Malin Hartelius
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Malin Hartelius
Malin Hartelius (born 1 September 1966) is a Swedish soprano who performs regularly with conductors such as Nikolaus Harnoncourt, Ton Koopman, Riccardo Chailly, Sir John Eliot Gardiner, Peter Schreier, Herbert Blomstedt, and Frans Brüggen. She has collaborated with orchestras like the Oslo Philharmonic Orchestra, the Tonhalle Orchester Zurich, the San Francisco Symphony, and the Concentus Musicus Wien. Life and career Hartelius was born in 1966 in Malmö, Sweden. She studied at the Konservatorium Wien (Opera, Lied and Oratorio) with the celebrated teacher Margarethe Bence. In 1989, she became a member of the Vienna State Opera Studio and joined the Theater St. Gallen where she sang her first Papagena in Mozart's ''The Magic Flute''. As a member of the Vienna State Opera Studio in 1990–1991 season, she appeared in many roles including, Celia in Mozart's ''Lucio Silla'' and Papagena. During that season, she made her debut at the Zürich Opera again with Papagena followed by Arse ...
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Malmö
Malmö (, ; da, Malmø ) is the largest city in the Swedish county (län) of Scania (Skåne). It is the third-largest city in Sweden, after Stockholm and Gothenburg, and the sixth-largest city in the Nordic region, with a municipal population of 350,647 in 2021. The Malmö Metropolitan Region is home to over 700,000 people, and the Øresund Region, which includes Malmö and Copenhagen, is home to 4 million people. Malmö was one of the earliest and most industrialised towns in Scandinavia, but it struggled to adapt to post-industrialism. Since the 2000 completion of the Öresund Bridge, Malmö has undergone a major transformation, producing new architectural developments, supporting new biotech and IT companies, and attracting students through Malmö University and other higher education facilities. Over time, Malmö's demographics have changed and by the turn of the 2020s almost half the municipal population had a foreign background. The city contains many histori ...
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Margarethe Bence
Margarethe Bence (August 13, 1930 – April 1, 1992) was an American opera singer, who sang both mezzo-soprano and contralto parts and was mostly active in German and Austria, including international festivals such as the Bayreuth Festival and the Salzburg Festival. Her repertoire included music from Baroque to contemporary premieres. Career Born in Kingston, New York in a German-American family on August 13, 1930, Bence began her voice studies in the United States. She toured with the Robert Shaw Chorale from 1950 to 1953, when she continued her studies in Stuttgart. Her teachers included Res Fischer and Ellinor Junker-Giesen. She appeared first in concert, especially in alto-parts of oratorios. In 1956 she joined the ensemble of the Württembergische Staatsoper, where she remained for 14 years. She studied a broad repertory, from Baroque to contemporary music, playing as both comic and tragic characters. She appeared as a guest artist, first in 1959 when the Stuttgart Opera pe ...
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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ...
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Schwetzingen Festival
The Schwetzingen Festival (German: Schwetzinger Festspiele, now Schwetzinger SWR Festspiele) is an early summer festival of opera and other classical music presented each year from May to early June in Schwetzingen, Germany. In 1952, the broadcaster Süddeutscher Rundfunk founded the festival in the Schwetzingen area. It is located in a beautiful 250-year-old palace and park, Schwetzingen Castle, near the famous city of Heidelberg. The main venue is the historic Schlosstheater Schwetzingen. Nowadays, the successor organization is the Südwestrundfunk (SWR) and it organises many international concerts and music theatre events every year. List of major premieres and rediscoveries One of the festival's characteristics is the world premiere of a new opera, as well as at least one rediscovered opera from former centuries, performed on period instruments. Concerts Concerts have featured well-known artists such as Gidon Kremer, Jorge Bolet and Cecilia Bartoli, as well as young artis ...
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Ludwigsburg Festival
The Ludwigsburg Festival (''Ludwigsburger Schlossfestspiele'', also ''Internationale Festspiele Baden-Württemberg'') is a culture festival with programs in music, dance, theatre and literature. The festival is held in Ludwigsburg annually between May and July. Founded in 1932, the festival is among the oldest festivals in German-speaking countries. Many events are held at the Ludwigsburg Palace. History founded the Ludwigsburger Mozartgemeinde in 1931 and a year later began chamber music concerts at the palace. Wolfgang Gönnenwein, who was the artistic director from 1972 to 2004, developed the festival to an event of three months with around 100 events. The state Baden-Württemberg made the festival a state event with a new official name from 1980. From 2005 to 2009 it was directed by Wulf Konold and the conductor Michael Hofstetter, who initiated a series of rarely performed operas, including the premiere of E. T. A. Hoffmann's 1807 singspiel ''Liebe und Eifersucht ''Liebe ...
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Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ...
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Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ...
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Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ...
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The Gypsy Baron
''The Gypsy Baron'' () is an operetta in three acts by Johann Strauss II which premiered at the Theater an der Wien on 24 October 1885. Its German libretto by Ignaz Schnitzer is based on the unpublished 1883 story ''Saffi'' by Mór Jókai. Jokai later published a novel ''A cigánybáró'' () in 1885 using an expanded version of this same story. While an operetta, ''The Gypsy Baron'' was a departure from Strauss's earlier more comic and light hearted works; displaying more serious tones both musically and dramatically in what musicologist Andrew Lamb described as "a step in Strauss’s quest for the composition of a genuine opera". During the composer's lifetime, the operetta enjoyed great success internationally. It is considered one of Strauss's three best stage works, along with ''Die Fledermaus'' (1874) and '' Eine Nacht in Venedig'' (1883). Composition history Strauss was introduced to Jókai's story prior to its publication as a novel in Pest, Hungary in February 1883 by hi ...
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Lucio Silla
''Lucio Silla'' (), K. 135, is an Italian opera seria in three acts composed by Wolfgang Amadeus Mozart at the age of 16. The libretto was written by Giovanni de Gamerra, revised by Pietro Metastasio. It was first performed on 26 December 1772 at the Teatro Regio Ducale in Milan and was regarded as "a moderate success". Handel's opera ''Silla'' (1713) covered the same subject. Other operas with the same title were also composed by Leonardo Vinci (1723), Pasquale Anfossi (1774), and Johann Christian Bach (1776). Performance history ''Lucio Silla'' premiered on 26 December 1772 in Milan at the Teatro Regio Ducale. Its UK premiere was produced by Camden Town Hall in London in 1967. Its US premiere followed in 1968 with a performance in Baltimore. Among other performances, ''Lucio Silla'' was given by the Santa Fe Opera in 2005 and in Warsaw in 2011 and by The Classical Opera Company in London in 2012. In 2013 the Gran Teatre del Liceu produced the opera in Barcelona and it was pe ...
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