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Madonna And Child With A Bishop
The ''Madonna and Child with a Bishop'' is a painting by the Italian Renaissance master Pinturicchio, painted around 1495 and housed in the Museu de Belles Arts of Valencia, Spain. The work was painted in Rome, when Pinturicchio was the favorite painter of Pope Alexander VI. The pope's cousin, Francisco Borgia, commissioned a work to send to the family's chapel in the Collegiate of Xàtiva, in Spain, perhaps to celebrate his appointment as bishop of Teano (1495). The painting was long considered as the work of the artist's collaborators, due to the presence of 19th century repainting and yellowing: however, later restoration showed the delicate quality of the work and the sumptuousness of the style, typical of Pinturicchio. The painting is derived from the ''Madonna with the Christ Child Writing'' (c. 1494–1498), which also shows the child in philosopher's garments, standing on a stool (with the Borgia coat of arms), writing on a book which the Virgin is giving to him. This wo ...
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Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries."PINTURICCHIO." ''Benezit Dictionary of Artists''. ''Oxford Art Online''. Oxford University Press. Web. 14 February 2017. . Biography Early years Pinturicchio was born the son of Benedetto or Betto di Biagio, in Perugia. In his career, he may have trained under lesser known Perugian painters such as Bonfigli and Fiorenzo di Lorenzo. According to Vasari, Pinturicchio was a paid assistant of Perugino. The works of the Perugian Renaissance school are very similar and often paintings by Perugino, Pinturicchio, Lo Spagna, and a young Raphael may be mistaken, one for the other. In the execution of large frescoes, pupils an ...
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Museu De Belles Arts De València
The Museu de Belles Arts de València (; es, link=no, Museo de Bellas Artes de Valencia; English: "Museum of Fine Arts of Valencia") is an art gallery in Valencia, Spain, founded in 1913. It houses some 2,000 works, most dating from the 14th–17th centuries, including a ''Self portrait of Diego Velázquez'', a ''St. John the Baptist'' by El Greco, Goya's ''Playing Children'', Gonzalo Pérez's '' Altarpiece of Sts. Ursula, Martin and Antony'' and a ''Madonna with Writing Child and Bishop'' by the Italian Renaissance master Pinturicchio. It houses a large series of engravings by Giovan Battista Piranesi. The museum is in the St. Pius V Palace, built in the 17th–18th centuries. It has also sections dedicated to sculpture, to contemporary art and to archaeological findings. Artworks Image:Coronación de la Virgen en presencia de San Pedro y San Pablo (Museo de Bellas Artes de Valencia).jpg, ''Coronación de la Virgen en presencia de San Pedro y San Pablo''. Unknown master. Im ...
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Valencia, Spain
Valencia ( va, València) is the capital of the autonomous community of Valencia and the third-most populated municipality in Spain, with 791,413 inhabitants. It is also the capital of the province of the same name. The wider urban area also comprising the neighbouring municipalities has a population of around 1.6 million, constituting one of the major urban areas on the European side of the Mediterranean Sea. It is located on the banks of the Turia, on the east coast of the Iberian Peninsula, at the Gulf of Valencia, north of the Albufera lagoon. Valencia was founded as a Roman colony in 138 BC. Islamic rule and acculturation ensued in the 8th century, together with the introduction of new irrigation systems and crops. Aragonese Christian conquest took place in 1238, and so the city became the capital of the Kingdom of Valencia. The city's population thrived in the 15th century, owing to trade with the rest of the Iberian Peninsula, Italian ports and other locati ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Alexander VI
Pope Alexander VI ( it, Alessandro VI, va, Alexandre VI, es, Alejandro VI; born Rodrigo de Borja; ca-valencia, Roderic Llançol i de Borja ; es, Rodrigo Lanzol y de Borja, lang ; 1431 – 18 August 1503) was head of the Catholic Church and ruler of the Papal States from 11 August 1492 until his death in 1503. Born into the prominent Borgia family in Xàtiva under the Crown of Aragon (now Spain), Rodrigo studied law at the University of Bologna. He was ordained deacon and made a cardinal in 1456 after the election of his uncle as Pope Callixtus III, and a year later he became vice-chancellor of the Catholic Church. He proceeded to serve in the Curia under the next four popes, acquiring significant influence and wealth in the process. In 1492, Rodrigo was elected pope, taking the name Alexander VI. Alexander's papal bulls of 1493 confirmed or reconfirmed the rights of the Spanish crown in the New World following the finds of Christopher Columbus in 1492. During the sec ...
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Xàtiva
Xàtiva (, es, Játiva ) is a town in eastern Spain, in the province of Valencia, on the right (western) bank of the river Albaida and at the junction of the Valencia–Murcia and Valencia Albacete railways. It is located 25 km west of the Mediterranean Sea. During the Al-Andalus Islamic era, Arabs brought the technology to manufacture paper to Xàtiva. In the 12th century, Xàtiva was known for its schools, education, and learning circles. Islamic scholar Abu Ishaq al-Shatibi's last name refers to Xàtiva where he lived and died. After the Reconquista by Northern Christian kingdoms and the following Christian repopulation, the city became the cradle of one of the most powerful and controversial families of the Renaissance, the House of Borgia, which produced Popes like Callixtus III (Alfonso de Borgia) and Alexander VI (Rodrigo de Borgia). History Xàtiva (''Saetabis'' in Latin) was famous in Roman times for its linen fabrics, mentioned by the Latin poets Ovid and C ...
