Malay Mythology
Malay folklore refers to a series of knowledge, traditions and taboos that have been passed down through many generations in oral, written and symbolic forms among the indigenous populations of Maritime Southeast Asia ( Nusantara). They include among others, themes and subject matter related to the indigenous knowledge of the ethnic Malays and related ethnic groups within the region. The stories within this system of lore often incorporate supernatural entities and magical creatures which form parts of the Malay mythology. Others relate to creation myths and place naming legends that are often inter-twined with historical figures and events. Ancient rituals for healing and traditional medicine as well as complex philosophies regarding health and disease can also be found. Oral tradition The oral forms of this lore are transmitted primarily through nursery rhymes, folksongs, theatrical exhibitions, and stories that are commonly told from parent to child. Nomadic storytellers tha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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KITLV - 6538 - Lambert & Co
The Royal Netherlands Institute of Southeast Asian and Caribbean Studies ( nl, Koninklijk Instituut voor Taal-, Land- en Volkenkunde, lit = Royal Institute for the Linguistics, Geography and Ethnology, abbreviated: KITLV) at Leiden was founded in 1851. Its objective is the advancement of the study of the anthropology, linguistics, social sciences, and history of Southeast Asia, the Pacific Area, and the Caribbean. Special emphasis is laid on the former Dutch colonies of the Dutch East Indies (now Indonesia), Suriname, and the Dutch West Indies (the Netherlands Antilles and Aruba). Its unique collection of books, manuscripts, prints and photographs attracts visiting scholars from all over the world. On July 1, 2014, the management of the collection was taken over by Leiden University Libraries. Jakarta In 1969, a KITLV office was started by Hans Ras in Jakarta ("KITLV-Jakarta"), as a part of an agreement with the Indonesian Institute of Sciences. Here, publications from Indones ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chan Mali Chan
"Chan Mali Chan" is a folk song popular in Indonesia, Malaysia and Singapore. The song is believed to have its origin in East Nusa Tenggara in Indonesia. A popular Indonesian version titled "Anak Kambing Saya" ("My Lamb" or "My Baby Goat") has been attributed to Saridjah Niung. It is commonly sung as a children's song. The song "Chan Mali Chan" is a light-hearted song that starts with talking about looking for a lamb/kid. This song is presented in a question and answer format; the first line asks: "Where is my lamb", and the second line answers where the lamb is (different versions of the song may have different answers). Other questions may follow, such as "Where is my darling/baby", etc., followed by answers to these questions. Some interpret the song as parents looking for their children, and that it's about the togetherness and bond between children and their parents. Others suggest it is a flirtatious love song. Lyrics There are many variations in the lyrics found in Indon ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aesop's Fables
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media. The fables originally belonged to oral tradition and were not collected for some three centuries after Aesop's death. By that time, a variety of other stories, jokes and proverbs were being ascribed to him, although some of that material was from sources earlier than him or came from beyond the Greek cultural sphere. The process of inclusion has continued until the present, with some of the fables unrecorded before the Late Middle Ages and others arriving from outside Europe. The process is continuous and new stories are still being added to the Aesop corpus, even when they are demonstrably more ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Si Tanggang
Malin Kundang, also called Si Tanggang and Nakhoda Manis, is a mythical person who originates from a West Sumatran folktale about retribution to an ungrateful son. A sailor from a poor family, the protagonist sneaks onto a trading ship, eventually becoming rich, marrying a princess, and acquiring his own galleon. On his return to his home village, he is ashamed of his humble origins and refuses to recognize his elderly mother. In retaliation, she curses him, and when he sets sail, he and his ship are turned to stone. In Indonesia In Indonesia, the story is called Malin Kundang, and the legend is based in West Sumatra. Air Manis (Sweet Water), a beach near Padang, has a rock formation called Batu Malin Kundang that is said to be the remains of his ship. The existence of Batu Malin Kundang has popularized Air Manis Beach, the legendary setting as one of the tourist attractions in Padang. The relief on the Malin Kundang stone itself was done in the 1980s, the work of Dasril Bayra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sang Kelembai
In Malay folklore, Sang Kelembai ( Jawi: سڠ كلمباي) was a giantess generally described as about thrice as big as a normal person, and said to be ugly with thick eyebrows, big fat nose, big elephant ears and fangs. She was feared not only for her looks but also for her power of turning any animal or human being into stone just by greeting them. She is known to have originated from the hinterland of Pahang, but popularly associated with many origin myth especially of geological rocks with peculiar shapes throughout the Malay world. In literature, her petrifaction power is commonly described as ''Sumpahan Sang Kelembai'' ('The curse of Sang Kelembai'). The legend Sang Kelembai was said to have once lived on the banks of the Pahang River where she fed on fruit, meat and the soft leaves at the top of bamboo plants. Before being cursed and acquiring her petrifaction power, she was described as a giantess who love playing with children. She was also in good terms with the village ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Walinong Sari
