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Mamiya
is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya () and financial backer Tsunejiro Sugawara. History Mamiya originally achieved fame for its professional medium-format rangefinder film cameras such as the Mamiya Six (1940) and the Mamiya Press (1962) series. It later developed medium-format industry workhorse single lens reflex cameras: RB67 (1970), RZ67 (1982), and 645 (1975); and twin-lens reflex C series, all of which were used by advanced amateur and professional photographers. Many Mamiya models over the past six decades have become collectors' items. The earliest Mamiya Six medium-format folding camera, the 35 mm Mamiya-Sekor 1000DTL, the lightweight 35 mm Mamiya NC1000, the 6×6 cm medium-format C series of interchangeab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya 645
The Mamiya 645 camera systems are a series of medium format film A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, sinc ... and digital cameras and lenses manufactured by Mamiya and its successors. They are called "645" because they use the nominal 6 cm x 4.5 cm film size from 120 roll film. They came in three major generations: first-generation manual-focus film cameras, second-generation manual-focus film cameras, and autofocus film/digital cameras. Mamiya 645 Manual Focus System Mamiya 645 manual focus cameras All seven of the manual-focus Mamiya 645 cameras can use the same lenses and film inserts (film spools). The two generations use different viewfinders, grips, and other accessories that are not always cross-compatible. First Generation * The M645 was m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya NC1000
is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya () and financial backer Tsunejiro Sugawara. History Mamiya originally achieved fame for its professional medium-format rangefinder film cameras such as the Mamiya Six (1940) and the Mamiya Press (1962) series. It later developed medium-format industry workhorse single lens reflex cameras: RB67 (1970), RZ67 (1982), and 645 (1975); and twin-lens reflex C series, all of which were used by advanced amateur and professional photographers. Many Mamiya models over the past six decades have become collectors' items. The earliest Mamiya Six medium-format folding camera, the 35 mm Mamiya-Sekor 1000DTL, the lightweight 35 mm Mamiya NC1000, the 6×6 cm medium-format C series of interchangeable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya Press
The Mamiya Press is a line of medium-format rangefinder camera, rangefinder system press cameras manufactured by Mamiya. The first model was introduced in 1960, and the final model was discontinued in the 1970s. It was targeted at the professional press photography market, and a wide array of accessories was offered. Overview Back system The maximum image size that can be captured is 6 cm × 9 cm using 120 film, 120 or 220 rollfilm, but images can be taken in a number of different formats, and using several types of film. Models prior to the Universal came with either a M-type or G-type back interface. M-type backs were compatible with rollfilm (120/220). G-type backs included Mamiya RB67, Mamiya RB rollfilm backs and backs using the Speed Graphic, Graflok system. With Polaroid pack film, the maximum image size is , although only the 75 and 127 mm lenses will cover the larger size. The camera lacks an internal dark slide, so one has to be inserted into the film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya C
The Mamiya C series is a line of twin-lens reflex medium-format system cameras manufactured by Mamiya between 1956 and 1994. It was developed from the Mamiyaflex series of cameras built from 1949 to 1956. The Mamiya C series was initially aimed at the professional market. Common features Unlike most TLR cameras, the Mamiya C has interchangeable lenses. The upper and lower lenses come off as a unit, and are available in at least seven different focal lengths. The lower lens of each unit has an aperture diaphragm as well as a leaf shutter. A flash sync terminal is part of the lens unit, and the delay can be set to M or X mode. The camera has an interlocking baffle that enables lenses to be changed without exposing the film. Focusing is performed via a bellows system on the front side of the camera. Early models had separate film advance and shutter cocking mechanisms; on later models the shutter was automatically cocked as the film was advanced. There is no metering in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya Six
The Mamiya Six, also known as the Mamiya-6, is a series of folding medium-format rangefinder cameras manufactured by Mamiya between 1940 and the late 1950s. The cameras captured twelve 6 cm × 6 cm images on 120 film rolls. Some later models could also take sixteen 4.5 cm × 6 cm images. The cameras were coupled rangefinders, but had a unique focusing mechanism that moved the film plane instead of the lens. The lenses were not interchangeable and were made by various Japanese manufacturers. Beginning with the model IV, the name on the top plate changed from "Mamiya Six" (two lines) to "Mamiya-6". Models * Mamiya Six I (1940) * Mamiya Six I A (1941) * Mamiya Six III (1942) * Mamiya Six II (1943) * Mamiya Six II A (1943) * Mamiya-6 IV (1947) * Mamiya-6 V (1953) * Mamiya-6 K (1954) * Mamiya-6 IV B (1955) * Mamiya-6 Automat (1955) * Mamiya-6 K II (1956) * Mamiya-6 IV S (1957) * Mamiya-6 P (1957) * Mamiya-6 Automat 2 (1958) See also * List of Mamiya products This is a list of pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya RZ67
