List Of Works In The Museum Of Modern Art
   HOME
*



picture info

List Of Works In The Museum Of Modern Art
This is a partial list of works in the Museum of Modern Art, and organized by type and department. Department of Painting and Sculpture This is a partial list of works in the Department of Painting and Sculpture, organized by type. Works by decade 1880s *L'Estaque. 1879-83 (Paul Cézanne) *Still Life with Fruit Dish. 1879-80 (Paul Cézanne) *At the Milliner's. 1882 (Edgar Degas) *Two Roses on a Tablecloth. 1882-1883 (Édouard Manet) *Hand. 1884 Auguste Rodin *The Bather. c. 1885 (Paul Cézanne) *Evening, Honfleur. 1886 (Georges-Pierre Seurat) *Port-en-Bessin, Entrance to the Harbor. 1888 (Georges-Pierre Seurat) *The Starry Night. Saint Rémy, June 1889 (Vincent van Gogh) * The Olive Trees. Saint Rémy, June–July 1889 (Vincent van Gogh) 1890s *'' Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890'' (Paul Signac) *The Seed of the Areoi. 1892 (Paul Gauguin) *The Storm. 1893 (Edvard Munch) ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Starry Night
''The Starry Night'' ( nl, De sterrennacht) is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, ''The Starry Night'' is one of the most recognizable paintings in Western art. The asylum In the aftermath of the 23 December 1888 breakdown that resulted in the self-mutilation of his left ear, Van Gogh voluntarily admitted himself to the Saint-Paul-de-Mausole lunatic asylum on 8 May 1889. Housed in a former monastery, Saint-Paul-de-Mausole catered to the wealthy and was less than half full when Van Gogh arrived, allowing him to occupy not only a second-story bedroom but also a ground-fl ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Edward Steichen
Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography. Steichen was credited with transforming photography into an art form. His photographs appeared in Alfred Stieglitz's groundbreaking magazine ''Camera Work'' more often than anyone else during its publication run from 1903 to 1917. Stieglitz hailed him as "the greatest photographer that ever lived". As a pioneer of fashion photography, Steichen's gown images for the magazine ''Art et Décoration'' in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines ''Vogue'' and '' Vanity Fair'', while also working for many advertising agencies, including J. Walter Thompson. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world. After ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Pond—Moonlight
''The Pond—Moonlight'' (also exhibited as ''The Pond—Moonrise'') is a pictorialist photograph by Edward Steichen. The photograph was made in 1904 in Mamaroneck, New York, near the home of his friend art critic Charles Caffin. The photograph features a forest across a pond, with part of the moon appearing over the horizon in a gap in the trees. ''The Pond—Moonlight'' is an early photograph created by manually applying light-sensitive gums, giving the final print more than one color. Only three known versions of ''The Pond—Moonlight'' are still in existence and, as a result of the hand-layering of the gums, each is unique. One version was given by Steichen to the Museum of Modern Art and remains in its collection under the title ''Moonrise, Mamaroneck, New York''. A second version was in the personal collection of Alfred Stieglitz, which was donated to the Metropolitan Museum of Art in 1933. This had been reproduced in Stieglitz's photography journal ''Camera Work'', No. ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Odilon Redon
Odilon Redon (born Bertrand Redon; ; 20 April 18406 July 1916) was a French Symbolism (arts), symbolist painter, printmaker, Drawing, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in Charcoal (art), charcoal and lithography, works referred to as ''noirs''. He started gaining recognition after his drawings were mentioned in the 1884 novel ''À rebours'' (''Against Nature'') by Joris-Karl Huysmans. During the 1890s he began working in pastel and Oil painting, oils, which quickly became his favourite medium, abandoning his previous style of ''noirs'' completely after 1900. He also developed a keen interest in Hinduism, Hindu and Buddhism, Buddhist religion and culture, which increasingly showed in his work. He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to tak ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Monument To Balzac
''Monument to Balzac'' is a sculpture by Auguste Rodin in memory of the French novelist Honoré de Balzac. According to Rodin, the sculpture aims to portray the writer's persona rather than a physical likeness. The work was commissioned in 1891 by the Société des Gens de Lettres, a full-size plaster model was displayed in 1898 at a Salon in Champ de Mars. After coming under criticism the model was rejected by the société and Rodin moved it to his home in Meudon. On 2 July 1939 (22 years after the sculptor's death) the model was cast in bronze for the first time and placed on the Boulevard du Montparnasse at the intersection with Boulevard Raspail. Casts and various studies of the sculpture are today in many different collections including the Ackland Art Museum, Middelheim Open Air Sculpture Museum in Antwerp, The Norton Simon Museum of Art, the Musée Rodin in Meudon, the Rodin Museum in Philadelphia, the Hirshhorn Museum, the Hirschhorn Sculpture Garden ( Smithsonian) in Wa ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Henri Rousseau
Henri Julien Félix Rousseau (; 21 May 1844 – 2 September 1910)
at the Guggenheim
was a French post-impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll and tax collector. He started painting seriously in his early forties; by age ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


The Sleeping Gypsy
''The Sleeping Gypsy'' (French: ''La Bohémienne endormie'') is an 1897 oil painting by French Naïve artist Henri Rousseau (1844–1910). It is a fantastical depiction of a lion musing over a sleeping woman on a moonlit night. Rousseau first exhibited the painting at the 13th Salon des Indépendants, and tried unsuccessfully to sell it to the mayor of his hometown, Laval. Instead, it entered the private collection of a Parisian charcoal merchant where it remained until 1924, when it was discovered by the art critic Louis Vauxcelles. The Paris-based art dealer Daniel-Henry Kahnweiler purchased the painting in 1924, although a controversy arose over whether the painting was a forgery. It was acquired by art historian Alfred H. Barr Jr. for the New York Museum of Modern Art. Description Rousseau described his painting as follows: "A wandering Negress, a mandolin player, lies with her jar beside her (a vase with drinking water), overcome by fatigue in a deep sleep. A lion cha ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Édouard Vuillard
Jean-Édouard Vuillard (; 11 November 186821 June 1940) was a French painter, decorative artist and printmaker. From 1891 through 1900, he was a prominent member of the Nabis, making paintings which assembled areas of pure color, and interior scenes, influenced by Japanese prints, where the subjects were blended into colors and patterns. He also was a decorative artist, painting theater sets, panels for interior decoration, and designing plates and stained glass. After 1900, when the Nabis broke up, he adopted a more realistic style, painting landscapes and interiors with lavish detail and vivid colors. In the 1920s and 1930s he painted portraits of prominent figures in French industry and the arts in their familiar settings. Vuillard was influenced by Paul Gauguin, among other post-impressionist painters. Early life Jean-Édouard Vuillard was born on 11 November 1868 in Cuiseaux ( Saône-et-Loire), where he spent his youth. Vuillard's father was a retired captain of the na ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Edvard Munch
Edvard Munch ( , ; 12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, ''The Scream'' (1893), has become one of Western art's most iconic images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state (' soul painting'). From this emerged his distinctive style. Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of color. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on a major series of paintings he would later call ''The Frieze of Life'', depicting a series of deeply-felt themes such as love, anxiety, je ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Paul Gauguin
Eugène Henri Paul Gauguin (, ; ; 7 June 1848 – 8 May 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region. His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent and Theo van Gogh. Gauguin's art became popular after his death, partially from the efforts of dealer Ambroise Vollard, who organized exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris. Gauguin was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. His expression of the inherent meaning of the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. Biography Paul Signac was born in Paris on 11 November 1863. He followed a course of training in architecture before, at the age of 18, deciding to pursue a career as a painter, after attending an exhibit of Monet's work. He sailed on the Mediterranean Sea, visiting the coasts of Europe and painting the landscapes he encountered. In later years, he also painted a series of watercolors of French harbor cities. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat's faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]