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Manolo Caracol
Manuel Ortega Juárez (9 July 1909 – 24 February 1973) was a Spanish flamenco cantaor (singer). Life and family Born in Seville, Spain, he was descended from a long line of flamenco artists including Enrique Ortega (father and son) and Curro Dulce, and he was possibly related to and El Fillo. The family was also known for its bull fighters. Under the stage name ''El Caracol'', he "gained international fame as much for his flamboyant personality as for his extraordinary '' cante''." Later his ''juergas'' (days long flamenco parties) became notorious. Although as a singer he always retained the ability to deliver the core of the traditional art, he was not ashamed to commercialize flamenco to attract a mass popularity; then he gained fame and fortune, as well as adding to a checkered reputation. For the most part, this was during what was later widely known as a decadent age in the history of the art, the age of Ópera flamenca. In 1922 as a youth, he had been awarded the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caracol 001
Caracol is a large ancient Maya archaeological site, located in what is now the Cayo District, of Belize. It is situated approximately south of Xunantunich, and the town of San Ignacio, and from the Macal River. It rests on the Vaca Plateau, at an elevation of above sea-level, in the foothills of the Maya Mountains.Arlen Chase and Diane Chase, 1987 Investigations at the Classic Maya City of Caracol, Belize: 1985-1987. Pre-Columbian Art Research Institute, San Francisco. Long thought to be a tertiary center, it is now known that the site was one of the most important regional political centers of the Maya Lowlands during the Classic Period. Caracol covered approximately ,Arlen Chase and Diane Chase 2009 Interpreting the Maya “Collapse”: Continued Investigation of Residential Complexes in and near Caracol’s Epicenter: 2009 Field Report of the Caracol Archaeological Project. http://caracol.org/reports/2009.php , accessed November 20, 2011 covering an area much larger than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lola Flores
Lola may refer to: Places * Lolá, a or subdistrict of Panama * Lola Township, Cherokee County, Kansas, United States * Lola Prefecture, Guinea * Lola, Guinea, a town in Lola Prefecture * Lola Island, in the Solomon Islands People * Lola (footballer) (born 1950), Brazilian association football player * Lola Astanova (born 1985), Uzbek-American pianist * Lola Beltrán (1932–1996), Mexican singer * Lola Índigo (born 1992), Spanish singer * Lola Kutty, alter ego of Indian entertainer Anuradha Menon * Lola Montez (1821–1861), stage name of Irish-born actress, dancer and courtesan Marie Dolores Eliza Rosanna Gilbert, Countess of Landsfeld * Lola Yoʻldosheva (born 1985), Uzbek singer, songwriter and actress Film and television * ''Lola'' (1961 film), by Jacques Demy * ''Lola'' (1969 film), starring Charles Bronson * ''Lola'' (1974 film), by David Hemmings * ''Lola'' (1981 film), by Rainer Werner Fassbinder * ''Lola'' (2019 film), by Laurent Micheli * ''Grandmother'' (2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melchor De Marchena
Melchor de Marchena (19071980; born Melchor Jimenez Torres) was a Spanish flamenco guitarist. Born in Marchena, Spain, he is considered to be one of the most representative artists with a "gypsy touch", along with Diego del Gastor. His love of flamenco comes from a family environment. His father, "El Lico" was a guitarist in his own right, while his mother "La Josefita", was a singer, as was one of his aunts, artistically known as "La Gilica de Marchena", who sang Soleá. Two of his brothers, Chicho Melchor and Miguel el Bizco, were also guitarists, like his son Enrique de Melchor (1950–2012), who continued the family tradition. Playing the guitar, Melchor accompanied several singers of his time, such as Manolo Caracol, La Niña de los Peines, and Antonio Mairena. In 1966, he was awarded the National Prize Flamenco Guitar, the highest award of its kind. In 1974 he performed with Paco de Lucia at the flamenco festival of La Union on the coast of eastern Spain. He died in Madrid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caña (flamenco)
Caña may refer to: * Sugarcane or other canes * a general term for rum, or any hard liquor from sugar * Caña (Chilean slang), a hangover * Caña blanca, a white rum from a sugar and molasses mixture, without dark molasses or caramel, without oak ageing * a nickname for Orujo, hard liquor from grape pressings (pomace) * La Caña, a district of Los Ríos, Distrito Nacional, Dominican Republic * Potrero de Caña, a corregimiento in Tolé District, Chiriquí Province, Panama * Caña (flamenco), a musical form similar to the polo * Kelvin Caña (born 1987), Venezuelan épée fencer * Another name for the Baston, a martial arts weapon See also * Flor de Caña (other) * Cana (other) CANA or Cana may refer to: Cana Cana may refer to: Places Biblical *Kanah, town and brook mentioned in the Book of Joshua of the Hebrew Bible (see Wadi Qana) *Cana, village mentioned in the Gospel of John as "Cana of Galilee", site of the Marriag ... * * Cañita (other) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Mairena
Antonio Cruz García, known as Antonio Mairena (1909–1983), was a Spanish musician, who tried to rescue a type of flamenco, which he considered to be pure or authentic. He rescued or recreated a high number of songs that had been almost lost, and also published several books and articles to divulge his views on flamenco and flamenco history. He considered himself as heir to the art of Manuel Torre, the most classic flamenco singer from Jerez, and also acknowledged the influence of other masters like Tomás Pavón or Joaquín el de la Paula. Early life and career Mairena was born in Mairena del Alcor, Seville Province The Province of Seville ( es, Sevilla) is a province of southern Spain, in the western part of the autonomous community of Andalusia. It is bordered by the provinces of Málaga, Cádiz in the south, Huelva in the west, Badajoz in the north and C ..., Spain. He won several awards, the most important of which was the ''Llave de Oro del Cante'' (Gold Key of Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrid
Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and its monocentric metropolitan area is the third-largest in the EU.United Nations Department of Economic and Social AffairWorld Urbanization Prospects (2007 revision), (United Nations, 2008), Table A.12. Data for 2007. The municipality covers geographical area. Madrid lies on the River Manzanares in the central part of the Iberian Peninsula. Capital city of both Spain (almost without interruption since 1561) and the surrounding autonomous community of Madrid (since 1983), it is also the political, economic and cultural centre of the country. The city is situated on an elevated plain about from the closest seaside location. The climate of Madrid features hot summers and cool winters. The Madrid urban agglomeration has the second-large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fandango
Fandango is a lively partner dance originating from Portugal and Spain, usually in triple meter, traditionally accompanied by guitars, castanets, or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated. The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm. Origins The earliest fandango melody is found in the anonymous "Libro de diferentes cifras de guitarra" from 1705, and the earliest description of the dance itself is found in a 1712 letter by Martín Martí, a Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagueñas (flamenco Style)
''Malagueñas'' () is one of the traditional styles of Andalusian music (flamenco), derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre". It has a very rich melody with virtuous flourishes and use of microtones. Its guitar accompaniment is normally played in open position first inversion giving E for the tonic, which can be transposed by using a capo. History Origins Malagueñas derive from local variety of the Fandangos, a type of dance that, with different regional variations and even different names, became very popular in great part of Spain in the 18th century. Although nowadays malagueñas are a typical instance of "cante libre", performed at libitum and normally not used for the dance, folkloric fandangos were originally sung an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soleá
''Soleares'' (plural of ''soleá'', ) is one of the most basic forms or '' palos'' of Flamenco music, probably originating among the Calé Romani people of Cádiz or Seville in Andalusia, the most southern region of Spain. It is usually accompanied by one guitar only, in phrygian mode "''por arriba''" (fundamental on the 6th string); "'' Bulerías por soleá''" is usually played "''por medio''" (fundamental on the 5th string). Soleares is sometimes called "mother of palos" although it is not the oldest one (e.g. siguiriyas is older than soleares) and not even related to every other palo (e.g. fandangos family is from a different origin) Lyrics When singers sing soleá, as with most palos, they normally choose different "''coplas''" (stanzas), with different melody, and combine them according to the inspiration of the moment or to a previous plan. Even if the singer has a previous plan, it is often altered on the spur of the moment. These stanzas are independent in subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seguiriya
''Siguiriyas'' (; also ''seguiriyas'', ''siguerillas'', ''siguirillas'', ''seguidilla gitana'', etc.) are a form of flamenco music in the cante jondo category. This deep, expressive style is among the most important in flamenco. Unlike other palos of flamenco, siguiriyas stands out for being purely Romani (Calé) in origin. Siguiriyas are normally played in the key of A Phrygian with each measure (the compás) consisting of 12 counts with emphasis on the 1st, 3rd, 5th, 8th and 11th beats as shown here: : : '' 2 '' 4 '' 6 7 '' 9 10 1'' 12 This rhythm can be contrasted with the rhythmic pattern of the soleares, which also has 12 beats, but the accents fall differently. Taking the unusual accenting into account, it can technically be seen as a measure of 3/4 (counted in eighth notes) starting on "2", then a measure of 6/8 followed by the "1 and" of the 3/4. Every note is evenly spaced apart. For example: : : '' and '' and '' 2 3 '' 5 6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martinetes
''Martinetes'' (, sing. ''martinete'') are a flamenco ''palo'' belonging to the group of the ''tonás'' or ''cantes a palo seco''. As the rest of the songs in this group, it is sung with no accompaniment. In some dance shows for the stage, though, it is accompanied by percussion played with the compás of siguiriya. The percussion instruments chosen for this are frequently a hammer and anvil, to evocate the origins of this ''palo'', attributed to Gypsy smiths. It is not probable, though, that they were real work songs: they demand too much effort and faculties to be sung while carrying out a heavy task like that of a smith. They were more probably sung in family gatherings. Although martinetes are often classified under the toná group on the grounds that they share its a cappella nature, the melody types differ strongly from the rest of tonás, so it is now generally considered to be a different ''palo''. A characteristic that differentiates them from the tonás, normally in majo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