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Bishop Of Teano
The Diocese of Teano (Latin: ''Dioecesis Theanensis'') was a Roman Catholic diocese in Italy, located in the city of Teano in the province of Caserta in Campania, Italy. In 1818, it was united the Diocese of Calvi Risorta to form the Diocese of Calvi e Teano. In 1986, the two dioceses were combined into one, with the seat of the bishop at Teano. History Teano is a former fief of the Gaetani. Its first bishop was supposedly Paris of Teano (d. 346), ordained by Pope Sylvester I; according to tradition, Saint Urbanus and Saint Amasius were bishops of Teano in the fourth century. Concordat of 1818 Following the extinction of the Napoleonic Kingdom of Italy, the Congress of Vienna authorized the restoration of the Papal States and the Kingdom of Naples. Since the French occupation had seen the abolition of many Church institutions in the Kingdom, as well as the confiscation of most Church property and resources, it was imperative that Pope Pius VII and King Ferdinand IV reach ag ...
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Madonna With The Christ Child Writing
The ''Madonna with the Christ Child Writing'' is a painting by the Italian Renaissance master Pinturicchio, painted around 1494-1498 and housed in the Philadelphia Museum of Art, in the United States. The painting is derived from the '' Madonna of Peace'' (c. 1490), a simplification for a less acculturated commissioner, perhaps a private family. The Virgin sits on a kind of cask, and is offering a book to the Child, who writes on it. The garments of the Child are perhaps inspired by the late Byzantine mosaics seen by Pinturicchio in Rome. In the background is a small depiction of the Flight into Egypt The flight into Egypt is a story recounted in the Gospel of Matthew ( Matthew 2:13– 23) and in New Testament apocrypha. Soon after the visit by the Magi, an angel appeared to Joseph in a dream telling him to flee to Egypt with Mary and the i ... and two symmetrical trees, one which is a palm, a symbol of martyrdom. Sources * {{15C-painting-stub 1490s paintings Paintings ...
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Madonna Of Peace (Pinturicchio)
''Madonna of Peace'' is an oil on panel painting by Pinturicchio, now in the Pinacoteca Civica Padre Pietro Tacchi Venturi in San Severino Marche. It is one of the few authentically autographed works from the artist's early mature period. Cristina Acidini, 'Pintoricchio', in ''Pittori del Rinascimento'', Scala, Firenze 2004. History Liberato Bartelli gave this artwork to the Duomo in San Severino Marche. He was a native of the city and was then serving as protonotary apostolic and canon of Santa Maria in Trastevere in Rome. At the end of 1488, he was made prior of the church in his home town of San Severino Marche. He seems to have commissioned the work to commemorate this event. Pinturicchio was then among a new generation of artists working in Rome and probably delivered the work around 1490. Pinturicchio used the painting's figure of the Madonna as a model for later autograph works such as '' Madonna with the Christ Child Reading'' (North Carolina Museum of Art) and ''Madon ...
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Dalmatic
The dalmatic is a long, wide-sleeved tunic, which serves as a liturgical vestment in the Catholic, Lutheran, Anglican, United Methodist, and some other churches. When used, it is the proper vestment of a deacon at Mass, Holy Communion or other services such as baptism or marriage held in the context of a Eucharistic service. Although infrequent, it may also be worn by bishops above the alb and below the chasuble, and is then referred to as pontifical dalmatic. Like the chasuble worn by priests and bishops, it is an outer vestment and is supposed to match the liturgical colour of the day. The dalmatic is often made of the same material and decoration as a chasuble, so as to form a matching pair. Traditional Solemn Mass vestment sets include matching chasuble, dalmatic, and tunicle. A dalmatic is also worn by the British monarch during the Coronation service. History In the Roman Empire, the dalmatic was an amply sleeved tunic (from Dalmatia) with wide stripes ''(clavi)'' that ...
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Pallium
The pallium (derived from the Roman ''pallium'' or ''palla'', a woolen cloak; : ''pallia'') is an ecclesiastical vestment in the Catholic Church, originally peculiar to the pope, but for many centuries bestowed by the Holy See upon metropolitans and primates as a symbol of their conferred jurisdictional authorities, and still remains a papal emblem. In its present (western) form, the pallium is a long and "three fingers broad" (narrow) white band adornment, woven from the wool of lambs raised by Trappist monks. It is donned by looping its middle around one's neck, resting upon the chasuble and two dependent lappets over one's shoulders with tail-ends (doubled) on the left with the front end crossing over the rear. When observed from the front or rear the pallium sports a stylistic letter 'y' (contrasting against an unpatterned chasuble). It is decorated with six black crosses, one near each end and four spaced out around the neck loop. At times the pallium is embellished fore, ...
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Late Antique And Medieval Mosaics In Italy
Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories. This is especially true before the Byzantine Iconoclasm of the 8th century. Late Antique mosaics "Early Roman mosaics belonged to the floor"; except in Nero's Domus Aurea, there is little evidence of ambitious wall mosaics before the Christian period, even at Pompeii and surrounding sites, where chances of survival were better than elsewhere. The famous Alexander Mosaic (c. 100) from Pompeii was a floor, and the main use of vertical mosaics was for places unsuitable for frescos, such as fountains, baths and garden architecture including the very popular nymphaeum. Sumptuous floor mosaics found by archaeology in villas continue into the Lat ...
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