In Pahang Malay folklore, Walinong Sari ( Jawi: والينوڠ ساري) was a legendary princess of Inderapura renowned for her beauty and fighting skills. The tale of the princess was immortalized in a folk song named after her. The legend Princess Walinong Sari was said to have lived in Inderapura, in the Old Pahang Kingdom. She is described as an exceptionally beautiful princess with a strong character. Highly skilled with spears and swords, she was renowned for her mastery of silat, the Malay martial art. As the tales of her beauty and skills spread across the neighboring kingdoms, many came to ask for her hand in marriage, but the princess found none of them acceptable. Her father became worried about finding a suitable husband for his daughter. At the same time, the celestial king, Raja Mambang Segara, whose abode was also Mount Tahan, heard of the princess. He was intrigued by her stories and decided to find out the truth about her. Disguised as an ugly man, he came down fr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Indian Epic Poetry
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called ''Kavya'' (or ''Kāvya''; Sanskrit: काव्य, IAST: ''kāvyá''). The ''Ramayana'' and the ''Mahabharata'', which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written. Hindi epics In modern Hindi literature, ''Kamayani'' by Jaishankar Prasad has attained the status of an epic. The narrative of Kamayani is based on a popular mythological story, first mentioned in Satapatha Brahmana. It is a story of the great flood and the central characters of the epic poem are Manu (a male) and Shraddha (a female). Manu is representative of the human psyche and Shradha represents love. Another female character is Ida, who represents rationality. Some critics surmise that the three lead characters of Kamayani symbolize a synthesis ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hikayat Seri Rama
Hikayat Seri Rama is the Malay literary adaptation of the Hindu Ramayana epic in the form of a hikayat. The main story remains the same as the original Sanskrit version but some aspects of it were slightly modified to a local context such as the spelling and pronunciation of names. Numerous branch stories had also been developed as accretions to or extensions of this epic with the upgrading of minor characters to major ones, or the invention of totally new characters. For example, Malay writers and storytellers have produced variations in which Laksmana (Lakshman) plays a larger role, sometimes becoming more important than Rama the elder prince much like the Lao Phra Lak Phra Lam. Rama, although righteous and virtuous, was perceived to be weak and his character is often moved to the background while the younger Laksmana is admired for his courage and willingness to react decisively. History The Ramayana, holy revered text of Hindus, is a collection of Indian mythological stories ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Laksmana
Lakshmana ( sa, लक्ष्मण, lit=the fortunate one, translit=Lakṣmaṇa), also spelled as Laxmana, is the younger brother of Rama and his loyalist in the Hindu epic ''Ramayana''. He bears the epithets of Saumitra () and Ramanuja (). He is the twin of Shatrughna. Legend Birth and marriage King Dasharatha of Ayodhya had three wives: Kausalya, Kaikeyi, and Sumitra. He performed a sacrifice to beget sons and as a result, his queens became pregnant. Lakshmana and his brother Shatrughna were born to Sumitra, while Rama and Bharata were born to Kausalya and Kaikeyi. In the Puranas, Lakshmana is described as an incarnation of Shesha, the multiple-headed naga (serpent) upon whom rests the preserver deity Vishnu, whose avatar Rama is considered to be. When sage Vishvamitra asked Rama to kill the demons in the forest, Lakshmana accompanied them and went to Mithila with them. Lakshmana was especially attached to Rama. When Rama married Sita, Lakshmana married Sita's yo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kampung
A kampong (''kampung'' in Malay and Indonesian) is the term for a village in Brunei, Indonesia, Malaysia and Singapore and a "port" in Cambodia. The term applies to traditional villages, especially of the indigenous people, and has also been used to refer to urban slum areas and enclosed developments and neighbourhoods within towns and cities in Brunei, Indonesia, Malaysia, Singapore, Cambodia, Sri Lanka and Christmas Island. The traditional ''kampong'' village designs and architecture have been targeted for reform by urbanists and modernists and have also been adapted by contemporary architects for various projects. The English word "compound", when referring to a development in a town, is derived from the Malay word of . Brunei In Brunei, the term kampong (also kampung) primarily refers to the third- and lowest-level subdivisions after districts ( ms, daerah) and mukim (equivalent to subdistrict). Some kampong divisions are sufficiently villages by anthropological definition o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Malaysia 250
Malaysia ( ; ) is a country in Southeast Asia. The federal constitutional monarchy consists of thirteen states and three federal territories, separated by the South China Sea into two regions: Peninsular Malaysia and Borneo's East Malaysia. Peninsular Malaysia shares a land and maritime border with Thailand and maritime borders with Singapore, Vietnam, and Indonesia. East Malaysia shares land and maritime borders with Brunei and Indonesia, and a maritime border with the Philippines and Vietnam. Kuala Lumpur is the national capital, the country's largest city, and the seat of the legislative branch of the federal government. The nearby planned capital of Putrajaya is the administrative capital, which represents the seat of both the executive branch (the Cabinet, federal ministries, and agencies) and the judicial branch of the federal government. With a population of over 32 million, Malaysia is the world's 45th-most populous country. The southernmost point of continent ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |