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List Of Operas By Rossini
The Italian composer Gioachino Rossini (1792–1868) is best known for his operas, of which he wrote 39 between 1806 and 1829. Adopting the ''opera buffa'' style of Domenico Cimarosa and Giovanni Paisiello, Rossini became the dominant composer of Italian opera during the first half of the 19th-century. Though working at the same time as Vincenzo Bellini and Gaetano Donizetti, he was recognized by his contemporaries as the greatest Italian composer of his time, an evaluation which has lasted into the 21st-century. The operas are catalogued in a critical edition from the , Pesaro, and published by Casa Ricordi. This edition identifies individual operas by their EC numbers (). |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Coccia
Carlo Coccia (14 April 1782 – 13 April 1873) was an Italian opera composer. He was known for the genre of opera semiseria. Life and career Coccia was born in Naples, and studied in his native city with Pietro Casella, Fedele Fenaroli, and Giovanni Paisiello, who introduced him to King Joseph Bonaparte for whom he became the private musician. He wrote his first opera, ''Il matrimonio per lettera di cambio'', in 1807, but it was a failure; however, the following year, with the help of Paisiello, his second opera, ''Il poeta fortunato'', was well received. He then moved to Venice, where he concentrated on opera semiseria, of which ''Clotilde'' from 1815, is perhaps the best example. Accused of imitating other composers, and of producing too many uneven operas in great haste, he was eventually eclipsed by the emerging Gioachino Rossini, Rossini, and left for Lisbon, where he remained from 1820 to 1823. He then settled in London in 1824, where he was conductor at Her Majesty's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Romanelli
Luigi Romanelli (July 21, 1751March 1, 1839) was an Italian opera librettist. Romanelli was born in Rome. He wrote tens of librettos, most of them for operas to be performed at La Scala in Milan. In the same city he was professor of declamation at the conservatory. Among his most successful works, ''La pietra del paragone'' for Rossini, ''Elisa e Claudio'' for Mercadante, '' Fedra'' for Mayr and ''La vestale'' for Pacini Romanelli died in Milan in 1839. Operas based on librettos by Romanelli References * John Black, "Romanelli, Luigi", ''The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ..., Second Edition'' (London: Macmillan, 2001). . External links * * {{DEFAULTSORT:Romanelli, Luigi 1751 births 1839 deaths Writers fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Pietra Del Paragone
' (''The Touchstone'') is an opera, or ''melodramma giocoso'', in two acts by Gioachino Rossini, to an original Italian libretto by Luigi Romanelli. Performance history ''La pietra del paragone'' was first performed at La Scala, Milan, on 26 September 1812. It was the composer's first commission from a major opera house and was an instant success, being performed 53 times during its first season.''Kobbe'', p. 654 Napoleon's Viceroy in Milan, Eugène de Beauharnais, was so impressed by the opera that he wrote to the Minister of the Interior, "You will kindly arrange for Maestro Joachin Rossini to be exempted from military service. I cannot take it upon myself to expose to the enemy's fire such a precious existence; my contemporaries would never forgive me. We are perhaps losing a mediocre soldier, but we are surely saving a man of genius for the nation." The first performance of the opera in Rio de Janeiro was in 1826. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Gaveaux
Pierre Gaveaux (9 October 1761 – 5 February 1825) was a French operatic tenor and composer, notable for creating the role of Jason in Cherubini's ''Médée'' and for composing '' Léonore, ou L’amour conjugal'', the first operatic version of the story that later found fame as ''Fidelio''. Early life Gaveaux was born in Béziers and sang in the cathedral choir there from the age of seven. Although intending to enter the priesthood, he also took lessons in composition. He next became first tenor at the Basilica of Saint-Seurin in Bordeaux, studying with Franz Ignaz Beck, and subsequently decided to follow a career in music, becoming a conductor at the Grand Théâtre de Bordeaux as well as continuing to sing. Career as a singer After a period in Montpellier, he moved to Paris where, on 26 January 1789, he took part in a performance of Giacomo Tritto's ''Le Avventure Amorose'', which marked the inauguration of the Théâtre de Monsieur company in the Salle des Machines a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène De Planard
Eugène de Planard (full name: François-Antoine-Eugène de Planard; ; 4 February 1783 – 13 November 1853) was a 19th-century French playwright. He collaborated with Daniel-François-Esprit Auber, Ferdinand Hérold (''Le Pré-aux-clercs'', 1832), Adolphe Adam (''Le Farfadet'', 1852), Nicolas-Charles Bochsa, Michele Enrico Carafa, Jacques-Fromental Halévy (''L’Éclair'', 1835), George Onslow et Ambroise Thomas (''Le Caïd'', 1849 ; ''Le Carnaval de Venise'', 1852). His daughter Eugénie (1818–1874) married the dramatist and librettist Adolphe de Leuven (1802–1884). Works (selection) * 1832 : ''Le Pré-aux-clercs'', opéra comique in three acts after Prosper Mérimée, music by Ferdinand Hérold, Opéra-Comique (15 December) * 1835 : ''L’Éclair'', opéra-comique in three acts with Jules-Henri Vernoy de Saint-Georges, music by Jacques-Fromental Halévy, Opéra-Comique (16 December) * 1837 : ''La Double Échelle'', opéra comique in one act, music by Ambroise Thoma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala Di Seta
