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The Pond—Moonlight
''The Pond—Moonlight'' (also exhibited as ''The Pond—Moonrise'') is a pictorialist photograph by Edward Steichen. The photograph was made in 1904 in Mamaroneck, New York, near the home of his friend art critic Charles Caffin. The photograph features a forest across a pond, with part of the moon appearing over the horizon in a gap in the trees. ''The Pond—Moonlight'' is an early photograph created by manually applying light-sensitive gums, giving the final print more than one color. Only three known versions of ''The Pond—Moonlight'' are still in existence and, as a result of the hand-layering of the gums, each is unique. One version was given by Steichen to the Museum of Modern Art and remains in its collection under the title ''Moonrise, Mamaroneck, New York''. A second version was in the personal collection of Alfred Stieglitz, which was donated to the Metropolitan Museum of Art in 1933. This had been reproduced in Stieglitz's photography journal ''Camera Work'', No. ...
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Landscape Photographs
A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the physical elements of geophysically defined landforms such as (ice-capped) mountains, hills, water bodies such as rivers, lakes, ponds and the sea, living elements of land cover including indigenous vegetation, human elements including different forms of land use, buildings, and structures, and transitory elements such as lighting and weather conditions. Combining both their physical origins and the cultural overlay of human presence, often created over millennia, landscapes reflect a living synthesis of people and place that is vital to local and national identity. The character of a landscape helps define the self-image of the people who inhabit it and a sense of place that differentiates one region from other regions. It is the dynamic b ...
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Color Photographs
Color (American English) or colour (British English) is the visual perceptual property deriving from the spectrum of light interacting with the photoreceptor cells of the eyes. Color categories and physical specifications of color are associated with objects or materials based on their physical properties such as light absorption, reflection, or emission spectra. By defining a color space, colors can be identified numerically by their coordinates. Because perception of color stems from the varying spectral sensitivity of different types of cone cells in the retina to different parts of the spectrum, colors may be defined and quantified by the degree to which they stimulate these cells. These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of color appearance. Color science includes the perception of color by the eye and brain, the origin of color in materials, color theory in art, and the physics of electromag ...
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Images Of Westchester County, New York
An image is a visual representation of something. It can be two-dimensional, three-dimensional, or somehow otherwise feed into the visual system to convey information. An image can be an artifact, such as a photograph or other two-dimensional picture, that resembles a subject. In the context of signal processing, an image is a distributed amplitude of color(s). In optics, the term “image” may refer specifically to a 2D image. An image does not have to use the entire visual system to be a visual representation. A popular example of this is of a greyscale image, which uses the visual system's sensitivity to brightness across all wavelengths, without taking into account different colors. A black and white visual representation of something is still an image, even though it does not make full use of the visual system's capabilities. Images are typically still, but in some cases can be moving or animated. Characteristics Images may be two or three-dimensional, such as a ...
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Photographs By Edward Steichen
A photograph (also known as a photo, image, or picture) is an image created by light falling on a photosensitive surface, usually photographic film or an electronic image sensor, such as a CCD or a CMOS chip. Most photographs are now created using a smartphone/camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see. The process and practice of creating such images is called photography. Etymology The word ''photograph'' was coined in 1839 by Sir John Herschel and is based on the Greek φῶς (''phos''), meaning "light," and γραφή (''graphê''), meaning "drawing, writing," together meaning "drawing with light." History The first permanent photograph, a contact-exposed copy of an engraving, was made in 1822 using the bitumen-based " heliography" process developed by Nicéphore Niépce. The first photographs of a real-world scene, made using a camera obscura, followed a few years later at Le G ...
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1904 In Art
Events from the year 1904 in art. Events * April ** Octavian Smigelschi is selected to paint the interior decoration of Holy Trinity Cathedral, Sibiu. ** George Frederic Watts (dies 1 July) opens the Watts Gallery in the English village of Compton, Guildford, for the display of his work. * November – The Potters (artists group) is formed by female artists in St. Louis, Missouri. * Start of Picasso's Rose Period. * Georges Braque leaves the Academie Humbert. * Mary Cassatt is awarded the Légion d'honneur by the French government for her services to the arts. * British Impressionist painter Wilfrid de Glehn marries American portrait painter Jane Erin Emmet. * Kaiser-Friedrich-Museum, Berlin, designed by Ernst von Ihne and noted for its ''Skulpturensammlung'', is completed. Works Paintings * Lawrence Alma-Tadema – '' The Finding of Moses'' * Paul Cézanne ** '' Mont Sainte-Victoire'' ( Philadelphia Museum of Art) ** ''La Montagne Sainte-Victoire vue du bosquet du Château ...
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1900s Photographs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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List Of Most Expensive Photographs
This is a list of the 30 highest prices paid for photographs (in United States dollar, US dollars unless otherwise stated). All prices include the buyer's premium, which is the auction house fee for handling the work. List Disputed claim # In December 2014, Peter Lik reportedly sold a photograph titled ''Phantom'' to an anonymous bidder for $6.5 million, making it potentially the second highest price paid for a photograph. Lik's claim has been greeted with much scepticism. Claims of the sale have never been proven, and the buyer has not come forward, though a lawyer claiming to represent the buyer claims that the deal was real. See also *List of most expensive paintings *List of most expensive sculptures *List of most expensive artworks by living artists *List of most expensive books and manuscripts *List of most expensive non-fungible tokens References External linksArtnet top ten most expensive photographs April 2003The two most expensive Stieglitz photos, 2006
click th ...
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Peter MacGill
Peter MacGill is an American gallerist, curator, and art historian. MacGill is President of the Pace/MacGill Gallery, which opened in 1983 on East 57th Street in New York City. In 2006 he was the first recipient of the Harold Jones Distinguished Alumni Award at The University of Arizona. Career MacGill graduated with a B.A. from Ohio Wesleyan University in 1974 and a M.F.A. from the University of Arizona in 1977, where he was the first student to graduate from the MFA Photography program. He began working in the photography world as a college intern at Light Gallery in 1973 where he hung Stephen Shore’s first solo show. While attending the University of Arizona MacGill served as a curator at the Center for Creative Photography. In 2005 he was ranked 15th on the list of "The 100 Most Important People in Photography" compiled by ''American Photo'' magazine. MacGill is President of the Pace/MacGill Gallery, which opened in 1983 on East 57th Street in New York City. Although Pace ...
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Camera Work
''Camera Work'' was a quarterly photographic journal published by Alfred Stieglitz from 1903 to 1917. It presented high-quality photogravures by some of the most important photographers in the world, with the goal to establish photography as a fine art. It has been called "consummately intellectual", "by far the most beautiful of all photographic magazines", and "a portrait of an age n whichthe artistic sensibility of the nineteenth century was transformed into the artistic awareness of the present day." Background At the start of the 20th century Alfred Stieglitz was the single most important figure in American photography. He had been working for many years to raise the status of photography as a fine art by writing numerous articles, creating exhibitions, exhibiting his own work and, especially by trying to influence the artistic direction of the highly important Camera Club of New York. He was not successful in the latter, and as a result by the spring of 1902 he was both fr ...
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Pictorialism
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus (some more so than others), is printed in one or more colors other than black-and-white (ranging from warm brown to deep blue) and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination. Pictorialism as a movement thrived from about 1885 to 1915, although it was still being promoted by some as late as the 1940s. It began in response to claims that a photograph was nothin ...
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