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M-Audio Torq
M-Audio (formerly Midiman) is a business unit of inMusic Brands that designs and markets audio and MIDI interfaces, keyboards and MIDI controllers, synthesizers, loudspeakers, studio monitors, digital DJ systems, microphones, and music software. The company has independent offices in the US, Canada, UK, Germany, France and Japan. History Midiman M-Audio was founded in the late 1990s by Tim Ryan, an engineer and graduate of the California Institute of Technology who had co-designed the Con Brio Advanced Digital Synthesizer and helped develop MIDI software for Commodore and Apple computers, including two of the best-selling MIDI software titles at that time, Studio One and Studio Two. After founding the company as Music Soft and changing the name to Midiman due to Yamaha Corporation already owning the rights to the Music Soft name, Ryan began the company with hardware solutions designed to solve the challenges of connecting MIDI, audio, and computer equipment together for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
M-Audio (logo)
M-Audio (formerly Midiman) is a business unit of inMusic Brands that designs and markets audio and MIDI interfaces, keyboards and MIDI controllers, synthesizers, loudspeakers, studio monitors, digital DJ systems, microphones, and music software. The company has independent offices in the US, Canada, UK, Germany, France and Japan. History Midiman M-Audio was founded in the late 1990s by Tim Ryan, an engineer and graduate of the California Institute of Technology who had co-designed the Con Brio Advanced Digital Synthesizer and helped develop MIDI software for Commodore and Apple computers, including two of the best-selling MIDI software titles at that time, Studio One and Studio Two. After founding the company as Music Soft and changing the name to Midiman due to Yamaha Corporation already owning the rights to the Music Soft name, Ryan began the company with hardware solutions designed to solve the challenges of connecting MIDI, audio, and computer equipment together for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Con Brio, Inc
Con or CON may refer to: Places * Commonwealth of Nations, or CON, an association of primarily former British colonies * Concord Municipal Airport (IATA airport code CON), a public-use airport in Merrimack County, New Hampshire, United States * Cornwall, England, Chapman code CON Arts, entertainment, and media * ''Con'' (TV series), a television show about confidence trickery * ''Con Air'', a 1997 American action crime film * '' Naruto: Clash of Ninja'', or ''CON'', a 3D cel-shaded fighting game * ''The Chronicles of Narnia'', or ''CON'', a series of seven fantasy novels for children written by C. S. Lewis Brands and enterprises * Consolidated Edison, also called Con Edison or ConEd * Continental Oil Language * Con language * Constructed language Other uses Con * Con (name) * Confidence trick, also known as con, scam, or flim flam; con is also a person who perpetrates a confidence trick * Conn (nautical), also spelled ''con'', the command of movement of a ship at sea * Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ArKaos
ArKaos is an application for live visual performance, conceived as a visual sampler for video loops that can be triggered from the computer, or through a hardware interface. The application is available in two versions: ArKaos VJ MIDI, conceived as a live video performance instrument, often used in conjunction with a MIDI keyboard, and ArKaos VJ DMX (a "media server software"), which can be controlled with a DMX console (DMX512 is a communication standard used for stage lighting devices). ArKaos is also known for use in the Daftendirektour, a tour led by the band Daft Punk. Kling-Net In 2011, ArKaos introduced the Kling-Net protocol, used for lighting control and Remote Device Management (RDM). It aims to provide video professionals the ability to distribute real-time video data to LED strips, LED panels and other remote devices over ethernet. Together with Art-Net, it is one of the most commonly used lighting control and Remote Device Management (RDM) protocols. Functio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ableton
Ableton AG is a German music software company that produces and distributes the production and performance program Ableton Live and a collection of related instruments and sample libraries, as well as their own hardware controller Ableton Push. Ableton's office is located in the Prenzlauer Berg district of Berlin, Germany, with a second office in Pasadena, California. History Ableton was founded in 1999 by Gerhard Behles and Robert Henke, who together formed the group Monolake, and software engineer Bernd Roggendorf. After Behles' work on granular synthesis for Native Instruments' Reaktor, as well as earlier software using a Silicon Graphics workstation at Technische Universität Berlin, Live was first released as commercial software in 2001. Behles remains the chief executive officer of Ableton. In March 2007, Ableton announced it was beginning a collaboration with Cycling '74, producers of Max/MSP. This collaboration is not directly based on Live or Max/MSP, but rat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Propellerhead Software
Reason Studios (formerly known as Propellerhead Software) is a music software company, based in Stockholm, Sweden. Founded in 1994, it develops the studio emulation digital audio workstation and audio plug-in Reason (software), Reason. History Propellerhead Software was founded in 1994 by Ernst Nathorst-Böös, Marcus Zetterquist and Peter Jubel. Their first release was ReCycle (program), ReCycle, a sample loop editor that could change the tempo of a loop without affecting the pitch. The export medium was Propellerhead's own REX format. ReCycle was launched in conjunction with Steinberg, who marketed it as a companion to Cubase, as it brought a simple way of gaining control over tempo and timing of audio loops. In 1997, Propellerhead released ReBirth RB-338, a step based, programmable sequencer which emulated classic Roland Corporation, Roland instruments commonly associated with techno: two TB-303 Bass Line synthesizers and a TR-808. A TR-909 drum machine was added in versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital-to-analog Converter
