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Marguérite Chapuy
Marguerite Chapuy (21 July 1852, Bordeaux – 23 September 1936, Dijon) was a French operatic soprano and the daughter of a former dancer at the Opéra. Her short professional career was concentrated on Paris but included appearances in London; she created several roles at the Opéra-Comique. Life and career As a pupil of François-Joseph Regnier, she first considered an acting career, however after a disappointing debut at the vaudeville theatre she inclined towards the lyric theatre. She undertook lessons with Arnoldi (her first teacher having been Belloni), and during the Franco-Prussian War of 1870 she moved to Brussels, where she continued her vocal studies, followed by stage appearances in Rennes. In 1872, Chapuy sang Susanna in ''Le nozze di Figaro'', and '' Haydée'' by Auber at the Opéra Comique. She created the role of Philomène in ''Le roi l'a dit'' by Delibes on 24 May 1873. In March 1874 she sang Mignon. She was invited by Mapleson to sing in London, where he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bordeaux
Bordeaux ( , ; Gascon oc, Bordèu ; eu, Bordele; it, Bordò; es, Burdeos) is a port city on the river Garonne in the Gironde department, Southwestern France. It is the capital of the Nouvelle-Aquitaine region, as well as the prefecture of the Gironde department. Its inhabitants are called ''"Bordelais"'' (masculine) or ''"Bordelaises"'' (feminine). The term "Bordelais" may also refer to the city and its surrounding region. The city of Bordeaux proper had a population of 260,958 in 2019 within its small municipal territory of , With its 27 suburban municipalities it forms the Bordeaux Metropolis, in charge of metropolitan issues. With a population of 814,049 at the Jan. 2019 census. it is the fifth most populated in France, after Paris, Lyon, Marseille and Lille and ahead of Toulouse. Together with its suburbs and exurbs, except satellite cities of Arcachon and Libourne, the Bordeaux metropolitan area had a population of 1,363,711 that same year (Jan. 2019 census), ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Dragons De Villars
''Les dragons de Villars'' (''The Dragoons of Villars'') is an opéra-comique in three acts by Aimé Maillart to a libretto by Lockroy and Eugène Cormon. The story of the opera was said to have been borrowed from ''La Petite Fadette'' by George Sand, updated by the librettists to the time of Louis XIV. It was premiered by the Théâtre Lyrique in Paris on 19 September 1856."Maillart, Aimé" in Sadie 1992, vol. 3, p. 156. It is also known by the English title ''The Hermit's Bell'' Background The piece was first offered to the director of the Opéra-Comique, Émile Perrin, who found it too dark, even after having the composer play some of it to him. It was next offered to one of the Seveste brothers at the Théâtre-Lyrique. They also rejected it, as did their successor Pierre Pellegrin. Some years later, the authors met Léon Carvalho, who had just taken over the direction of the Théâtre-Lyrique, and who accepted the completed piece without reading a word or hearing a note. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notre-Dame-de-Lorette, Paris
Notre-Dame-de-Lorette is a Roman Catholic Church located in the 9th arrondissement of Paris, It was built between 1823 and 1836 in the Neo-classical architectural style by architect Louis-Hippolyte Lebas, in a neighbourhood known as the New Athens, for its many artistic and scholarly residents in the 19th century, including George Sand, Pierre-Auguste Renoir, and Alexandre Dumas. While the exterior is classical and austere, the church interior is known for its rich collection of paintings, sculpture, and polychrome decoration. History A 17th-century chapel dedicated to Notre-Dame-de-Lorette existed on the same site at 54 rue Lamartine but during the French Revolution, it was nationalised by the Revolutionary government, closed, sold and demolished. In 1821, as the population of the neighbourhood was growing rapidly, plans were made to build a new church, with Louis-Hippolyte Lebas as the architect. Originally, the church was planned to face northward towards Montmartre, but e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis André
Louis André (28 March 1838, Nuits-Saint-Georges, Côte-d'Or – 18 March 1913) was France's Minister of War from 1900 until 1904. Loyal to the secularist Third Republic, he was anti-Catholic, militantly anticlerical, a Freemason and was implicated in the Affaire Des Fiches, a scandal in which he received reports from Masonic groups on which army officers were practicing Catholics for the purpose of denying their promotions. Affair des Fiches According to Piers Paul Read, "The information, as it came in, was entered on cards or ''fiches''. These would be marked either ''Corinth'' or ''Carthage'' -- the Corinthians being the sheep who should be promoted and the Carthaginians, the goats who should be held back. An officer reported to be 'perfect in all respects; excellent opinions,' would be marked as a Corinthian: another who, 'though a good officer, well reported on, takes no part in politics,' would nonetheless be designated a Carthaginian because he, 'went to Mass with his fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre De La Société Des Concerts Du Conservatoire
