charles of Austria. Köchel was rewarded with a knighthoodRitter is a title translated approximately as "Sir". and a generous financial settlement, permitting him to spend the rest of his life as a private scholar. Contemporary scientists were greatly impressed by his botanical researches in North Africa, the Iberian Peninsula, the United Kingdom, the North Cape, and Russia. In addition to botany, he was interested in geology and mineralogy, but also loved music, and was a member of the Mozarteum Salzburg. He died of c ...
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Prima Donna
In opera or commedia dell'arte, a prima donna (; Italian for "first lady"; plural: ''prime donne'') is the leading female singer in the company, the person to whom the prime roles would be given. ''Prime donne'' often had grand off-stage personalities and were seen as demanding of their colleagues. From its original usage in opera, the term has spread in contemporary usage to refer to anyone behaving in a demanding or temperamental fashion, or having an inflated view of oneself and a self-centered attitude. The prima donna in opera was normally, but not necessarily, a soprano. The corresponding term for the male lead (usually a castrato in the 17th and 18th centuries, later a tenor) is primo uomo.H. Rosenthal, H. and J. Warrack, ''The Concise Oxford Dictionary of Opera'', 2nd Edition, Oxford University Press, 1979. p. 398. Opera In 19th-century Italy, the leading woman in an opera or commedia dell'arte company was known as the ''prima donna'', literally the "first lady". Th ...
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