Madeleine Boullogne
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Madeleine Boullogne
Madeleine BoullogneThe old spelling is Boullongne, sometimes also written Boulogne. (baptised 24 July 1646, Paris - 30 January 1710, Paris) was a French Baroque still life painter. Biography Boullogne was the daughter of Louis Boullogne, a painter and one of the founders of the Académie royale de peinture et de sculpture, and the sister of the painters Bon Boullogne, Bon, Louis de Boullogne, Louis and Geneviève Boullogne. On 7 November 1669 she was received into the Académie royale de peinture et de sculpture. She began working in the royal workshops, notably at the Palais des Tuileries, where she painted four canvases for the antechamber to the Grand appartement du roi, but also at the Château de Versailles, Versailles, where she painted for the antechamber of the Grand appartement de la reine. Madeleine Boullogne lived an austere and pious life, teaching many students, remaining unmarried and living with her brother Bon. Marked by a strict Augustinianism, Augustinism borderi ...
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Port-Royal-des-Champs
Port-Royal-des-Champs was an abbey of Cistercian nuns in Magny-les-Hameaux, in the Vallée de Chevreuse southwest of Paris that launched a number of culturally important institutions. History The abbey was established in 1204, but became famous when its discipline was reformed in 1609 by its abbess, Mother Marie Angelique Arnauld (1591-1661). The Arnauld family became its patrons and the abbey's subsequent history was directed by a number of the members of that family. In 1625 most of the nuns moved to a new Port-Royal in Paris, which subsequently became '' Port-Royal de Paris'' (or, more commonly, ''Port-Royal'') while the older one was known as ''Port-Royal des Champs'' ("Port-Royal of the fields"). At the original site, several schools were founded, which became known as the '' Petites écoles de Port-Royal'' ("Little Schools of Port-Royal"). These schools became famous for the high quality of the education they gave. Playwright Jean Racine was a product of Port-Roya ...
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17th-century French Women Artists
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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18th-century French Women Artists
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ...
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18th-century French Painters
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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17th-century French Painters
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ...
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1710 Deaths
Year 171 ( CLXXI) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Herennianus (or, less frequently, year 924 ''Ab urbe condita''). The denomination 171 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius forms a new military command, the ''praetentura Italiae et Alpium''. Aquileia is relieved, and the Marcomanni are evicted from Roman territory. * Marcus Aurelius signs a peace treaty with the Quadi and the Sarmatian Iazyges. The Germanic tribes of the Hasdingi (Vandals) and the Lacringi become Roman allies. * Armenia and Mesopotamia become protectorates of the Roman Empire. * The Costoboci cross the Danube (Dacia) and ravage Thrace in the Balkan Peninsula. They reach Eleusis, near Athens, and de ...
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1646 Births
It is one of eight years (CE) to contain each Roman numeral once (1000(M)+500(D)+100(C)+(-10(X)+50(L))+5(V)+1(I) = 1646). Events January–March * January 5 – The English House of Commons approves a bill to provide for Ireland to be governed by a single Englishman. * January 9 – The Battle of Bovey Heath takes place in Devonshire, as Oliver Cromwell's New Model Army surprises and routs the Royalist camp of Lord Wentworth. * January 19 – Sir Richard Grenville, 1st Baronet, a Royalist fighting for Prince Charles against Oliver Cromwell's Commonwealth, is imprisoned for insubordination after proposing to make Cornwall self-governing in order to win Cornish support for the Royalists. After being incarcerated at the tidal island of St Michael's Mount off of the coast of Cornwall, he is allowed to escape in March to avoid capture by Cromwell's troops. * January 20 – Francesco Molin is elected as the 99th Doge of Venice after 23 ballots, and gove ...
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Galerie Des Glaces
The Hall of Mirrors (french: Grande Galerie, Galerie des Glaces, Galerie de Louis XIV) is a grand Baroque style gallery and one of the most emblematic rooms in the royal Palace of Versailles near Paris, France. The grandiose ensemble of the hall and its adjoining salons was intended to illustrate the power of the absolutist monarch Louis XIV. Located on the first floor ('' piano nobile'') of the palace's central body, it faces west towards the Palace Gardens. The Hall of Mirrors has been the scene of events of great historic significance, including the Proclamation of the German Empire and the signing of the Treaty of Versailles. Cultural and historical background Construction In 1623 King Louis XIII ordered the construction of a modest two-story hunting lodge at Versailles, which he soon enlarged to a château from 1631 to 1634. His son Louis XIV declared the site his future permanent residence in 1661 and ordered the transformation into an extensive residence in sev ...
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Louise-Magdeleine Horthemels
Louise-Magdeleine Horthemels, or Louise-Madeleine Hortemels, also called Magdeleine Horthemels (1686 – 2 October 1767), was a French engraver, the mother of Charles-Nicolas Cochin. She is also sometimes credited under her married name of Louise Madeleine Cochin or Madeleine Cochin. Life The parish register of the parish of Saint-Benoit, Paris, shows that Louise-Magdeleine, baptized in 1686, was one of at least six children of Daniel Horthemels, a bookseller, and his wife Marie Cellier. The Horthemels family had come from The Netherlands. Originally Protestants, they became followers of the Dutch Roman Catholic theologian Cornelis Jansen and had links with the Parisian abbey of Port-Royal-des-Champs, the centre of Jansenist thought in France.Louise-Magdeleine Horthemels: Reproductive Engraver
by Elizabeth Poulso ...
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Jansenism
Jansenism was an early modern theological movement within Catholicism, primarily active in the Kingdom of France, that emphasized original sin, human depravity, the necessity of divine grace, and predestination. It was declared a heresy by the Catholic Church. The movement originated in the posthumously published work of the Dutch theologian Cornelius Jansen, who died in 1638. It was first popularized by Jansen's friend, Abbot Jean du Vergier de Hauranne of Saint-Cyran-en-Brenne Abbey, and after du Vergier's death in 1643, the movement was led by Antoine Arnauld. Through the 17th and into the 18th centuries, Jansenism was a distinct movement away from the Catholic Church. The theological center of the movement was Port-Royal-des-Champs Abbey, which was a haven for writers including du Vergier, Arnauld, Pierre Nicole, Blaise Pascal, and Jean Racine. Jansenism was opposed by many within the Catholic hierarchy, especially the Jesuits. Although the Jansenists identified themse ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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