The Orchestre de la Société des concerts du Conservatoire was a symphony orchestra established in Paris in 1828. It gave its first concert on 9 March 1828 with music by Beethoven, Rossini, Meifreid, Rode and Cherubini. Administered by the philharmonic association of the ''Conservatoire de Paris'', the orchestra consisted of professors of the Conservatoire and their pupils. It was formed by François-Antoine Habeneck in pioneering fashion, aiming to present Beethoven's symphonies, but over time it became more conservative in its programming.Nichols R. The Harlequin Years – Music in Paris 1917–1929. Thames and Hudson, London, 2002. Its long existence kept the tradition of playing taught at the Conservatoire prominent in French musical life. The orchestra occupied the center-stage of French musical life throughout the 19th and most of the 20th centuries. A major tour of the US took place in 1918, appearing in 52 cities. Later that year it made the first of its many recordings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philémon Et Baucis
(''Philemon and Baucis'') is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon as told by La Fontaine (derived in turn from Ovid's ''Metamorphoses'' Book VIII). The piece was intended to capitalize on the vogue for mythological comedy started by Offenbach's ''Orpheus in the Underworld'', but ''Philémon et Baucis'' is less satirically biting and more sentimental. Originally intended as a two-act piece for the music festival at Baden-Baden, it was instead first performed at the Théâtre Lyrique The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opér ..., Paris, on 18 February 1860 because of the political situation in 1859. The new version added a middle act with chorus depicting Jupiter's de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Maréchal
Henri Maréchal (22 January 1842 – 12 May 1924) was a French composer. Life Born in Paris, Maréchal studied music theory with Émile Chevé and Édouard Batiste and piano with Louis Chollet. On the advice of Alexis de Castillon, he entered the composition class of Victor Massé at the Conservatoire de Paris, where he also studied organ with François Benoist and counterpoint with Charles-Alexis Chauvet. In 1870 he won the Premier Grand Prix de Rome with the cantata ''Le Jugement de Dieu'' . After the stay in the villa Medici in Rome associated with the prize, he made his debut as a composer in Paris with the "poème sacré" ''La Nativité'' (1875). He then composed several operas, ballets and dramatic music, another "drame sacré", choral and orchestral works, songs, chamber music pieces and motets. His first opera ''Les Amoureux de Catherine'' was performed for the hundredth time in 1889 and was given until 1920. Maréchal's compositional style is often characterized by ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Adrien Boieldieu
François-Adrien Boieldieu (, also ) (16 December 1775 – 8 October 1834) was a French composer, mainly of operas, often called "the French Mozart". His date of birth was also cited as December 15 by his biographer and writer Lucien Augé de Lassus (b. 1841) and as September 15 by some local press releases. Biography Born during the Ancien Régime in Rouen, François-Adrien Boieldieu received his musical education first from the choirmaster and then from the organist of the local cathedral. During the Reign of Terror, Rouen was one of the few towns to maintain a significant musical life and in 1793 a series of concerts was organised featuring the celebrated violinist Pierre Rode and the tenor Pierre-Jean Garat. It was during this time that Boieldieu composed his earliest works to texts written by his father (''La fille coupable'' in 1793, followed by ''Rosalie et Mirza'' in 1795). They brought him immediate success. During the Revolutionary period, Boieldieu left for Paris and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Calife De Bagdad
''Le calife de Bagdad'' (''The Caliph of Baghdad'') is an '' opéra comique'' in one act by the French composer François-Adrien Boieldieu with a libretto by Claude Godard d'Aucourt de Saint-Just. Dedicated to the landscape painter Bidauld it was first performed at the Opéra-Comique, Paris, on 16 September 1800 and soon became highly popular throughout Europe. It was Boieldieu's first major triumph. One member of the audience who was less impressed was the noted composer Luigi Cherubini who reproached Boieldieu, "Aren't you ashamed of such a great success, and doing so little to deserve it?" Boieldieu immediately applied to Cherubini for lessons in compositional techniques. ''Le calife de Bagdad'' was part of the vogue for operas on Oriental subjects and the music makes use of local colour, especially the overture with its prominent "eastern" percussion. Késie's aria "De tous pays" is a bravura piece which illustrates the musical styles of several European countries, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Val D'Andorre
''Le val d'Andorre'' (The Valley of Andorra) is an opéra comique by Fromental Halévy with a libretto by Saint-Georges. Although today almost completely forgotten, it was one of Halévy's greatest successes, running for 165 performances and restoring the then precarious financial situation of the Opéra-Comique in Paris where it was given its premiere on 11 November 1848. Production history After the premiere, the reviewer of the Parisian ''Revue et gazette musicale'' wrote 'This is the most brilliant total success ever recorded at the Opéra-Comique.' The opera was translated into German and produced in 1849 in Leipzig, where it was praised by Ignaz Moscheles - 'Music of a genuine dramatic character, which has more flow of melody than his other operas. The subject is cleverly worked out and very impressive.' In 1850 it opened in London, to mediocre reviews, but was graced by a visit from Queen Victoria (for which the French cast had to be hurriedly coached to sing ''God Save th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
