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Manchu Platform Shoes
Manchu platform shoes refers to the traditional high Platform shoe, platform shoes worn by Manchu people, Manchu women which appeared in the early Qing dynasty and continued to be worn even in the late Qing dynasty. It is a type of (), Manchu shoes, which forms part of the , the traditional attire of the Manchu people. Depending on its styles of its, the Manchu platform shoes could be classified as (), which were High-heeled shoe, high-heeled shoes, and (), which were typically low-heeled shoes. The could be further divided into the (), also known as (), () or commonly referred as flowerpot shoes in English, and the (), also known as (), which is commonly referred as horse hoof-tread shoes or horse-hoof shoes in English. Construction and design Materials The lower portion of the shoe was a high platform heel which was made out of wood while the upper portion shoe was made of fabric. The sole was padded with several layers of cotton which could have allowed the shoe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoes For A Manchu Noblewoman, China, Qing Dynasty, Mid 1800s AD, Silk, Wood - Textile Museum, George Washington University - DSC09970
A shoe is an item of footwear intended to protect and comfort the Foot, human foot. They are often worn with a sock. Shoes are also used as an item of decoration and fashion. The design of shoes has varied enormously through time and from culture to culture, with form originally being tied to function. Though the human foot can adapt to varied terrains and climate conditions, it is still vulnerable to environmental hazards such as sharp rocks and temperature extremes, which shoes protect against. Some shoes are worn as safety equipment, such as steel-toe boots which are required footwear at industrial worksites. Additionally, fashion has often dictated many design elements, such as whether shoes have very high heels or flat ones. Contemporary footwear varies widely in style, complexity and cost. Basic sandals may consist of only a thin sole (shoe), sole and simple strap and be sold for a low cost. High fashion shoes made by famous Fashion design, designers may be made of expens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liangbatou
Liangbatou is a hairstyle/headdress worn by Manchu women. It is a tall headdress that features two handfuls of hair, parted to each side of the head, sometimes with the addition of wire frames, extensions and ornamentation. Liangbatou was made famous by Empress Dowager Cixi and her Manchu court ladies, becoming popular and evolving starting from the Qing Dynasty through the Republican Period (1910–1940s). It was known nationally and internationally for its towering shape and ornamentation, and was influenced by the theatrical representations of non-Han ethnicities. It was used to reveal a woman's social and marital status, and became symbolic of Manchu identity. It was eventually used as imperial propaganda to show support for the Qing Dynasty and strengthen Manchu ties. History During the 19th century, the Manchu man's queue hairstyle was mocked and discarded around the world, and symbolize national shame by anti-Manchuism in China. Contrarily, the liangbatou captivated o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Fashion
The nineteenth century marks the period beginning January 1, 1801 and ends December 31, 1900. It was a period of dramatic change and rapid socio-cultural advancement, where society and culture are constantly changing with advancement of time. The ''Fashion of the 19th Century'' strongly reflected the technology, art, politics and culture of the time of which were highly influential to the styles and silhouettes. For women, fashion was an extravagant and extroverted display of the female silhouette with corset pinched waistlines, bustling full-skirts that flowed in and out of trend and decoratively embellished gowns. For men, three piece suits were tailored for usefulness in business as well as sporting activity. The fashion in this article includes styles from the 19th Century through a Western context - namely Europe and North America. Historical overview and fashions Early 1800s (1800-1829) Technological innovations At the turn of the 18th century, the Western world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Fashion
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Fashion
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanfu
''Hanfu'' () is the traditional styles of clothing worn by the Han Chinese. There are several representative styles of ''hanfu'', such as the (an upper-body garment with a long outer skirt), the (an upper-body garment with a long underskirt), the and the , and the (an upper-body garment with ku trousers). Traditionally, ''hanfu'' consists of a ''paofu'' robe, or a ''ru'' jacket worn as the upper garment with a ''qun'' skirt commonly worn as the lower garment. In addition to clothing, hanfu also includes several forms of accessories, such as headwear, footwear, belts, jewellery, and handheld fans. Nowadays, the hanfu is gaining recognition as the traditional clothing of the Han ethnic group, and has experienced a growing fashion revival among young Han Chinese people in China and in the overseas Chinese diaspora. After the Han dynasty, ''hanfu'' developed into a variety of styles using fabrics that encompassed a number of complex textile production techniques, part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liangbatou