''La scala di seta'' (''The Silken Ladder'' or ''Die seidene Leiter'') is an operatic '' farsa comica'' in one act by Gioachino Rossini to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire. From 1810 to 1813, the young Rossini composed four Italian ''farse'', beginning with ''La cambiale di matrimonio'' (''The Bill of Marriage''), his first opera, and ending with ''Il Signor Bruschino''. These types of short pieces were popular in Venice at the end of the 18th century and the beginning of the 19th century. The pieces were intimate, with a cast of five to seven singers, always including a pair of lovers, at least two comic parts, and one or two other minor roles. The style called for much visual comedy improvised by the players. As compared to many genres of opera, acting and comedic talent is more important ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Comunale (Ferrara)
The Teatro Comunale (''Communal Theatre'') in Ferrara is an opera house, located in the Italian region of Emilia-Romagna, and built between 1786 and 1797 with seating for 990. Privately owned theatres with limited seating capacity had existed in the city for many years, but the arrival of Cardinal Spinelli, the new papal envoy, in 1786 spurred the construction of a new public theatre under the architects Cosimo Morelli and Antonio Foschini. However, their disagreements led to conflicting design concepts regarding the elliptical shape of the auditorium which were resolved through compromise. The theatre was finally ready for its inaugural presentation of Portogallo’s ''Gli Orazi e i Curiazi'' on 2 September 1798. The theatre is noted for staging the premiere of an early opera written by Gioacchino Rossini at the age of twenty, '' Ciro in Babilonia'' in March 1812. Between 1825 and 1826 some renovation work was required, followed by some more in 1850, creating the theatre as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ciro In Babilonia
''Ciro in Babilonia, ossia La caduta di Baldassare'' (''Cyrus in Babylon, or The Downfall of Belshazzar'') is an azione sacra in two acts by Gioachino Rossini with a libretto by Francesco Aventi. It was first performed at the Teatro Comunale in Ferrara during Lent, 1812. The exact date of the premiere is unknown but is believed to be 14 March. During Lent it was the custom for Italian opera houses either to close or to stage works on themes from the Bible. ''Ciro in Babilonia'' is one of two Lenten operas by Rossini (along with ''Mosè in Egitto'') and is based on the Biblical story of the overthrow of the Babylonian king Belshazzar by the Persian ruler Cyrus the Great. Performance history In a concert form, the work's UK premiere took place on 30 January 1823 at the Theatre Royal Drury Lane in London. The quasi-opera premiered in the United States on 7 July 2012 at the Caramoor Center for Music and the Arts as part of the Festival, starring contralto Ewa Podleś in the title rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Foppa
Giuseppe Maria Foppa (Venice, 12 July 1760 – Venice, 1 March 1845) was an Italian librettist. He wrote around 150 libretti, mainly for comic operas, as well as Latin oratorio texts and his memoirs.Richard Osborne ''Rossini'' 2007 0199724407 p.368 "Foppa, Giuseppe (1760–1845), librettist. An archivist and government official, he wrote some 150 opera libretti. A master of the one-act farsa popular in Venice from the early 1790s, he drew his material from French and Neapolitan sources," Librettos * ''Romeo and Juliet'', for Nicola Antonio Zingarelli *''L'inganno felice'', '' La scala di seta'', ''Il signor Bruschino'' and ''Sigismondo'' (1814) for Gioachino Rossini *''Gli artigiani'', 1795 for Pasquale Anfossi *''L'intrigo della lettera'' 1797, and several oratorios for Simone Mayr *''Lo spazzacamino principe'' 1794, and ''Le donne cambiate'' 1797 for Marcos António Portugal *''Teresa e Claudio'', 1801 for Giuseppe Farinelli *'' Le metamorfosi di Pasquale'', 1802 for Gas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'inganno Felice
''L'inganno felice'' (''The Fortunate Deception'') is an opera in one act by Gioachino Rossini with a libretto by Giuseppe Maria Foppa. Rossini called his opera a ''farsa'', although as Richard Osborne explains: "Its designation as a ''farsa'' is misleading in the light of its semiseria status as a romantic melodrama with buffo elements." The work has much in common with French Revolutionary operas such as Cherubini's ''Les deux journées''. It was first performed at the Teatro San Moisè, Venice on 8 January 1812 and was an instant success. Performance history By the end of the 1810s it had been heard in theatres throughout Italy as well as in Paris and London. Following this triumph, Rossini was commissioned to write three more operas by the manager of the Teatro San Moisè. ''L'inganno felice'' was performed at La Fenice Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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