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Déjanire
''Déjanire'' is an opera (tragédie lyrique) in 4 acts composed by Camille Saint-Saëns to a libretto in French by Louis Gallet and Camille Saint-Saëns. The last of Saint-Saëns' operas, it premiered on 28 August 1898 in the new arènes in Beziers. One of the opera's central characters, Hercule (Hercules), had been the subject of two earlier symphonic poems by Saint-Saëns – ''Le Rouet d'Omphale'' (1872) and ''La Jeunesse d'Hercule'' (1877). The story is based on ''The Trachiniae'' by Sophocles (also the source for Handel's opera ''Hercules''). Composition history ''Déjanire'' began its life in 1898 as a play with accompanying symphonic music, choruses and a ballet.Hugh Macdonald: "Déjanire ", ''Grove Music Online'' ed. L. Macy (Accessed 2 March 2009)(subscription access)/ref> Fernand Castelbon de Beauxhostes, one of the owners of a newly constructed arena in Béziers (used primarily for staging bullfights), wanted to make Béziers a centre for the performance of open- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvonne Dubel
Yvonne Dubel (1881–1958) was a French operatic soprano from Rennes. After completing her studies at the city's Conservatoire, she débuted in 1904 at the Paris Opera as Elsa in Wagner's '' Lohengrin''. In March 1911 at the Monte Carlo Opera, she created the role of Iole in '' Déjanire'' by Saint-Saëns. In addition to guest appearances in the French provinces (1907–1912), she performed in countries across Europe, including Belgium, Germany, Greece and the Netherlands. Biography Born in Rennes on 19 September 1881, Yvonne Dubel was a great-niece of the operatic tenor Gustave-Hippolyte Roger (1815–1879). After first being trained in voice by her mother, she attended the Rennes Conservatoire before completing her studies at the Conservatoire de Paris under . In 1904, she made her début at the Paris Opera as Elsa in Wagner's '' Lohengrin''. Under an engagement from 1905 to 1907, her roles included Hilda in Ernest Reyer's ''Sigurd'', Marguerite in Gounod's '' Faust'' and Jul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Muratore
Lucien Muratore (29 August 1876 – 16 July 1954, in Paris) was a French actor and operatic tenor, particularly associated with the French repertory. Life and career Lucien Muratore was born Marseille to Italian parents from Piedmont. He trained first as a cornist, and later as an actor. He made his debut at the Odéon theatre in Paris, where he played opposite such actresses as Sarah Bernhardt and Réjane. He then studied at the Paris Music Conservatory, and made his operatic debut in 1902, at the Opéra-Comique, creating the King in Reynaldo Hahn's ''La carmélite''. He made his debut at La Monnaie in 1904, as ''Werther'', and the following year at the Palais Garnier, as Renaud in Lully's '' Armide''. He created several Massenet operas such as '' Ariane'' and ''Bacchus'', at the Opéra, and ''Roma'', in Monte Carlo. He also took part in the creation of ''La Catalane'' by Le Borne, ''Monna Vanna'' by Henry Février, ''Déjanire'' by Camille Saint-Saëns, and ''Pénélope'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Gallet
Louis Gallet (14 February 1835 in Valence, Drôme – 16 October 1898) was a French writer of operatic libretti, plays, romances, memoirs, pamphlets, and innumerable articles, who is remembered above all for his adaptations of fiction —and Scripture— to provide librettos of cantatas and opera, notably by composers Georges Bizet, Camille Saint-Saëns and Jules Massenet. Life and career By day Gallet supported himself by a minor post in the Administration of Assistance to the Poor and positions, first as treasurer then as general administrator, at the Beaujon hospital, Paris, and other hospitals (ref. Saint-Saëns). In 1871, Camille du Locle, the manager of the Paris Opéra-Comique, offered to produce a one-act work of Camille Saint-Saëns. He proposed as collaborator Louis Gallet, whom Saint-Saëns did not know, and the result was the slight piece '' La princesse jaune''; it was notable as the first '' japonerie'' on the operatic stage, Japan having only very recentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félia Litvinne