Liangbatou is a hairstyle/headdress worn by Manchu women. It is a tall headdress that features two handfuls of hair, parted to each side of the head, sometimes with the addition of wire frames, extensions and ornamentation. Liangbatou was made famous by Empress Dowager Cixi and her Manchu court ladies, becoming popular and evolving starting from the Qing Dynasty through the Republican Period (1910–1940s). It was known nationally and internationally for its towering shape and ornamentation, and was influenced by the theatrical representations of non-Han ethnicities. It was used to reveal a woman's social and marital status, and became symbolic of Manchu identity. It was eventually used as imperial propaganda to show support for the Qing Dynasty and strengthen Manchu ties. History During the 19th century, the Manchu man's queue hairstyle was mocked and discarded around the world, and symbolize national shame by anti-Manchuism in China. Contrarily, the liangbatou captivated o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheongsam
''Cheongsam'' (, ), also known as the ''qipao'' () and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the , the ethnic clothing of the Manchu people. The cheongsam is most often seen as a longer, figure-fitting, one piece garment with a standing collar, an asymmetric, left-over-right () opening and two side slits, and embellished with Chinese frog fasteners on the lapel and the collar. It was developed in the 1920s and evolved in shapes and design over years. It was popular in China from the Republic of China (1912–1949), 1920s to 1940s, overlapping the Republican era, and was popularized by Chinese socialites and high society (social class), high society women in Shanghai. It was also one of the national dress of the Republic of China (1912–1949), Republic of China in 1929 and is currently the national dress of China, which symbolizes a generic Chinese national identity rather than a specific ethnic and/or ancest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Clothing
Chinese clothing includes both the traditional hanfu and modern variations of indigenous Chinese dress as recorded by the artifacts and some traditional arts of Chinese culture. Chinese clothing has been shaped through its dynastic traditions, as well as through foreign influences. Chinese clothing showcases the traditional fashion sensibilities of Chinese culture traditions and forms one of the major cultural facets of Chinese civilization. Imperial China Traditional Han clothing has a recorded history of more than three millennia until the end of the Ming Dynasty. Most Chinese men wore Chinese black cotton shoes, but wealthy higher-class people would wear tough black leather shoes for formal occasions. Very rich and wealthy men would wear very bright, beautiful silk shoes, sometimes with leather on the inside. Women would wear silk shoes, with certain wealthy women practicing foot binding wearing coated Lotus shoes as a status symbol until in the early 20th century. Civil an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feet
The foot ( : feet) is an anatomical structure found in many vertebrates. It is the terminal portion of a limb which bears weight and allows locomotion. In many animals with feet, the foot is a separate organ at the terminal part of the leg made up of one or more segments or bones, generally including claws or nails. Etymology The word "foot", in the sense of meaning the "terminal part of the leg of a vertebrate animal" comes from "Old English fot "foot," from Proto-Germanic *fot (source also of Old Frisian fot, Old Saxon fot, Old Norse fotr, Danish fod, Swedish fot, Dutch voet, Old High German fuoz, German Fuß, Gothic fotus "foot"), from PIE root *ped- "foot". The "plural form feet is an instance of i-mutation." Structure The human foot is a strong and complex mechanical structure containing 26 bones, 33 joints (20 of which are actively articulated), and more than a hundred muscles, tendons, and ligaments.Podiatry Channel, ''Anatomy of the foot and ankle'' The joints of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Branch
A branch, sometimes called a ramus in botany, is a woody structural member connected to the central trunk (botany), trunk of a tree (or sometimes a shrub). Large branches are known as boughs and small branches are known as twigs. The term ''twig'' usually refers to a wikt:terminus, terminus, while ''bough'' refers only to branches coming directly from the trunk. Due to a broad range of species of trees, branches and twigs can be found in many different shapes and sizes. While branches can be nearly vertical and horizontal, horizontal, vertical, or diagonal, the majority of trees have upwardly diagonal branches. A number of mathematical properties are associated with tree branchings; they are natural examples of fractal patterns in nature, and, as observed by Leonardo da Vinci, their cross section (geometry), cross-sectional areas closely follow the da Vinci branching rule. Terminology Because of the enormous quantity of branches in the world, there are numerous names in Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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