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Mamiya
is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya () and financial backer Tsunejiro Sugawara. History Mamiya originally achieved fame for its professional medium-format film cameras such as the Mamiya Six and the Mamiya Press series. It later developed the industry workhorse RB67 series, the RZ67, the 645 and the twin-lens reflex Mamiya C-series, used by advanced amateur and professional photographers. Many Mamiya models over the past six decades have become collectors' items. The earliest Mamiya Six medium-format folding camera, the 35 mm Mamiya-Sekor 1000DTL, the lightweight 35 mm Mamiya NC1000, the 6×6 cm medium-format C series of interchangeable-lens twin-lens reflex (TLR) cameras, and the press cameras of the Super/Universal seri ...
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Mamiya 645
The Mamiya 645 camera systems are a series of medium format film and digital cameras and lenses manufactured by Mamiya and its successors. They are called "645" because they use the nominal 6 cm x 4.5 cm film size from 120 roll film. They came in three major generations: first-generation manual-focus film cameras, second-generation manual-focus film cameras, and autofocus film/digital cameras. Mamiya 645 Manual Focus System Mamiya 645 manual focus cameras All seven of the manual-focus Mamiya 645 cameras can use the same lenses and film inserts (film spools). The two generations use different viewfinders, grips, and other accessories that are not always cross-compatible. First Generation * The M645 was manufactured from 1975 to 1987. This was the first model to offer a 6x4.5 cm frame, allowing 15 shots on a standard 120 roll film. The M645 was a true system camera, with interchangeable viewfinders and lenses. It used an electronically controlled cloth foc ...
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Mamiya NC1000
is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya () and financial backer Tsunejiro Sugawara. History Mamiya originally achieved fame for its professional medium-format film cameras such as the Mamiya Six and the Mamiya Press series. It later developed the industry workhorse RB67 series, the RZ67, the 645 and the twin-lens reflex Mamiya C-series, used by advanced amateur and professional photographers. Many Mamiya models over the past six decades have become collectors' items. The earliest Mamiya Six medium-format folding camera, the 35 mm Mamiya-Sekor 1000DTL, the lightweight 35 mm Mamiya NC1000, the 6×6 cm medium-format C series of interchangeable-lens twin-lens reflex (TLR) cameras, and the press cameras of the Super/Universal serie ...
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Mamiya C3 7689
is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya () and financial backer Tsunejiro Sugawara. History Mamiya originally achieved fame for its professional medium-format film cameras such as the Mamiya Six and the Mamiya Press series. It later developed the industry workhorse RB67 series, the RZ67, the 645 and the twin-lens reflex Mamiya C-series, used by advanced amateur and professional photographers. Many Mamiya models over the past six decades have become collectors' items. The earliest Mamiya Six medium-format folding camera, the 35 mm Mamiya-Sekor 1000DTL, the lightweight 35 mm Mamiya NC1000, the 6×6 cm medium-format C series of interchangeable-lens twin-lens reflex (TLR) cameras, and the press cameras of the Super/Universal serie ...
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Mamiya C
The Mamiya C series is a line of twin-lens reflex medium-format system cameras manufactured by Mamiya between 1956 and 1994. It was developed from the Mamiyaflex series of cameras built from 1949 to 1956. The Mamiya C series was initially aimed at the professional market, but some later models were intended for amateurs. Common features Unlike most TLR cameras, the Mamiya C has interchangeable lenses. The upper and lower lenses come off as a unit, and are available in at least seven different focal lengths. The lower lens of each unit has an aperture diaphragm as well as a leaf shutter. A flash sync terminal is part of the lens unit, and the delay can be set to M or X mode. The camera has an interlocking baffle that enables lenses to be changed without exposing the film. Focusing is performed via a bellows system on the front side of the camera. Early models had separate film advance and shutter cocking mechanisms; on later models the shutter was automatically cocked as t ...
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Mamiya Six
{{Distinguish, Mamiya 6 The Mamiya Six, also known as the Mamiya-6, is a series of folding medium-format rangefinder cameras manufactured by Mamiya between 1940 and the late 1950s. The cameras captured twelve 6 cm × 6 cm images on 120 film rolls. Some later models could also take sixteen 4.5 cm × 6 cm images. The cameras were coupled rangefinders, but had a unique focusing mechanism that moved the film plane instead of the lens. The lenses were not interchangeable, and were made by various Japanese manufacturers. Beginning with the model IV, the name on the top plate changed from "Mamiya Six" (two lines) to "Mamiya-6". Models * Mamiya Six I (1940) * Mamiya Six I A (1941) * Mamiya Six III (1942) * Mamiya Six II (1943) * Mamiya Six II A (1943) * Mamiya-6 IV (1947) * Mamiya-6 V (1953) * Mamiya-6 K (1954) * Mamiya-6 IV B (1955) * Mamiya-6 Automat (1955) * Mamiya-6 K II (1956) * Mamiya-6 IV S (1957) * Mamiya-6 P (1957) * Mamiya-6 Automat 2 (1958) See also * List of Mamiya product ...
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Mamiya RZ67
The Mamiya RZ67 is a professional medium format single-lens reflex system camera manufactured by Mamiya. There are three successive models: the RZ67 Professional (first model released in 1982), RZ67 Professional II (released in 1993) and RZ67 Professional IID (released in 2004). It is primarily designed for studio use, but can also be used in the field. The RZ67 name is adopted from the model name of the Mamiya RB67, which was first introduced in 1970. Details The RZ67 is a modular camera system, meaning lenses, viewfinders, ground glasses, film winders and film backs are all interchangeable. It is primarily designed for studio use, but can also be used in the field. The RZ67 Sekor lenses have built-in electronic leaf shutters which are cocked and triggered from the body. Focusing is performed with a bellows on the body instead of the lenses. The camera accepts 6×7, 6×6 and 6×4.5, 120 and 220 film magazines and Polaroid as well as Quadra 72 4×5 sheet film backs. Mamiya R ...
