Mamoru Watanabe
was a Japanese film director, screenwriter and actor, known for his work in the '' pink film'' genre. Along with directors Genji Nakamura and Banmei Takahashi, Watanabe was known as one of the "Three Pillars of Pink". Life and career Early life Watanabe was born in Tokyo on March 19, 1931. His father owned a neighborhood movie theater, giving the young Watanabe an early interest in and a familiarity with the cinema. The family lived near the Daito Eiga studios, and Watanabe would go to watch the filming of ''jidaigeki''. Daito was one of the studios that would be joined into the Daiei Motion Picture Company by the government during World War II. Watanabe's older brother, born about 1919, was also a film enthusiast. When he died of tuberculosis in 1941, Watanabe inherited his older brother's large collection of movie memorabilia, including film scripts and magazines. Early career Watanabe entered Waseda University in 1950 majoring in drama and graduated with honors in 1954. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastate ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Movie Memorabilia
Film memorabilia are objects considered of value because of their connection to the cinema. These include costumes, props, advertising posters, and scripts, among other things. Fans have always coveted memorabilia, but in recent years, what was once a hobby has mushroomed into big business, with millions of dollars changing hands in auctions held by such top firms as Christie's and Sotheby's. In addition, many popular films have their collectible items sold via independent, online movie memorabilia stores, web auctions, and at film studio charity events.Ian Mohr ''Daily Variety''. Reed Business Information February 27, 200"Movie props on the block: Mouse to auction Miramax leftovers"/ref>David James ''People Magazine'' Time Inc. February 24, 200/ref> History of collecting In the early days, most people sought autographs or original photographs or posters. Collectors had to rely on a handful of news magazines that were full of various sellers offering mail order catalogues or asking ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Insect Woman
is a 1963 Japanese drama film directed by Shōhei Imamura. It was entered into the 14th Berlin International Film Festival, where Sachiko Hidari won the Silver Bear for Best Actress award. It was also awarded numerous national film prizes. Plot The film follows Tome, a young woman born to a rural lower-class family in the Tōhoku region in 1918, who, after a long series of mishaps, rises to the status of a madam in the post-war era. When she is sentenced to jail, her daughter Nobuko becomes her patron's lover, but later steals his money to use it for building up a farming commune. Cast * Sachiko Hidari as Tome Matsuki * Jitsuko Yoshimura as Nobuko * Emiko Aizawa as Rui * Masumi Harukawa as Midori * Emiko Higashi as Kane * Daizaburo Hirata as Kamibayashi * Seizaburo Kawazu as Karasawa * Teruko Kishi as Rin * Tanie Kitabayashi as Madam * Kazuo Kitamura as Chuji * Asao Koike as Sawakichi * Masakazu Kuwayama as Owagawa En's Lover * Hiroyuki Nagato as Matsunami * Shoichi Ozawa as Ken ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Shōhei Imamura
was a Japanese film director. His main interest as a filmmaker lay in the depiction of the lower strata of Japanese society. A key figure in the Japanese New Wave, who continued working into the 21st century, Imamura is the only director from Japan to win two Palme d'Or awards. Biography Early life Imamura was born to an upper-middle-class doctor's family in Tokyo in 1926. For a short time following the end of the war, Imamura participated in the black market selling cigarettes and liquor. He studied Western history at Waseda University, but spent more time participating in theatrical and political activities. He cited a viewing of Akira Kurosawa's ''Rashomon'' in 1950 as an early inspiration, and said he saw it as an indication of the new freedom of expression possible in Japan in the post-war era. Upon graduation from Waseda in 1951, Imamura began his film career working as an assistant to Yasujirō Ozu at Shochiku Studios on films like ''Early Summer'' and ''Tokyo Story''. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Flesh Market
is a 1962 Japanese film directed by Satoru Kobayashi and starring Tamaki Katori. It is generally recognized as the first movie in the '' pink film'' genre. ''Flesh Market'' opened at the Ueno Okura Theater in Tokyo, which was operated by the film's production company OP Eiga, on February 27, 1962 Two days after the film opened, the Tokyo Metropolitan Police stopped the film's showing and confiscated all the prints and negatives. According to an interview with Kinya Ogawa, the film's Chief Assistant Director, the staff managed to put together a new version from rushes and extra footage, removing some of the more offensive scenes. The new film was immediately profitable probably because of the huge press coverage of the seizure event. A new term, ''eroduction'', was invented to describe this emerging genre of film which later became known as ''pink film'' Plot Only a 21-minute fragment remains of the original film which ran 49 minutes. From written accounts of the film, it conce ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Satoru Kobayashi (director)
