Léon Jehin
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Léon Jehin
Léon Jehin (17 July 1853 – 14 February 1928) was a conductor and composer, especially associated with the opera house in Monte Carlo.Favre G. ''Histoire Musicale de la Principauté de Monaco du XVIe au XXe siècle.'' Éditions des Archives du Palais Princier, Monaco/Éditions A et J Picard, Paris, 1974. He composed the national anthem of Monaco. Life and career Jehin was born in Spa, Belgium. He studied at the conservatoire in Liege and then in Brussels. He was a violinist at La Monnaie in the Belgian capital and conducted at Anvers, Aix-les-Bains, and the Royal Opera House. In 1889, when he was an assistant conductor in Brussels, he succeeded Arthur Steck as the conductor of the Monte Carlo Opera in Monaco, a position he held until his death. His first performance there was of ''Mireille'' by Charles Gounod.Walsh T J. ''Monte Carlo opera, 1879–1909.'' Gill and Macmillan, Dublin, 1975. In addition to conducting the main repertoire at the Monte Carlo opera, he conducted ...
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Léon Jéhin
Leon, Léon (French) or León (Spanish) may refer to: Places Europe * León, Spain, capital city of the Province of León * Province of León, Spain * Kingdom of León, an independent state in the Iberian Peninsula from 910 to 1230 and again from 1296 to 1301 * León (historical region), composed of the Spanish provinces León, Salamanca, and Zamora * Viscounty of Léon, a feudal state in France during the 11th to 13th centuries * Saint-Pol-de-Léon, a commune in Brittany, France * Léon, Landes, a commune in Aquitaine, France * Isla de León, a Spanish island * Leon (Souda Bay), an islet in Souda Bay, Chania, on the island of Crete North America * León, Guanajuato, Mexico, a large city * Leon, California, United States, a ghost town * Leon, Iowa, United States * Leon, Kansas, United States * Leon, New York, United States * Leon, Oklahoma, United States * Leon, Virginia, United States * Leon, West Virginia, United States * Leon, Wisconsin (other), United States, several ...
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Messaline
''Messaline'' (''Messalina'') is an operatic tragédie lyrique in four acts by Isidore de Lara. The librettists were Paul Armand Silvestre and Eugène Morand. The opera premiered at the Opéra de Monte-Carlo on 21 March 1899 where it was received enthusiastically. ''Messaline'' was de Lara's most successful opera and subsequent productions were performed throughout Europe, including the first opera by an Englishman to be mounted at La Scala in 1901. Other notable performances include Covent Garden in 1899, Paris Opéra in 1903, Warsaw in 1904, and Cairo in 1907. The opera made its United States premiere at the Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ... on 22 January 1902. The opera remained a regular part of the repertory, particularly in France, until ...
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Pénélope
''Pénélope'' is an opera in three acts by the French composer Gabriel Fauré. The libretto, by René Fauchois is based on Homer's ''Odyssey''. It was first performed at the Salle Garnier, Monte Carlo on 4 March 1913. The piece is dedicated to Camille Saint-Saëns.Jones, p. 150 Background and performance history In 1907 the Wagnerian soprano Lucienne Bréval encountered Fauré in Monte Carlo.Nectoux, p. 313 She expressed surprise that he had never written an opera, and introduced him to the young René Fauchois, who had recently written a play based on the section of the ''Odyssey'' dealing with Ulysses' return to Ithaca. Work on the score was slow because Fauré's teaching and administrative duties as head of the Paris Conservatoire left him only the summer holidays free for composing. For this reason he asked Fauchois to reduce the libretto from five to three acts and to cut the character of Ulysses' son Telemachus. Fauré worked on the opera each summer between 1907 and 1912 ...
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Roma (opera)
''Roma'' is an opera in five acts by Jules Massenet to a French libretto by Henri Cain based on the play '' Rome vaincue'' by Dominique-Alexandre Parodi. It was first performed at the Opéra de Monte Carlo on 17 February 1912. ''Roma'' was the last opera by Massenet to premiere in his lifetime. Three operas were subsequently premiered posthumously: '' Panurge'' (1913), ''Cléopâtre'' (1914) and '' Amadis'' (1922). The piece has not survived into the modern operatic repertoire, but has been revived recently and recorded by the Teatro la Fenice in Venice. Roles Synopsis The story takes place in Ancient Rome, following the Carthaginian triumph at the Battle of Cannae. Fausta, daughter of Fabius, has allowed the sacred fires to burn out at the Temple of Vesta The Temple of Vesta, or the aedes (Latin ''Aedes Vestae''; Italian: ''Tempio di Vesta''), is an ancient edifice in Rome, Italy. The temple is located in the Roman Forum near the Regia and the House of the Vestal Vi ...
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Déjanire
''Déjanire'' is an opera (tragédie lyrique) in 4 acts composed by Camille Saint-Saëns to a libretto in French by Louis Gallet and Camille Saint-Saëns. The last of Saint-Saëns' operas, it premiered on 28 August 1898 in the new arènes in Beziers. One of the opera's central characters, Hercule (Hercules), had been the subject of two earlier symphonic poems by Saint-Saëns – ''Le Rouet d'Omphale'' (1872) and ''La Jeunesse d'Hercule'' (1877). The story is based on ''The Trachiniae'' by Sophocles (also the source for Handel's opera ''Hercules''). Composition history ''Déjanire'' began its life in 1898 as a play with accompanying symphonic music, choruses and a ballet.Hugh Macdonald: "Déjanire ", ''Grove Music Online'' ed. L. Macy (Accessed 2 March 2009)(subscription access)/ref> Fernand Castelbon de Beauxhostes, one of the owners of a newly constructed arena in Béziers (used primarily for staging bullfights), wanted to make Béziers a centre for the performance of open- ...
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Don Quichotte
''Don Quichotte'' (''Don Quixote'') is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo. Massenet's ''comédie-héroïque'', like many dramatized versions of the story of Don Quixote, relates only indirectly to the novel ''Don Quixote'' by Miguel de Cervantes. The immediate inspiration was ''Le chevalier de la longue figure'', a play by the poet first performed in Paris in 1904. In this version of the story, the simple farm girl Aldonza (Dulcinea) of the original novel becomes the more sophisticated Dulcinée, a flirtatious local beauty inspiring the infatuated old man's exploits. Composition history Conceiving originally ''Don Quichotte'' to be a three-act opera, Massenet started to compose it in 1909 at a time when, suffering from acute rheumatic pains, he spent more of his time in bed than out of it, and composition of ''Don Quichotte'' became, in his words, a sort of "soothin ...
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Thérèse (opera)
''Thérèse'' is an opera in two acts by Jules Massenet to a French libretto by Jules Claretie. While ''Thérèse'' remains among Massenet's lesser-known works, the piece has spawned a number of revivals and recordings. First performed in Monte Carlo in 1907, it has a running time of approximately 70 minutes. Notable recordings of the work include a 1970s Richard Bonynge version for Decca, featuring Huguette Tourangeau in the title role, as well as a 2013 version by Alain Altinoglu. Performance history ''Thérèse'' was first performed at the Opéra de Monte-Carlo on 7 February 1907, featuring Lucy Arbell in the title role, Edmond Clément as Armand de Clerval and Hector Dufranne as André Thorel. For the Paris premiere at the Opéra-Comique in 1911, Arbell and Clément repeated their roles, while the off-stage harpsichord in the minuet was played by Louis Diémer; the work on this occasion was paired in a double-bill with the premiere of Ravel's ''L'heure espagnole''. ...
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Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ...
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Don Procopio
''Don Procopio'' is a two-act opera buffa by Georges Bizet with an Italian libretto completed in 1859, and first performed in 1906. Background Bizet spent 1857 to 1860 in Italy as winner of the Prix de Rome. Looking for inspiration for a work to send home, he found the subject for his opera buffa in a second-hand bookstall in Rome, writing home that the piece by Carlo Cambiaggio (1798–1880) was "an Italian farce in the manner of ''Don Pasquale''". The words were a reduced version of ''I pretendenti delusi'' (1811) by Giuseppe Mosca (1772–1839). Composition was sporadic over the winter of 1858–59; Bizet confessed that he was still trying to find his voice, although he intentionally aimed at an Italian style for this piece. The report from the Prix de Rome judges noted advances, but a later report signed by Ambroise Thomas criticised Bizet for sending an ''opéra bouffe'' as his first envoi and suggested he divert his attention away from this toward sacred music (although ...
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Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ...
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L'ancêtre
''L'ancêtre'' ("The Ancestor") is a 1905 in 3 acts by Camille Saint-Saëns to a libretto by Lucien Augé de Lassus (1841-1914). The opera premiered at the on February 24, 1906, and was directed by Raoul Gunsbourg and conducted by Léon Jehin. Celebrated soprano Geraldine Farrar created the role of Margarita. The vocal score, published in 1906 by Durand et Fils of Paris has a dedication to Albert I, Prince of Monaco.Saint-Saëns, Camille. ''L'ancêtre.'' vocal score title page. Paris: Durand et Fils, 1906. The plot is set during the First French Empire in Corsica Corsica ( , Upper , Southern ; it, Corsica; ; french: Corse ; lij, Còrsega; sc, Còssiga) is an island in the Mediterranean Sea and one of the 18 regions of France. It is the fourth-largest island in the Mediterranean and lies southeast of ..., which composer and librettist visited together, looking for local colour. Roles * (baritone) * (tenor) * (bass) * (soprano) * (soprano) * (contralto) Parents, ser ...
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Chérubin
''Chérubin'' is an opera (''comédie chantée'') in three acts by Jules Massenet to a French libretto by Francis de Croisset and Henri Cain after de Croisset's play of the same name. It was first performed at the Opéra de Monte-Carlo on 14 February 1905, with Mary Garden in the title role. The story is a light-hearted addition to Beaumarchais' Figaro plays, the action taking place soon after that of ''The Marriage of Figaro'', and imagines festivities in celebration of Chérubin's first military commission and seventeenth birthday. A farcical romp ensues, brought on by Chérubin lusting after each of the female characters and inspiring general confusion. Performance history The piece contains some of Massenet's most shimmering, charming music and has spawned a few contemporary revivals plus several recordings since 1980. The Royal Opera House in London premiered it on 14 February 1994 in a production starring Susan Graham in the title role. The performance was broadcast. Role ...
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