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M.L. Vasanthakumari
Madras Lalitangi Vasanthakumari (popularly referred to as MLV) (3 July 1928 – 31 October 1990) was a Carnatic musician and playback singer for film songs in many Indian languages. MLV and her contemporaries D. K. Pattammal and M. S. Subbulakshmi are popularly referred to as the female trinity of Carnatic Music.. ''The Hindu'' (4 August 2003) A prime disciple of G. N. Balasubramaniam, she was the youngest among the established musicians of that era, and was the youngest female awardee of the ''Sangita Kalanidhi'' award. In 1967 she was honored with the Padma Bhushan, the third highest civilian award by the government of India. Her daughter, the late K.Srividya, was an actress in Tamil and Malayalam languages. As well as being a much sought-after playback singer for films, MLV popularized unfamiliar ragas and her Ragam Thanam Pallavis were considered cerebral.. ''The Hindu'' (4 July 2003) Additionally, she popularized the compositions of the Haridasas. Her most famous disciples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chennai District
Chennai district, formerly known as Madras district, is one of the 38 districts in the state of Tamil Nadu, India. It is the smallest and the most densely populated district in the state. The district is coterminous with the city of Chennai, which is administered by the Greater Chennai Corporation. It is surrounded by Tiruvallur district in the north and the west, Kanchipuram district in the south-west, Chenglpattu district in the south, and the Bay of Bengal in the east. As of 2011, the district had a population of 4,646,732 with a sex-ratio of 989 females for every 1,000 males. Much of the district's population descended from its settlements in the 1st century CE to the Middle Ages, but the diversity has grown much since then. The district consists of only one civic body, the megacity of Chennai, which forms the core and the most notable portion of the much bigger Chennai metropolis, or officially, the Chennai Metropolitan Area. In 2018, the district's limits were expanded, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamuna Arumugam
The Yamuna ( Hindustani: ), also spelt Jumna, is the second-largest tributary river of the Ganges by discharge and the longest tributary in India. Originating from the Yamunotri Glacier at a height of about on the southwestern slopes of Bandarpunch peaks of the Lower Himalaya in Uttarakhand, it travels a total length of and has a drainage system of , 40.2% of the entire Ganges Basin. It merges with the Ganges at Triveni Sangam, Allahabad, which is a site of the Kumbh Mela, a Hindu festival held every 12 years. Like the Ganges, the Yamuna is highly venerated in Hinduism and worshipped as the goddess Yamuna. In Hinduism she is the daughter of the sun god, Surya, and the sister of Yama, the god of death, and so is also known as Yami. According to popular legends, bathing in its sacred waters frees one from the torments of death. It crosses several states: Haryana and Uttar Pradesh, passing by Uttarakhand and later Delhi, and meeting its tributaries on the way, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narayana Teertha
Sri Narayana Teertha (c. 1650 – 1745 CE) was a great saint, devotee of Lord Sri Krishna, the supreme lord, and sang many songs on him. Brief lifesketch Sri Narayana Teertha was born in South India in the region covered by the present-day Andhra Pradesh. He lived in Kaza, Guntur district near Mangalagiri. He belonged to Tallavarjula family. His birth name was Govinda Sastrulu. They eventually moved to Thanjavur, Tamil Nadu. While there is significant dissention as to his exact time, historians place him between 1610 and 1745 AD. An extensive research done with the help of archives preserved in Saraswati Mahal Library has helped place the time closer to 1650 AD – 1745 AD, and he reportedly lived a long life. He mastered music at a very early age and studied '' Puranas'', '' Srimad Bhagavatam'' and other Sanskrit works. He renounced family at a very early age and took on a life of a religious devotion. He went to Varanasi to spread his philosophy. Teertha was very well versed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kriti (music)
''Kriti'' (Sanskrit: कृति, ''kṛti'') is a format of musical composition typical to Carnatic music. ''Kritis'' form the mental backbone of any typical Carnatic music concert and is the longer format of Carnatic song. "Kriti" also means Creation. Structure Conventional ''Kritis'' typically contain three parts #''Pallavi'', the equivalent of a refrain in Western music #'' Anupallavi'', the second verse, which is sometimes optional #''Charanam'', the final (and longest) verse that wraps up the song The ''charanam'' usually borrows patterns from the ''anupallavi''. The ''charanam's'' last line usually contains the composer's signature, or '' mudra'', with which the composer leaves their mark. Variations Some Kritis have a verse between the ''anupallavi'' and the ', called the '' ''. This verse consists only of notes, and has no words. Other ''krithis'', particularly some of Oottukkadu Venkata Kavi and Muthuswami Dikshitar's compositions, are intentionally composed without a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annamacharya
Tallapaka Annamacharya (Telugu : తాళ్ళపాక అన్నమాచార్య) ( IAST: taḷḷapāka annamācārya; 22 May 1408 – 4 April 1503), also popularly known as Annamayya, was a 15th-century Hindu saint and the earliest known Indian musician to compose songs called ''sankirtanas'' in praise of the Venkateswara, a form of Vishnu. The musical form of the keertana songs that he composed, which are still popular among Carnatic music concert artists, have strongly influenced the structure of Carnatic music compositions. Jackson (1999), p. 216. Annamacharya is remembered for his saintly life, and is honoured as a great devotee of Vishnu by devotees and saintly singers. Jackson (1999), p. 265. He is believed to have been the avatar of Nandaka, the sword of Vishnu. He is widely regarded as the Andhra Pada kavitā Pitāmaha (Grandfather of Telugu song-writing). Personal life Tallapaka Annamacharya was born on Vaishakha Shuddha Pournami in the year Sarwadh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kshetrayya