In electronics, a digital-to-analog converter (DAC, D/A, D2A, or D-to-A) is a system that converts a digital signal into an analog signal. An analog-to-digital converter (ADC) performs the reverse function. DACs are commonly used in music players to convert digital data streams into analog audio signals. They are also used in televisions and mobile phones to convert digital video data into analog video signals. These two applications use DACs at opposite ends of the frequency/resolution trade-off. The audio DAC is a low-frequency, high-resolution type while the video DAC is a high-frequency low- to medium-resolution type. There are several DAC architectures; the suitability of a DAC for a particular application is determined by figures of merit including: resolution, maximum sampling frequency and others. Digital-to-analog conversion can degrade a signal, so a DAC should be specified that has insignificant errors in terms of the application. Due to the complexity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog-to-digital Converter
In electronics, an analog-to-digital converter (ADC, A/D, or A-to-D) is a system that converts an analog signal, such as a sound picked up by a microphone or light entering a digital camera, into a Digital signal (signal processing), digital signal. An ADC may also provide an isolated measurement such as an electronic device that converts an analog input voltage or Electric current, current to a digital number representing the magnitude of the voltage or current. Typically the digital output is a two's complement binary number that is proportional to the input, but there are other possibilities. There are several ADC hardware architecture, architectures. Due to the complexity and the need for precisely matched electronic component, components, all but the most specialized ADCs are implemented as integrated circuits (ICs). These typically take the form of metal–oxide–semiconductor (MOS) mixed-signal integrated circuit chips that integrate both Analogue electronics, anal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI Timecode
MIDI time code (MTC) embeds the same timing information as standard SMPTE timecode as a series of small 'quarter-frame' MIDI messages. There is no provision for the user bits in the standard MIDI time code messages, and SysEx messages are used to carry this information instead. The quarter-frame messages are transmitted in a sequence of eight messages, thus a complete timecode value is specified every two frames. If the MIDI data stream is running close to capacity, the MTC data may arrive a little behind schedule which has the effect of introducing a small amount of jitter. In order to avoid this it is ideal to use a completely separate MIDI port for MTC data. Larger full-frame messages, which encapsulate a frame worth of timecode in a single message, are used to locate to a time while timecode is not running. Unlike standard SMPTE timecode, MIDI timecode's quarter-frame, and full-frame messages carry a two-bit flag value that identifies the rate of the timecode, specifying ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Timecode
Linear (or Longitudinal) Timecode (LTC) is an encoding of SMPTE timecode data in an audio signal, as defined in SMPTE 12M specification. The audio signal is commonly recorded on a VTR track or other storage media. The bits are encoded using the biphase mark code (also known as ''FM''): a 0 bit has a single transition at the start of the bit period. A 1 bit has two transitions, at the beginning and middle of the period. This encoding is self-clocking. Each frame is terminated by a 'sync word' which has a special predefined sync relationship with any video or film content. A special bit in the linear timecode frame, the ''biphase mark correction'' bit, ensures that there are an even number of AC transitions in each timecode frame. The sound of linear timecode is a jarring and distinctive noise and has been used as a sound-effects shorthand to imply ''telemetry'' or ''computers''. Generation and Distribution In broadcast video situations, the LTC generator should be tied into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tape Recorder
An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette tape (format), cassette for storage. The use of magnetic tape for sound recording originated around 1930 in Germany as paper tape with oxide lacquered to it. Prior to the development of magnetic tape, magnetic wire recording, wire recorders had successfully demonstrated the concept of magnetic recording, but they never offered audio quality comparable to the other recording and broadcast standards of the time. This German invention was the start of a long string of innovations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is a monthly music technology magazine. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. Independently owned, the magazine is published by SOS Publications Group in Cambridge, United Kingdom. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby and their friend Godfrey Davies in 1985. It was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the convergence of MIDI, computer technology and recording equipment. At the time of its launch, text for the magazine was edited on BBC Model B computers and pages were physically pasted together with wax. The modern magazine is full-colour throughout and led the way in using colour as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
