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Mandorla (arte)
A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with '' vesica'', a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. It is distinguished from a halo in that it encircles the entire body and not just the head. It is commonly used to frame the figure of Christ in Majesty in early medieval and Romanesque art, as well as Byzantine art of the same periods. It is the shape generally used for mediaeval ecclesiastical seals, secular seals generally being round. Depictions ''Mandorla'' is Italian for the almond nut, to which shape it refers. It may be elliptical or depicted as a vesica, a lens shape as the intersection of two circles. Rhombic mandorlas are also sometimes depicted. In icons of the Eastern Orthodox Church, the mandorla is used to depict sacred moments that "transcend time and space", such as the Resurrecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Bruchsal 1 01v Cropped
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Orthodox Church
The Eastern Orthodox Church, also called the Orthodox Church, is the second-largest Christian church, with approximately 220 million baptized members. It operates as a communion of autocephalous churches, each governed by its bishops via local synods. The church has no central doctrinal or governmental authority analogous to the head of the Roman Catholic Church—the Pope—but the Ecumenical Patriarch of Constantinople is recognized by them as '' primus inter pares'' ("first among equals"), which may be explained as a representative of the church. As one of the oldest surviving religious institutions in the world, the Eastern Orthodox Church has played a prominent role in the history and culture of Eastern and Southeastern Europe. The Eastern Orthodox Church officially calls itself the Orthodox Catholic Church. Eastern Orthodox theology is based on holy tradition, which incorporates the dogmatic decrees of the seven ecumenical councils, the Scriptures, and the teachin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Sculpture
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conques
Conques (; Languedocien dialect, Languedocien: ''Concas'') is a former Communes of France, commune in the Aveyron Departments of France, department in Southern France, in the Occitania (administrative region), Occitania Regions of France, region. On 1 January 2016, it was merged into the new commune of Conques-en-Rouergue. Geography The village is located at the confluence of the rivers Dourdou de Conques and Ouche. It is built on a hillside and has classic narrow medieval streets. As a result, large vehicles such as buses cannot enter the historic town centre and must park outside. Consequently, most day visitors enter on foot. The town was largely passed by in the nineteenth century, and was saved from oblivion by the efforts of a small number of dedicated people. As a result, the historic core of the town has very little construction dating from between 1800 and 1950, leaving the medieval structures remarkably intact. The roads have been paved, and modern-day utility lines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant Climent De Taüll
Sant may refer to: People * Alfred Sant (born 1948), Maltese politician * Andrew Sant (born 1950), English-born Australian poet * David Sant (born 1968), Catalan director, actor and writer * Indira Sant (1914–2000), Indian poet * James Sant (1820–1916), British painter * Lorry Sant (1937–1995), Maltese politician Places * Sant State, a former princely salute state in Rewa Kantha, Gujarat, India * Sant, Övörkhangai, a district in Mongolia * Sant, Selenge, a district in Mongolia * Șanț, a commune in Bistriţa-Năsăud County, Romania * Șanț River, a tributary of the Trotuş River in Romania Religion * Sant (religion), in Hinduism, Jainism, and Buddhism, an enlightened human being, commonly translated as " Saint" * Sant Joan (other) Other * Sant tree (''Acacia nilotica''), a tree species found in Africa * Teniente General Benjamín Matienzo International Airport, Argentina (ICAO code: SANT) See also * Sants (other) Sants may refer to: * San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alpha And Omega
Alpha (Α or α) and omega (Ω or ω) are the first and last letters of the Greek alphabet, and a title of Christ and God in the Book of Revelation. This pair of letters is used as a Christian symbol, and is often combined with the Cross, Chi-rho, or other Christian symbols. Origin The first written record we have of the phrase "alpha and omega" is from some old manuscripts of the Christian New Testament. The phrase "I am the Alpha and the Omega" (Koiné Greek: "ἐγώ εἰμί τὸ Ἄλφα καὶ τὸ Ὦ"), is an appellation of Jesus and of the Father in the Book of Revelation (verses 1:8, 21:6, and 22:13). The first part of this phrase ("I am the Alpha and the Omega") is first found in Chapter 1 verse 8 ("1:8"), and is found in every manuscript of Revelation that has 1:8. Several later manuscripts repeat "I am the Alpha and the Omega" in 1:11 too, but do not receive support here from most of the oldest manuscripts, including the Alexandrine, Sinaitic, and Codex Eph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molding (decorative)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudo-Dionysius The Areopagite
Pseudo-Dionysius the Areopagite (or Dionysius the Pseudo-Areopagite) was a Greek author, Christian theologian and Neoplatonic philosopher of the late 5th to early 6th century, who wrote a set of works known as the ''Corpus Areopagiticum'' or ''Corpus Dionysiacum''. The author pseudepigraphically identifies himself in the corpus as "Dionysios", portraying himself as Dionysius the Areopagite, the Athenian convert of Paul the Apostle mentioned in Acts 17:34. Historic confusions In the early sixth century, a series of writings of a mystical nature, employing Neoplatonic language to elucidate Christian theological and mystical ideas, was ascribed to the Areopagite. They have long been recognized as pseudepigrapha, and their author is now called "Pseudo-Dionysius the Areopagite". Corpus Works The Corpus is today composed of: * ''Divine Names'' ('); * '' Celestial Hierarchy'' ('')''; * ''Ecclesiastical Hierarchy'' ('); * ''Mystical Theology'' ('), "a brief but powerful wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apophatic Theology
Apophatic theology, also known as negative theology, is a form of theology, theological thinking and religious practice which attempts to Problem of religious language, approach God, the Divine, by negation, to speak only in terms of what may not be said about the perfect goodness that is God. It forms a pair together with cataphatic theology, which approaches God or the Divine by affirmations or positive statements about what God ''is''. The apophatic tradition is often, though not always, allied with the approach of mysticism, which aims at the vision of God, the perception of the divine reality beyond the realm of Perception, ordinary perception. Etymology and definition "Apophatic", grc, ἀπόφασις (noun); from ἀπόφημι ''apophēmi'', meaning 'to deny'. From ''Online Etymology Dictionary'': ''Via negativa'' or ''via negationis'' (Latin), 'negative way' or 'by way of denial'. The negative way forms a pair together with the ''kataphatic'' or positive way. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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