(August 1, 1930 – November 15, 2001) was a Japanese film director most famous for directing the first '' pink film'', the type of softcore pornographic films that became the most prolific film genre in Japan during the 1960s and 1970s. Japanese sources claim that Kobayashi directed over 400 ''pink films'' between 1960 and 1990, making him possibly the most prolific Japanese film director. Life and career Early life Satoru Kobayashi was born in Nagano Prefecture on August 1, 1930. His family owned a hot-spring resort hotel. As a teenager during World War II, Kobayashi was involved in anti-war activities, resulting in his torture by the Japanese military police. In an interview with the Director's Guild, Kobayashi claimed that it was this first-hand experience with torture that gave him his interest and adeptness with the sado-masochistic genre of ''pink film'' in which he often worked.Weisser, p.140. Kobayashi left Nagano for Tokyo, where he studied theater. He became involve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Million Film
was one of the early independent studios which produced pink films. Along with OP Eiga, Shintōhō Eiga, Kantō and Kōji Wakamatsu's production studio, Million Film was one of the most influential on the genre during its first decade. Many of the most prominent directors and performers in the pink film genre worked for Million Film. Million's beginning Million Films was a subsidiary of Keitsū Productions, which ran a string of cinemas during the post-war years,Sharp, p. 203. including the Shinjuku Moulin Rouge, which Keitsū revived and ran as a movie theater beginning in April 1947. Late in 1968, Million began distributing films for other production companies, beginning with pink film pioneer Kan Mukai's in September. In its first year of existence, Million Film distributed films starring some of the leading performers in the pink film industry. , produced by Unimonde and released by Million in October 1968, gave future Nikkatsu Roman Porno queen Kazuko Shirakawa a role as o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Shintōhō
was a Japanese movie studio. It was one of the big six film studios (which also included Daiei, Nikkatsu, Shochiku, Toei Company, and Toho) during the Golden Age of Japanese cinema. It was founded by defectors from the original Toho company following a bitter strike in 1947. To compete with the other major studios in the horror/supernatural movie field, Shintoho turned out a large group of such films between 1957 and 1960, including a number of period ghost movies and low-budget science fiction films (such as the ''Starman'' (''Super Giant'') series which was designed to compete with rival then-popular characters ''Planet Prince'', '' Space Chief'' and ''Moonlight Mask''). Shintoho declared bankruptcy in 1961, its last production being '' Jigoku''. Shintoho Starlet Program Like the other major Japanese movie companies at that time, Shintoho was also recruiting so-called new faces under the name of "Shintoho Starlet". Recruitment started in 1951. However, due to the early bankru ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Michiyoshi Doi
(December 9, 1926 – March 16, 1975) was a Japanese film director A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, p .... He directed films from the 1950s to the 1970s. Filmography Film director He directed 30 films: http://www.jmdb.ne.jp/person/p0300580.htm * '' Yogoreta Nikutai Seijo'' (汚れた肉体聖女 ) (1958) * ''Otoko no chosen'' (1968) * ''Kigeki meoto zenzai'' (1968) * ''Worship of the Flesh'' (Ensetsu meiji jakyoden) (1968) Screenwriter He was screenwriter of 7 films: * '' Yojaso no maō'' (1957) References External links Japanese film directors 1926 births 1975 deaths {{Japan-film-director-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Television
Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries. The availability of various types of archival st ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Assistant Director
The role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew.IMDB Glossary, retrieved 2015-02-10 The role of an assistant to the film director is often confused with assistant director but the responsibilities are entirely different. The assistant to the film director manages all of the directors in development, pre-production, while on set, through post-production and is often involved in both personal management as well as creative aspects of the production process. Historically, assistant directing was a stepping stone to directing work; Alfred Hitchcock was an AD, as well as Akira Kurosawa. This was when the role was more general and encompassed all aspects of filmmaking such as set design and script editing. This transition into film directing is no ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |