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Mahl-stick
A maulstick or mahlstick is a stick with a soft leather or padded head used by painters to support the hand holding the paintbrush. The word derives from the German and Dutch ''Malstock'' or ''maalstok'' 'painter's stick', from ''malen'' 'to paint'. In 16th- through 19th-century paintings of artists, including self-portraits, the maulstick is often depicted as part of the painter's equipment. File:Bouguereau Portrait du peintre 1895.jpg, William-Adolphe Bouguereau holding painting implements File:Hemessen-Selbstbildnis.jpg, Self portrait of Caterina van Hemessen File:Self-portrait at the Easel Painting a Devotional Panel by Sofonisba Anguissola.jpg, Self-portrait by Sofonisba Anguissola File:Edouard Manet 041.jpg, ''Portrait of Eva Gonzalès'', by Édouard Manet File:Johannes Vermeer - The Art of Painting (detail) - WGA24677.jpg, Detail of Vermeer's ''The Art of Painting ''The Art of Painting'' (Dutch: ''Allegorie op de schilderkunst''), also known as ''The Allegory of P ...
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Leather
Leather is a strong, flexible and durable material obtained from the tanning, or chemical treatment, of animal skins and hides to prevent decay. The most common leathers come from cattle, sheep, goats, equine animals, buffalo, pigs and hogs, and aquatic animals such as seals and alligators. Leather can be used to make a variety of items, including clothing, footwear, handbags, furniture, tools and sports equipment, and lasts for decades. Leather making has been practiced for more than 7,000 years and the leading producers of leather today are China and India. Animal rights groups claim that modern commercial leather making and the consumption of its products is unethically killing animals. According to the life-cycle assessment (LCA) report for the United Nations Industrial Development Organization, 99% of the raw hides and skins used in the production of leather derive from animals raised for meat and/or dairy production. Critics of tanneries claim that they engage in uns ...
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Paintbrush
A paintbrush is a brush used to apply paint or ink. A paintbrush is usually made by clamping bristles to a handle with a ferrule. They are available in various sizes, shapes, and materials. Thicker ones are used for filling in, and thinner ones are used for details. They may be subdivided into decorators' brushes used for painting and decorating and artists' brushes use for visual art. History Paintbrushes were used by man as early as the Paleolithic era in around 2.5 million years ago in order to apply pigment. Ancient Egyptian paintbrushes were made of split palm leaves and used by ancestors to beautify their surroundings. The oldest brushes ever found were also made of animal hair. Brush parts * Bristles: Transfer paint onto the substrate surface * Ferrule: Retains the bristles and attaches them to the handle * Handle: The intended interface between the user and the tool Trade painter's brushes Brushes for use in non-artistic trade painting are geared to applyin ...
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German Language
German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish lan ...
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Dutch Language
Dutch ( ) is a West Germanic language spoken by about 25 million people as a first language and 5 million as a second language. It is the third most widely spoken Germanic language, after its close relatives German and English. ''Afrikaans'' is a separate but somewhat mutually intelligible daughter languageAfrikaans is a daughter language of Dutch; see , , , , , . Afrikaans was historically called Cape Dutch; see , , , , , . Afrikaans is rooted in 17th-century dialects of Dutch; see , , , . Afrikaans is variously described as a creole, a partially creolised language, or a deviant variety of Dutch; see . spoken, to some degree, by at least 16 million people, mainly in South Africa and Namibia, evolving from the Cape Dutch dialects of Southern Africa. The dialects used in Belgium (including Flemish) and in Suriname, meanwhile, are all guided by the Dutch Language Union. In Europe, most of the population of the Netherlands (where it is the only official language spoken country ...
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William-Adolphe Bouguereau
William-Adolphe Bouguereau (; 30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown. Life and career Formative years William-Adolphe Bouguereau was born in La Rochelle, France, on 30 November 1825, into a family of wine and olive oil merchants.Wissman ...
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Caterina Van Hemessen
Caterina or Catharina van Hemessen (1528 – after 1565) was a Flemish Renaissance painter. She is the earliest female Flemish painter for whom there is verifiable extant work. She is mainly known for a series of small-scale female portraits completed between the late 1540s and early 1550s and a few religious compositions.Jones, 136 Van Hemessen is often given the distinction of creating the first self-portrait of an artist (of either gender) depicted seated at an easel. This portrait, created in 1548, shows the artist in the early stages of painting a portrait and is now part of the collection of the Kunstmuseum Basel.Kemperdick, 15 Other paintings by van Hemessen are in the Rijksmuseum in Amsterdam and in the National Gallery, London. A number of obstacles stood in the way of women of her time who wished to become painters. Their training would involve both the dissection of cadavers and the study of the nude male figure while the system of apprenticeship meant that the ...
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Sofonisba Anguissola
Sofonisba Anguissola ( â€“ 16 November 1625), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painting, Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted the Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II of Spain, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the queen's death, Philip helped arrange an aristocratic ...
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Eva Gonzalès
Eva Gonzalès (April 19, 1849 – May 6, 1883) was a French Impressionist painter. She was one of the four most notable female Impressionists in the nineteenth century, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-95), and Marie Bracquemond (1840-1916). Early life Eva Gonzalès was born in Paris and became introduced to sophisticated literary and art circles at an early age by her father, writer Emmanuel Gonzalès. In 1865, at age sixteen, Eva Gonzales began her professional training and art lessons in drawing from the society portraitist Charles Chaplin. Through her father's connections as a founding president of the Société des gens de lettres, she met a variety of members of the Parisian cultural elite, and from a young age was exposed to the new ideas surrounding art and literature at the time. Three years later she met Manet and soon became his model and then his student. Student of Édouard Manet Gonzalès is best known for her starting out as a pup ...
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Édouard Manet
Édouard Manet (, ; ; 23 January 1832 â€“ 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ...
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The Art Of Painting
''The Art of Painting'' (Dutch: ''Allegorie op de schilderkunst''), also known as ''The Allegory of Painting'', or ''Painter in his Studio'', is a 17th-century oil on canvas painting by Dutch painter Johannes Vermeer. It is owned by the Austrian Republic and is on display in the Kunsthistorisches Museum in Vienna. Many art historians think that it is an allegory of painting, hence the alternative title of the painting. Its composition and iconography make it the most complex Vermeer work of all. After Vermeer's ''Christ in the House of Martha and Mary'' and ''The Procuress'' it is his largest work. This illusionistic painting is one of Vermeer's most famous. In 1868 Thoré-Bürger, known today for his rediscovery of the work of painter Johannes Vermeer, regarded this painting as his most interesting. Svetlana Alpers describes it as unique and ambitious; Walter Liedtke "as a virtuoso display of the artist's power of invention and execution, staged in an imaginary version of hi ...
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