Félia Litvinne (11 October 1860, Saint Petersburg – 12 October 1936, Paris) was a Russian-born, French-based dramatic soprano. She was particularly associated with Wagnerian roles, although she also sang a wide range of parts by other opera composers. Life and career Born in St Petersburg, Russian Empire as Françoise-Jeanne Schütz in 1860, her father was Russian, and her mother was French-Canadian (from Quebec). After study in Russia, Switzerland and Italy, she became multi-lingual. Then, she moved with her family to Paris, where she studied singing with Madame Barthe-Banderali for three years and took lessons with Pauline Viardot and Victor Maurel. She possessed a wide range, encompassing both mezzo-soprano and soprano coloratura roles. She made her stage debut at the Théâtre-Italien in 1883, as Amelia in Verdi's ''Simon Boccanegra'', as a last-minute replacement for Fidès Devriès.Macy, Laura Williams. ''The Grove Book of Opera Singers'' pg. 285. Oxford University P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Jehin
Léon Jehin (17 July 1853 – 14 February 1928) was a conductor and composer, especially associated with the opera house in Monte Carlo.Favre G. ''Histoire Musicale de la Principauté de Monaco du XVIe au XXe siècle.'' Éditions des Archives du Palais Princier, Monaco/Éditions A et J Picard, Paris, 1974. He composed the national anthem of Monaco. Life and career Jehin was born in Spa, Belgium. He studied at the conservatoire in Liege and then in Brussels. He was a violinist at La Monnaie in the Belgian capital and conducted at Anvers, Aix-les-Bains, and the Royal Opera House. In 1889, when he was an assistant conductor in Brussels, he succeeded Arthur Steck as the conductor of the Monte Carlo Opera in Monaco, a position he held until his death. His first performance there was of ''Mireille'' by Charles Gounod.Walsh T J. ''Monte Carlo opera, 1879–1909.'' Gill and Macmillan, Dublin, 1975. In addition to conducting the main repertoire at the Monte Carlo opera, he conducted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Melis
Carmen Melis (15 August 1885 – 19 December 1967) was an Italian operatic soprano who had a major international career during the first four decades of the 20th century. She was known, above all, as a verismo soprano, and was one of the most interesting singing actresses of the early 20th century. She made her debut in Novara in 1905 and her career rapidly developed in her native country over the next four years. From 1909 to 1916 she performed with important opera companies in the United States; after which she was busy performing at many of Europe's most important opera houses. From 1917 until her retirement from the stage in 1935 she was particularly active at the Teatro Costanzi in Rome and at La Scala in Milan. After her singing career ended, she embarked on a second career as a voice teacher. Her most notable student was soprano Renata Tebaldi. Education and early career in Europe Born in Cagliari, Melis began her voice studies with dramatic soprano Teresina Singer in Flore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iole
In Greek mythology, Iole (; grc, Ἰόλη ) was the daughter of King Eurytus of Oechalia. According to the brief epitome in the '' Bibliotheca'', Eurytus had a beautiful young daughter named Iole who was eligible for marriage. Iole was claimed by Heracles for a bride, but Eurytus refused her hand in marriage. Iole was indirectly the cause of Heracles' death because of his wife's jealousy of her. There are different versions of the mythology of Iole from many ancient sources. The ''Bibliotheca'' gives the most complete story followed by slight variations of this from Seneca and Ovid. Other ancient sources (i.e. Diodorus Siculus, Gaius Julius Hyginus, and Pseudo-Plutarch) have similar information on Iole with additional variations. Mythology Heracles' love for Iole leads to his death Apollodorus recounted the tale in his ''Bibliotheca''. King Eurytus was an expert archer who taught his sons his knowledge of the bow and arrow. He promised his daughter Iole to whoever could bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Deianira
