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Marguerite Sylva
Marguerite Sylva (also known as Marguerita Sylva) (10 July 1875 – 21 February 1957) was a Belgian born mezzo-soprano who achieved fame not only on the opera stage but also in operetta and musical theatre. She was particularly known for her performances in the title role of Bizet's ''Carmen'', which she sang over 300 times in the course of her career. Sylva was a pioneering recording artist for Edison Records and made many recordings for the company between 1910 and 1912. Biography Marguerite Sylva was born Marguerite Alice Hélène Smith in Brussels, to Mathilde (Schearer) Smith and Dr. Christian Charles Louis Smith, a Belgian of English parentage who was a consulting physician to the royal court of Belgium. Both she and her sister Edith were trained in music at the Belgian Royal Conservatory. Marguerite primarily studied the piano but also took private singing lessons. Edith went on to become a concert violinist of some renown, performing as Nadia Sylva. According to Marg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Beerbohm Tree
Sir Herbert Beerbohm Tree (17 December 1852 – 2 July 1917) was an English actor and theatre manager. Tree began performing in the 1870s. By 1887, he was managing the Haymarket Theatre in the West End, winning praise for adventurous programming and lavish productions, and starring in many of its productions. In 1899, he helped fund the rebuilding, and became manager, of His Majesty's Theatre. Again, he promoted a mix of Shakespeare and classic plays with new works and adaptations of popular novels, giving them spectacular productions in this large house, and often playing leading roles. His wife, actress Helen Maud Holt, often played opposite him and assisted him with management of the theatres. Although Tree was regarded as a versatile and skilled actor, particularly in character roles, by his later years his technique was seen as mannered and old-fashioned. He founded the Royal Academy of Dramatic Art in 1904 and was knighted for his contributions to theatre in 1909 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Carlo Opera Company
The San Carlo Opera Company was the name of two different opera companies active in the United States during the first half of the twentieth century. Henry Russell's San Carlo Opera The first company was founded by impresario Henry Russell, initially as a touring arm of the Teatro di San Carlo of Naples, Italy, in 1904. The company soon became its own institution and toured to The Royal Opera, London, in the Fall of 1905 and Boston in early 1906. The group remained based in Boston and gave tours annually of mostly Italian operas throughout the United States from 1906 to 1909 in addition to giving performances in Boston. With the opening of the Boston Opera House in 1909, the company essentially became the seed for the newly formed Boston Opera Company under the leadership of Russell. Notable singers to perform with Russell's San Carlo Opera Company included sopranos Fély Dereyne, Alice Nielsen, Lillian Nordica, and Tarquinia Tarquini; tenors Florencio Constantino, Riccardo Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston Opera Company
The Boston Opera Company (BOC) was an American opera company located in Boston, Massachusetts, that was active from 1909 to 1915. History The company was founded in 1908 by Bostonian millionaire Eben Dyer Jordan, Jr. and impresario Henry Russell. Jordan, an opera enthusiast and amateur singer, was the heir to a department store fortune and provided the company's financial backing for its first three seasons. He also provided the funds necessary to complete the Boston Opera House, as the theatre's construction had been halted for some years due to lack of finances. Russell had worked as a talent manager and opera director in Europe and from 1906 until 1909 his touring opera company, the San Carlo Opera Company (SCOC), had been based in Boston when not on the road. The SCOC was basically the artistic seed for the new Boston Opera Company as many artists working for this touring company, such as Alice Nielsen, Lillian Nordica, Florencio Constantino, and Louise Homer, became a par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhattan Center
The Manhattan Center is a building in Midtown Manhattan, New York City. Built in 1906 and located at 311 West 34th Street, it houses Manhattan Center Studios, the location of two recording studios; its Grand Ballroom; and the Hammerstein Ballroom, a performance venue. In 1976, the building was purchased by its current owner, the Unification Church, for $3 million. Some of the enterprises residing in the building include: Telemundo, Macy's, CFDA, WeWork, Facebook, iHeart Media, Samsung, American Heart Association, Robin Hood, FX Network, Endeavor, MAC Cosmetics, Viacom, SiriusXM, NBA, NBC Universal, Masterbeat, Broadway Cares Equity Fights AIDS. History The Manhattan Center was originally called the Manhattan Opera House and was built in 1906 by Oscar Hammerstein I, and was located one half block east of the 9th Avenue Elevated's 34th Street station. Hammerstein boldly sought to compete with the established Metropolitan Opera (at the time, located the first Metropolitan Opera H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein I
Oscar Hammerstein I (8 May 18461 August 1919) was a German-born businessman, theater impresario, and composer in New York City. His passion for opera led him to open several opera houses, and he rekindled opera's popularity in America. He was the grandfather of American playwright/lyricist Oscar Hammerstein II and the father of theater manager William Hammerstein and American producer Arthur Hammerstein. Early life Oscar Hammerstein I was born in Stettin (capital of the province of Pomerania), Kingdom of Prussia (now Szczecin, Poland), to German Jewish parents Abraham and Berthe Hammerstein. He took up the flute, piano, and violin at an early age. His mother died when he was fifteen years old. During his youth, Hammerstein's father wanted him to continue with his education and to specialize in subjects such as algebra, but Hammerstein wanted to pursue music. After Oscar went skating in a park one day, his father found out and whipped him as punishment, goading Hammerstein to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Herbert
Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchestral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fortune Teller (operetta)
''The Fortune Teller'' is an operetta in three acts written by Victor Herbert, with a libretto by Harry B. Smith. After a brief tryout in Toronto, it premiered on Broadway on September 26, 1898 at Wallack's Theatre and ran for 40 performances. Star Alice Nielsen and many of the original company travelled to London where the piece opened at the Shaftesbury Theatre on April 9, 1901, running for 88 performances. It was revived in New York on November 4, 1929 at Jolson's 59th Street Theatre and ran for 16 performances. This was Herbert's sixth operetta, which he wrote for Nielsen and her new Alice Nielsen Opera Company. Nielsen, having earned widespread praise in ''The Serenade'', requested and received not one but three roles in ''The Fortune Teller''. The story is set in Hungary and involves Irma, an heiress from Budapest, who is studying for the ballet. Irma is in love with a young Hussar captain but is being forced to marry the silly Count Barezowski. When Musette, a gypsy fortu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerald Du Maurier
Sir Gerald Hubert Edward Busson du Maurier (26 March 1873 – 11 April 1934) was an English actor and manager. He was the son of author George du Maurier and his wife, Emma Wightwick, and the brother of Sylvia Llewelyn Davies. In 1903, he married the actress Muriel Beaumont, with whom he had three daughters: writers Angela du Maurier (1904–2002) and Daphne du Maurier (1907–1989), and painter Jeanne du Maurier (1911–1997). His popularity was due to his subtle and naturalistic acting: a "delicately realistic style of acting that sought to suggest rather than to state the deeper emotions". His ''Times'' obituary said of his career: "His parentage assured him of engagements in the best of company to begin with; but it was his own talent that took advantage of them." Early life Gerald Hubert Edward Busson du Maurier was born on 26 March 1873 in Hampstead, London, the son of Emma (Wightwick) and George du Maurier, author and ''Punch'' cartoonist, who created the character ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