The Mamiya RZ67 is a professional medium format single-lens reflex camera manufactured by Mamiya. There are three successive models: the RZ67 Professional (released in 1982), RZ67 Professional II (released in 1993) and RZ67 Professional IID (released in 2004). It is primarily designed for studio use, but can also be used in the field. Details The RZ67 is a modular camera system, meaning the lenses, viewfinders, ground glass, film winders and film backs designed for the system are all interchangeable. The RZ67's Sekor lenses have built-in electronic leaf shutters which are cocked and triggered from the body. Focusing is performed with a set of bellows. The camera accepts 120 and 220 film film with film backs configurable for 6×7 cm, 6×6 cm and 6×4.5 cm exposures. These backs are rotating, allowing for both landscape and portrait orientation without removing the back. Special-purpose backs allow for the use of Polaroid film as well as Quadra 72 4×5 sheet fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya RB67
The Mamiya RB67 is a professional medium format single-lens reflex system camera manufactured by Mamiya. There are three successive models: the RB67 Professional (released in 1970), RB67 Pro-S (released in 1974) and RB67 Pro-SD (released in 1990). It is primarily designed for studio use, but can also be used in the field. Details The RB67 Professional was introduced in 1970 with a similar look to popular medium format SLR cameras like the Hasselblad V series, but was larger due to the larger 6×7 cm frame size. However, the RB67 differed visually from other medium format cameras of the time, which resemble very large 35mm cameras. The RB67 is a modular camera system. This means lenses, viewfinders, ground glass, and film backs are interchangeable. There is no focal plane shutter in the RB67. The RB67's Sekor lenses have mechanical leaf shutters which are cocked on the body and triggered either from a threaded shutter release on the lens or from the body's shutter button. Foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya 6
The Mamiya 6 is a medium-format rangefinder system camera manufactured by Mamiya. It was introduced in 1989, and the line was discontinued in 1995. The coupled viewfinder windows displays frame lines appropriate to the lens mounted. The lens mount partially collapses when the camera is not in use, making it more compact. The camera has a built-in dark slide that allows the electronic leaf shutter lenses to be changed with film in the camera. It can operate in auto exposure, auto exposure lock, and manual modes. It captures twelve 6 cm × 6 cm images on 120 film rolls and 24 on 220 film. The camera also features a self-timer, hot shoe, and flash synchronization terminal. The Mamiya 6 MF was introduced in 1993. It includes an adapter that allows 6×4.5 cm formatted images to be produced. However, the number of images per roll remains the same because images are horizontally oriented. An optional panoramic adapter allows 24×54 mm images to be captured on 35 mm film. The t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twin-lens Reflex
A twin-lens reflex camera (TLR) is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens" (the lens that takes the picture), while the other is used for the viewfinder system, which is usually viewed from above at waist level. In addition to the objective, the viewfinder consists of a 45-degree mirror (the reason for the word ''reflex'' in the name), a matte focusing screen at the top of the camera, and a pop-up hood surrounding it. The two objectives are connected, so that the focus shown on the focusing screen will be exactly the same as on the film. However, many inexpensive "pseudo" TLRs are fixed-focus models to save on the mechanical complexity. Most TLRs use leaf shutters with shutter speeds up to 1/500 of a second with a bulb setting. For practical purposes, all TLRs are film cameras, most often using 120 film, although there are many examples which used 620 film, 127 film, and 35 mm fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leaf (Israeli Company)
Leaf is an Israeli company that manufactures high-end digital backs for medium format and large format cameras. It was previously a division of Scitex and later Kodak, and is now a subsidiary of Phase One. In 1991, Leaf introduced the first medium format digital camera back, the Leaf DCB1, nicknamed ‘The Brick’, which had a resolution of 4 million pixels (4 megapixels). As of 2012, Leaf produces the Credo line of digital camera backs, ranging from 40 to 80 megapixels. Until 2010, Leaf also produced photography workflow software Leaf Capture. Products Digital camera backs After Leaf's DCB, the digital backs evolved into two product lines, the Aptus and the (now discontinued) Valeo. The main difference is that the Aptus models have a 3.5-inch touchscreen, where the Valeos have no on-board display. The Valeos can still be used untethered by using the DP-67 software or the more recent WiView software on a Compaq iPAQ. The iPAQs are connected via Bluetooth with the digital ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phase One (company)
Phase One A/S is a Denmark, Danish company specializing in high-end digital photography equipment and software. It manufactures open platform based medium format camera systems and solutions. Its Raw image format, RAW processing software, Capture One, supports many Digital SLR, DSLRs besides their Digital camera back, backs. PODAS workshops (Phase One Digital Artist Series) is a series of worldwide photography workshops designed for digital photographers interested in working with medium format, high-resolution cameras. PODAS is a part of the Phase One educational division. Each attendee receives a Phase One digital camera system for the duration of the workshop. On 18 February 2014, it was announced that UK-based private equity firm Silverfleet Capital would acquire a 60% majority stake in the company. On 17 June 2019, Phase One A/S was once again sold, this time to the Danish investment company Axcel. Products Cameras In 2009, Phase One purchased a major stake in Japanese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
