Marco Arati
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Marco Arati
Marco Arati (181? - 1899) was an Italian operatic bass active during the 1840s through the 1880s. Although he occasionally appeared at other opera houses in Italy, he was primarily committed to the Teatro di San Carlo where he sang roles for more than four decades. Even though he was one of the preeminent singers of his day, there is little known about his life. Biography The exact place and date of Arati's birth is unknown, although it is likely that he was born somewhere between 1814 and 1819. He made his professional opera debut at the Teatro di San Carlo in 1841 in a production of Teodulo Mabellini's '' Rolla''. He sang in numerous world premieres at the Teatro di San Carlo during his career, most notably the roles of Andrea Cornaro in Gaetano Donizetti's ''Caterina Cornaro'' (1844), Alvaro in Giuseppe Verdi's ''Alzira'' (1845), Old Orazio in Saverio Mercadante's ''Orazi e Curiazi'' (1846), Callistene in Donizetti's ''Poliuto'' (1848), Wurm in Verdi's ''Luisa Miller'' (1849), ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Le Roi De Lahore
''Le roi de Lahore'' ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV). ''Le roi de Lahore'' is the third of Massenet's operas produced in Paris and was his first major success there, spawning performances across Europe and leading to his place as one of the most popular composers of his time. Performance history Within a year of the premiere the opera was performed, for instance, in Turin, Rome, Bologna, and Venice. The Royal Opera House, Covent Garden, presented it in London in 1879, and in 1906 it premiered in Monte Carlo. The US premiere took place in 1883 at the French Opera H ...
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Giovanni Terranova
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album '' Unseen World'' * '' Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) San Giovanni, the Italian form of "Saint John", is a name that may refer to dozens of saints. It may also refer to several places (most of them in Italy) and religious buildings: Places France *San-Giovanni-di-Moriani, a municipality of the Hau ...
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Antonio Gandolfo
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António ( Portuguese orthography) or Antônio ( Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In ...
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Nicola De Giosa
Nicola De Giosa (3 May 1819 – 7 July 1885) was an Italian composer and conductor active in Naples. He composed numerous operas, the most successful of which, '' Don Checco'' and ''Napoli di carnevale'', were in the Neapolitan ''opera buffa'' genre. His other works included sacred music and art songs. His songs were particularly popular, bringing him fame as a salon composer both in Italy and abroad. De Giosa died in Bari, the city of his birth, at the age of 66.Lanza, Andrea (2001)"De Giosa, Nicola" ''Grove Music Online''. Retrieved 27 June 2017 (subscription required for full access). Life and career De Giosa was born in Bari to Angelantonio and Lucia (''née'' Favia) De Giosa. He initially trained to be a flautist, first in Bari with his elder brother Giuseppe and then with Errico Daniele. Daniele recognized his talent and persuaded De Giosa's father to enroll him at the Conservatory of San Pietro a Majella in Naples. He passed the entrance examination at age 14 with suffic ...
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Giuseppe Staffa
Giuseppe Staffa (1807–1877) was an Italian composer and conductor. He is best remembered for his seven operas which he composed between 1827 and 1852. He was active as a conductor in Naples at the Teatro del Fondo and Teatro Nuovo. One of his students was Enrico Bevignani Enrico Modesto Bevignani (29 September 1841 – 29 August 1903) was an Italian conductor, harpsichordist, composer, and impresario. He studied in his native city with Giuseppe Albanese, Salvatore Lavigna, Giuseppe Lillo and Giuseppe Staffa. Al .... References 1807 births 1877 deaths Italian classical composers Italian male classical composers Italian conductors (music) Italian male conductors (music) Italian opera composers Male opera composers 19th-century classical composers 19th-century conductors (music) 19th-century Italian composers {{italy-composer-stub ...
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Errico Petrella
Errico Petrella (10 December 18137 April 1877) was an Italian opera composer. Life and career Petrella was born at Palermo, capital of the Kingdom of Sicily. A conservative of the Neapolitan school, he was the most successful Italian composer, second only to Verdi, during the 1850s and 1860s. He also earned the latter's scorn for his compositional and dramatic crudities, which nonetheless played well on the stage. Petrella was a popular composer in his day, both of opera buffa and more serious work. His best opera, '' Jone'', has considerable melodramatic force and vitality, and Petrella's melodic style, though old-fashioned in comparison with Verdi's operas of the 1850s, is still appealing. None of his early works, premiered between December 1829 and 1839, were particularly successful. It was not until '' Il carnevale di Venezia'' (Naples, Nuovo, 20 May 1851) that he really became noticed. ''Elena di Tolosa'' (Naples, Fondo, 12 August 1852) followed. Finally, in 1854, he t ...
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Giuseppe Puzone
Giuseppe Puzone (12 February 1820 – 17 October 1914) was an Italian opera composer and conductor active in Naples, the city of his birth. He was for many years the principal conductor of the Teatro San Carlo where his opera ''Elfrida di Salerno'' had premiered in 1849. He composed three other operas, all of which premiered in Naples, as well as sacred and symphonic music. Life and career Puzone was born in Naples, the son of Raffaele and Maria (''née'' Aveta) Puzone. He began his music studies at the age of 11 as an external student at the Conservatory of San Pietro a Majella where he initially studied singing under Niccolò Zingarelli. However, in order to be admitted to the conservatory as a scholarship student, he was required to master an instrument as well. He took up the oboe and became sufficiently proficient within 18 months to win a scholarship for full-time study. After further study under Ferrazzano and Rossi, he was admitted to the conservatory's orchestra as seco ...
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Vincenzo Capecelatro
Vincenzo is an Italian male given name, derived from the Latin name Vincentius (the verb ''vincere'' means to win or to conquer). Notable people with the name include: Art *Vincenzo Amato (born 1966), Italian actor and sculptor * Vincenzo Bellavere (c.1540-1541 – 1587), Italian composer * Vincenzo Bellini (1801–1835), Italian composer *Vincenzo Camuccini (1771–1844), Italian academic painter * Vincenzo Catena (c. 1470 – 1531), Italian painter *Vincenzo Cerami (1940–2013), Italian screenwriter * Vincenzo Consolo (1933–2012), Italian writer * Vincenzo Coronelli (1650–1718), Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist *Vincenzo Crocitti (1949–2010), Italian cinema and television actor *Vincenzo Dimech (1768–1831), Maltese sculptor * Vincenzo Galilei (1520–1591), composer, lutenist, and music theorist, father of Galileo * Vincenzo Marra (born 1972), Italian filmmaker * Vincenzo Migliaro (1858–1938), Italian painter * Vincenzo N ...
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Salvatore Sarmiento
Salvatore may refer to: * Salvatore (name), a given name and surname, including a list of people with the name * "Salvatore" (song), by Lana Del Rey, 2015 * Salvatore (band), a Norwegian instrumental rock band * '' Salvatore: Shoemaker of Dreams'', a 2020 film by Luca Guadagnino See also * San Salvatore (other) * Salvatori * Salvator (other), a Latin word meaning ''savior'' * Salvador (other), a Catalan, Spanish, and Portuguese word meaning ''savior'' * Salvo (other) A salvo is the simultaneous discharge of artillery or firearms. Salvo may also refer to: People and fictional characters * Salvo (surname), a list of people and fictional characters named Salvo, De Salvo, DeSalvo, Di Salvo or DiSalvo * Salvo (giv ...
, a common diminutive of ''Salvatore'' {{disambiguation ...
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Vincenzo Maria Battista
Vincenzo is an Italian male given name, derived from the Latin name Vincentius (the verb ''vincere'' means to win or to conquer). Notable people with the name include: Art *Vincenzo Amato (born 1966), Italian actor and sculptor * Vincenzo Bellavere (c.1540-1541 – 1587), Italian composer * Vincenzo Bellini (1801–1835), Italian composer * Vincenzo Camuccini (1771–1844), Italian academic painter * Vincenzo Catena (c. 1470 – 1531), Italian painter *Vincenzo Cerami (1940–2013), Italian screenwriter * Vincenzo Consolo (1933–2012), Italian writer * Vincenzo Coronelli (1650–1718), Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist * Vincenzo Crocitti (1949–2010), Italian cinema and television actor * Vincenzo Dimech (1768–1831), Maltese sculptor * Vincenzo Galilei (1520–1591), composer, lutenist, and music theorist, father of Galileo * Vincenzo Marra (born 1972), Italian filmmaker * Vincenzo Migliaro (1858–1938), Italian painter * Vincenz ...
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Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly becam ...
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