Deianira, Deïanira, or Deianeira (; Ancient Greek: Δηϊάνειρα, ''Dēiáneira'', or , ''Dēáneira'', ), also known as Dejanira, is a Calydonian princess in Greek mythology whose name translates as "man-destroyer" or "destroyer of her husband". She was the wife of Heracles and, in late Classical accounts, his unwitting murderer, killing him with the poisoned Shirt of Nessus. She is the main character in Sophocles' play ''Women of Trachis''. Family Deianira was the daughter of Althaea and her husband Oeneus (whose name means "wine-man"), the king of Calydon (after the wine-god gave the king the vine to cultivate), and the half-sister of Meleager. Her other siblings were Toxeus, Clymenus, Periphas, Agelaus (or Ageleus), Thyreus (or Phereus or Pheres), Gorge, Eurymede and Melanippe. In some accounts, Deianira was the daughter of King Dexamenus of Olenus and thus, sister to Eurypylus, Theronice and Theraephone. Others called this daughter of Dexamenus as Mnesimach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Baudo
Serge Baudo (born 16 July 1927) is a French conductor, the son of the oboist Étienne Baudo. He is the nephew of the cellist Paul Tortelier. Baudo was conductor of the Orchestra of Radio Nice from 1959 to 1962. He then served as permanent conductor at the Paris Opera from 1962 to 1965. Baudo also worked on the music of two Jacques-Yves Cousteau films: in 1964 he composed and conducted the music of ''World Without Sun'' and in 1976 he conducted some Maurice Ravel musical pieces for '' Voyage to the Edge of the World'' (a Cousteau film about a four months expedition in Antarctica). He conducted the world premieres of the operas ''La mère coupable'' by Darius Milhaud in June 1966 in Geneva as well as ''Andrea del Sarto'' by Jean-Yves Daniel-Lesur in January 1969 in Marseille . Baudo became music director of the Orchestre philharmonique Rhône-Alpes, later the Orchestre National de Lyon, in 1971, and served in this post until 1987. During his time in Lyon Lyon,, ; Occitan: ''Lio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festival De Radio France Et Montpellier
The Festival Radio France Occitanie Montpellier, formerly the Festival de Radio France et de Montpellier, is a summer festival of opera and music held in Montpellier, France created in 1985. The music festival concentrates on classical music and jazz with about 100 events, including opera, concerts, films, and talks, most of which are free and located in the historic courtyards of the city or the modern concert halls of Le Corum. Since its beginning, the festival has been entrusted to René Koering. Jean-Noël Jeanneney, president and general manager of Radio France in 1985 declared the purpose the festival was to reconcile "the classic and the unexpected, great interpreters and musicians making their debut, ancient accents and the sonorities of tomorrow... in the great tradition of public service". The Festival is held for more than two weeks in mid to late July. Significant premieres * 2006 premiere Édouard Lalo's lost opera ''Fiesque''. With Roberto Alagna, cond. Alain Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Opera Association
The Civic Opera Company (1922–1931) was a Chicago company that produced seven seasons of grand opera in the Auditorium Theatre from 1922 to 1928, and three seasons at its own Civic Opera House from 1929 to 1931 before falling victim to financial difficulties brought on in part by the Great Depression. The company consisted largely of the remnants of the Chicago Opera Association, a company that produced seven seasons of grand opera in the Auditorium Theatre from 1915 until its bankruptcy in 1921. Chicago Opera Association The Chicago Opera Association produced seven seasons of grand opera in Chicago's Auditorium Theatre from 1915 to 1921. The founding artistic director and principal conductor was Cleofonte Campanini, while the general manager and chief underwriter was Harold F. McCormick. When Campanini died in December 1919 he was replaced by the composer Gino Marinuzzi, who staged his own ''Jacquerie'' as the opening production of the 1920–21 season. In January 1921, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
