Don Chisciotte In Sierra Morena
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Don Chisciotte In Sierra Morena
''Don Chisciotte in Sierra Morena'' is a tragicomic opera in five acts composed by Francesco Bartolomeo Conti to an Italian libretto by Apostolo Zeno and Pietro Pariati. The libretto is based on the episodes set in the Sierra Morena mountains of Spain in Book I of the Miguel de Cervantes novel ''Don Quixote''. The opera premiered on 6 February 1719 at the Hoftheater in Vienna and proved to be one of Conti's most successful ones. It has had several revivals in modern times beginning in 1987 at the Buxton Festival. Background and performance history The opera's librettists, Apostolo Zeno and Pietro Pariati, had written the librettos for many of Conti's Vienna operas, either individually or jointly. On this occasion they remained quite faithful to the text and basic story recounted Book I of ''Don Quixote'' where he travels to the Sierra Morena mountains and has a series of encounters with the wily inhabitants and two pairs of unhappy lovers. Described in the libretto as a ''tragicome ...
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Francesco Bartolomeo Conti
Francesco Bartolomeo Conti (20 January 1681 or 168219 July 1732) was an Italian composer and player of the mandolin and theorbo. He also wrote the oldest mandolin method book that has survived. Little is known about the biography of Conti. He was born in Florence, Italy. By 1700 he was already known as a theorbist not only in his native Florence, but also in other cities such as Ferrara and Milan. The fame he enjoyed by 1701 enabled him to obtain appointment as an auxiliary theorbist at the Habsburg court in Vienna with the same salary as the main theorbist, Orazio Clementi. At the 1706 carnival he made his debut as an opera composer with ''Cleotide'', and in 1713 was appointed as a court composer. In 1708, with the death of Clementi, Conti was promoted senior theorbist, a position he held until 1726. In the same year he was elected a member of the Accademia Filarmonica of Bologna and in 1711 he was appointed ''vice-Kapellmeister'' (''vice-maestro di cappella'') in Vienna. In Ap ...
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Giuseppe Galli Bibiena
Giuseppe Galli Bibiena (5 January 1696 - 12 March 1757),"Galli-Bibiena, Giuseppe" (dates, with Friedrich the Great), ''Encyclopedia of Austria'', 2006, aeiou-Austria webpage: aeiou-FerdinandoGBibiena. Italian designer, became the most distinguished artist of the Galli da Bibiena family. "Bibiena, Galli da, Family" (history), ''Encyclopædia Britannica Online'', 18-November-2006, Britannica.com webpage: EB-Bibienas Life He was born in Parma, the second son of Ferdinando Galli Bibiena. In 1708, Ferdinando was called to Barcelona by Charles III of Habsburg to help organize and decorate his wedding to Elisabeth Christine of Brunswick-Wolfenbüttel, Queen of Prussia and Giuseppe accompanied him. Later Giuseppe traveled with his father to the courts of Charles VI the Holy Roman Emperor (reigned 1711-1740) who hired Fernando to be the court's scenographer and painter. There, when his father left in 1717, he became the chief organizer of the court festivities and official fun ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Die Presse
''Die Presse'' is a German-language daily broadsheet newspaper based in Vienna, Austria. It is considered a newspaper of record for Austria. History and profile ''Die Presse'' was first printed on 3 July 1848 as a liberal (libertarian)-bourgeois newspaper within the meaning of the revolutions of 1848 by the entrepreneur August Zang. Its staff split in 1864 under the leadership of Max Friedländer, Michael Etienne and Adolf Werthner to form the ''Neue Freie Presse'', which later was aryanized by the Nazis in 1938 and effectively closed in 1939. In 1946, after the Second World War, resistance fighter Ernst Molden, who had been vice-editor-in-chief of the ''Neue Freie Presse'' from 1921 until 1939, reestablished the newspaper as ''Die Presse''. The ''"Presse"'' had been struggling for financial survival for a long time, until during the 1960s, the Austrian Chamber of Commerce became the main shareholder. Since 1999 it has been owned by the Styria Medien AG, a conservative-libe ...
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The New York Observer
''The New York Observer'' was a weekly newspaper printed from 1987 to 2016, when it ceased print publication and became the online-only newspaper ''Observer''. The media site focuses on culture, real estate, media, politics and the entertainment and publishing industries. History The ''Observer'' was first published in New York City on September 22, 1987, as a weekly newspaper by Arthur L. Carter, a former investment banker. The ''New York Observer'' had also been the title of an earlier weekly religious paper founded by Sidney E. Morse in 1823. In July 2006, the paper was purchased by the American real estate figure Jared Kushner, then 25 years old. The paper began its life as a broadsheet, and was then printed in tabloid format every Wednesday, and currently has an exclusively online format. It is headquartered at 1 Whitehall Street in Manhattan. Previous writers for the publication include Kara Bloomgarden–Smoke, Kim Velsey, Matthew Kassel, Jillian Jorgensen, Joe Cona ...
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The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ...