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Mamiya Press
The Mamiya Press is a line of medium-format rangefinder system camera manufactured by Mamiya. The first model was introduced in 1960, and the final model was discontinued in the 1970s. It was targeted at the professional press photography market, and a wide array of accessories was offered. The maximum image size that can be captured is 6 cm × 9 cm, but images can be taken in a number of different formats, and using several types of film. All of the lenses have leaf shutters, which are released on the lens itself, not through the body as is typical with most cameras. The shutter is typically triggered from one of several models of removable grips, all of which have a built-in release cable. The lenses also have flash sync terminals. The camera lacks an internal dark slide, so one has to be inserted into the film holder before changing the lens. Models Mamiya Press The original Mamiya Press was introduced in 1960 with the M-type back attachment system. It came wi ...
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Mamiya C220
The Mamiya C220 is a lightweight twin-lens reflex camera made in the early 1970s by the Japanese camera manufacturer Mamiya. The camera has interchangeable lenses ranging from 55 mm wide-angle to 250 mm telephoto and accepts 120 and 220 rollfilms. The rack and pinion focusing system with a bellows makes it possible for close-up photography without attachments. The straight film path has no sharp turns for absolute flatness of the film. Variations of the Mamiya TLR line from the Mamiyaflex to the C330S Professional continued the evolution of the TLR camera with the final TLR, the c330S Pro. Changeable lenses on medium format SLR and rangefinder cameras such as the Hasselblad line or Koni-Omega Press were the norm. The Mamiya twin lens reflex cameras are among the very few medium-format TLR cameras with interchangeable lenses. * Dimensions: 118 mm (w) x 167 mm (h) x 113 mm (d) * Weight: 1.44 kg Lenses There are seven Mamiya Sekor lenses: ; 2 wid ...
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Mamiya RB67
The Mamiya RB67 is a professional medium format single-lens reflex system camera manufactured by Mamiya. There are three successive models: the RB67 Professional (released in 1970), RB67 Pro-S (released in 1974) and RB67 Pro-SD (released in 1990). It is primarily designed for studio use, but can also be used in the field. Details The RB67 Professional was introduced in 1970 with a similar look to conventional medium format SLR cameras like the Hasselblad, but was larger due to the 6×7 cm frame format, closer to the typical 8×10 inch aspect ratio of portraits. However, the RB67 differed visually from other 6x7 cameras of the time, which resembled very large 35 mm cameras. There are three successive models: the RB67 Professional (first model released in 1970), RB67 Pro-S (released in 1974) and RB67 Pro-SD (released in 1990). The RB67 is a modular camera system, meaning lenses, viewfinders, ground glasses, film winders and film backs are all interchangeable. It is primarily design ...
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Mamiya 7
The Mamiya 7 is a medium-format rangefinder system camera manufactured by Mamiya. It was introduced in 1995 and discontinued in 2014. Features The Mamiya 7 has a coupled viewfinder window which displays frame lines appropriate to the lens mounted, but only for the 65 mm, 80 mm, and 150 mm lenses. The 43 mm, 50 mm, and 210 mm lenses require an external viewfinder to be inserted into the hot shoe for composition. The camera has a built-in dark slide that allows the manual-focusing electronic leaf shutter lenses to be changed with film in the camera. It can operate in auto exposure, auto exposure lock, and manual modes. It captures ten 6 cm × 7 cm images on 120 film rolls, and 20 on 220 film. The camera also features a self-timer, hot shoe, and flash synchronization terminal. An optional panoramic adapter allows 24×65 mm images to be captured on 35 mm film. The Mamiya 7II was introduced in 1999. It features an improved viewfinder and multi-exposure capability. Lenses * Mamiya 43 m ...
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Mamiya 6
The Mamiya 6 is a medium-format rangefinder system camera manufactured by Mamiya. It was introduced in 1989, and the line was discontinued in 1995. The coupled viewfinder windows displays frame lines appropriate to the lens mounted. The lens mount partially collapses when the camera is not in use, making it more compact. The camera has a built-in dark slide that allows the electronic leaf shutter lenses to be changed with film in the camera. It can operate in auto exposure, auto exposure lock, and manual modes. It captures twelve 6 cm × 6 cm images on 120 film rolls and 24 on 220 film. The camera also features a self-timer, hot shoe, and flash synchronization terminal. The Mamiya 6 MF was introduced in 1993. It includes an adapter that allows 6×4.5 cm formatted images to be produced. However, the number of images per roll remains the same because images are horizontally oriented. An optional panoramic adapter allows 24×54 mm images to be captured on 35 mm film. The t ...
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Twin-lens Reflex
A twin-lens reflex camera (TLR) is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens" (the lens that takes the picture), while the other is used for the viewfinder system, which is usually viewed from above at waist level. In addition to the objective, the viewfinder consists of a 45-degree mirror (the reason for the word ''reflex'' in the name), a matte focusing screen at the top of the camera, and a pop-up hood surrounding it. The two objectives are connected, so that the focus shown on the focusing screen will be exactly the same as on the film. However, many inexpensive 'pseudo' TLRs are fixed-focus models. Most TLRs use leaf shutters with shutter speeds up to 1/500 of a second with a bulb setting. For practical purposes, all TLRs are film cameras, most often using 120 film, although there are many examples which used 620 film, 127 film, and 35 mm film. Few general-purpose digital TLR ...
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