Kshetrayya ( Telugu:క్షేత్రయ్య) (–1680) was a prolific Telugu poet. He lived in the area of Andhra Pradesh in South India. He composed a number of ''padams'' and ''keertanas'', the prevalent formats of his time. He is credited with more than 4000 compositions, although only a handful have survived. He composed his songs on his favourite deity Krishna (Gopala) in Telugu. He was born to Telugu Brahmin family in a village called Movva (or Muvva), Krishna district in Andhra Pradesh. His parents named him Varadayya. Because of his habit of traveling from one place to another singing his songs at temples, he came to be called ''Kshetragna'' or ''Kshetrayya'' (one who travels). He perfected the ''padam'' format that is still used today. His ''padams'' are sung in dance (Bharatanatyam and Kuchipudi) and music recitals. A unique feature of his padams is the practice of singing the '' anupallavi'' first then the ''pallavi'' (second verse followed by first ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purandaradasa
Purandara Dasa ( IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-proponents of Carnatic music (Karnataka classical music). In honor of his significant contributions to Carnatic music, he is widely referred to as the ''Pitamaha'' (''lit''. "father" or "grandfather") of Carnatic music. According to a legend, he is considered as an incarnation of Saint Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Lord Hari or Lord Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valaji
Valaji or Valachi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a pentatonic scale (''audava'' or ''owdava'' rāgam, which means "of 5"). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). The equivalent of ''Valaji'' in Hindustani music is ''Kalāvati''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana ''Valaji'' is a symmetric rāgam that does not contain ''rishabham'' or ''madhyamam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification). Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the notes used in this scale are ''shadjam, antara gandharam, panchamam, chathusruthi dhaivatham and kaisiki nishadham'') ''Valaji'' is cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhogi
Abhogi () is a raga in Carnatic music and has been adapted to Hindustani music. It is a pentatonic scale, an ''audava'' raga. It is a derived scale (''janya'' raga), as it does not have all the seven ''swaras'' (musical notes). ''Ābhōgi'' has been borrowed from Carnatic music into Hindustani music and is also quite popular in the latter.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Theory The Carnatic raga Abhogi is a symmetric pentatonic scale that does not contain ''panchamam'' and ''nishadam''. It is called an ''audava-audava'' raga, as it has 5 notes in both ascending and descending scales. Its ' structure is as follows: * : * : The notes used are ''shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam and chathusruthi dhaivatham''. ''Ābhōgi'' is considered a ''janya'' raga of ''Kharaharapriya'', the 22nd ''Melakarta'' raga, though it can be d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khamas (raga)
Khamas''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras or Kamās/ Khamās /Khamāch/ Khamāj / Kamāchi (கமாச்) (ఖమాస్/కమాచి) a rāgam in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāgam (derived scale) from the 28th ''melakarta'' scale ''Harikambhoji''. It is a ''janya'' scale, as it does not have all the seven ''swaras'' (musical notes) in the ascending scale. It is a scale that evokes ''Shringara rasa''. It is suitable for ''javali'' type compositions. Structure and Lakshana ''Khamas'' is an asymmetric rāgam that does not contain ''rishabham'' in the ascending scale. It is a ''vakra-shadava-sampurna'' rāgam (''vakra-shadava'', meaning 6 notes in ascending scale with zig-zag moves). Its ' structure (ascending and descending scale) is as follows: * : * : The notes used in this scale are ''shadj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairavi (Carnatic)
Bhairavi is a ''janya'' rāgam in Carnatic music (musical scale of South Indian classical music). Though it is a ''sampoorna'' rāgam (scale having all 7 notes), it has two different ''dhaivathams'' in its scale making it a Bhashanga Ragam, and hence is not classified as a '' melakarta'' rāgam (parent scale). This is one of the ancient rāgams, said to have been prevalent about 1500 years ago. There are numerous compositions in this rāgam. Though a Raga called Bhairavi also exists in Hindusthani music, it is very different from the Carnatic version. Hindustani's Bhairavi, in terms of its aroha and avaroha alone, corresponds to Carnatic music's Thodi. It is considered a ''janya'' of the 20th ''melakarta Natabhairavi''. Its ' structure is as follows (see ''swaras'' of Carnatic music for details on below notation and terms): *: *: The other set of ārohaṇa and avarohaṇa used is: *: *: The notes used are ''chathusruthi rishabham, sadharana gandharam, shuddha mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dheerasankarabharanam
Dhīraśankarābharaṇaṃ, commonly known as ''Śankarābharaṇaṃ'', is a rāga in Carnatic music. It is the 29th ''Melakarta'' rāga in the 72 ''Melakarta'' rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as ''"Sarva Gamaka Maaṇika Rakti Rāgaṃ".'' By scale wise, the Śankarābharaṇaṃ scale corresponds to '' Bilaval'' in the Hindustani music system. The Western equivalent is the major scale, or the ''Ionian mode''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles. Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation. Structure and Lakshana It is the 5th rāga in the 5th ''Chakra Bāṇ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