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Caramoor Festival
The Caramoor Summer Music Festival is a music festival founded in 1945 that is held on the estate of the Caramoor Center for Music and the Arts, which includes a Mediterranean-style stucco villa and is located about north of New York City in Katonah, New York. The Caramoor estate became a centre for the arts and music following the World War II death of the son of its owners, Walter and Lucie Rosen. The couple donated the property in their son's memory, and it quickly became an established summer festival. Performances are given in the Spanish Courtyard of the house and in the 1,700-seat Venetian Theater, a tented facility on the grounds. The Music Room in the house is also used for year-round concerts. For the past twenty years, the opera focus has been ''Bel Canto at Caramoor'', with explorations of the ''bel canto'' repertoire under the direction of the conductor, Will Crutchfield. Semi-staged performances of such rarities (for the New York area) as Rossini's ''Otello'' an ...
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Concert Version
A concert performance or concert version is a performance of a musical theater or opera in concert form, without set design or costumes, and mostly without theatrical interaction between singers. Concert performances are commonly presented in concert halls without a theater stage, but occasionally also in opera houses when a scenic production is deemed too difficult or expensive. During a concert performance in an opera house, the orchestra does not play in the orchestra pit. Frequently, they play on the stage, with the choir (chorus) behind them and the soloists standing in front of them. Concert performances, which cost less to produce and require less rehearsal, have been produced since some of the earliest operas of the 17th century; this mode has become increasingly popular in the 21st century. Since 1960, concert performances have been a part of the annual Salzburg Festival alongside scenic productions. In Theater an der Wien, concert performances have been presented re ...
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Title Role
The title character in a Narrative, narrative work is one who is named or referred to in the title of the work. In a performed work such as a play or film, the performer who plays the title character is said to have the title role of the piece. The title of the work might consist solely of the title character's name – such as ''Michael Collins (film), Michael Collins'' or ''Othello'' – or be a longer phrase or sentence – such as ''The Autobiography of Malcolm X'', ''Alice in Wonderland'' or ''The Adventures of Tom Sawyer''. The title character is commonly – but not necessarily – the protagonist of the story. Narrative works routinely do not have a title character, and there is some ambiguity in what qualifies as one. Examples in various media include Figaro in the opera ''The Marriage of Figaro'', Giselle in the Giselle, ballet of the same name, The Doctor (Doctor Who), the Doctor in the TV series ''Doctor Who'', Harry Potter (character), Harry Potter in the Harry Potter, ...
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Nicolas Rivenq
Nicolas Rivenq (born 1958) is a contemporary French baritone. Born in London, Rivenq studied music at the "École d'Art lyrique" of the Paris Opéra, as well as the Indiana University. He has participated in numerous productions of baroque music under the direction of William Christie, and with his ensemble, Les Arts florissants. He won the Viotti International Music Competition held at Vercelli (Italy) in 1990 by singing extracts from ''Le nozze di Figaro''. Selected discography * André Campra's ''Grands Motets'' (Virgin Classics, 2002) * Mozart's ''Idomeneo, re di Creta'', KV 366 (Harmonia Mundi, 2008) * Lully's '' Atys'', at FRA Musica / Harmonia Mundi (Blu-ray) * Mozart's ''Così fan tutte'' (Don Alfonso), BBC / Opus Arte (Blu-ray) * Bizet, ''Carmen'', Decca (1989) References External links Nicolas Rivenq France Musique * Nicolas Rivenq Who's who Nicolas Rivenq AllMusic Nicolas Rivenq AllMusic Nicolas Rivenq Operabase Nicolas Rivenq in Rameau's ''Les Sauvage ...
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René Jacobs
René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his musical career as a boy chorister at the Cathedral. Later he studied classical philology at the University of Ghent while continuing to sing in Brussels and in The Hague. The Kuijken brothers, Gustav Leonhardt and Alfred Deller all encouraged him to pursue a career as a countertenor, and he quickly became known as one of the best of his time. He recorded a large amount of less-known Baroque music by such composers as Antonio Cesti, d'India, Ferrari, Marenzio, Lambert, Guédron, William Lawes and others. He also sang in much-acclaimed recordings of the major works of Bach (such as the ''St Matthew Passion'' led by Gustav Leonhardt and Philippe Herreweghe). Conductor In 1977, he founded the ensemble Concerto Vocale. As a conductor, Jacobs r ...
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Innsbruck Festival Of Early Music
The Innsbruck Festival of Early Music (German: Innsbrucker Festwochen der Alten Musik) is a festival of historically informed performances of music from the late Renaissance, Baroque and early Classical periods which takes place annually in Innsbruck, Austria. It was founded in 1976. History The festival had its roots in 1963 when the Innsbruck musician Otto Ulf (1907–1993) organized a concert at the Ambras Castle to celebrate the 600th anniversary of Margaret, Countess of Tyrol's bequest of Tyrol to the Dukes of Austria. The Ambras Castle concerts continued over the years and in 1972, he initiated an International Summer Academy in the city. The festival itself was established in 1976 with Ulf as its artistic director. Beginning in 1977 with Handel's '' Acis and Galatea'', the festival's centerpiece has been the production of at least one baroque opera or oratorio. Since then it has played a pioneering role in the revival of Baroque opera. The Belgian conductor and early ...
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