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Giuseppe Maria Foppa
Giuseppe Maria Foppa (Venice, 12 July 1760 – Venice, 1 March 1845) was an Italian librettist. He wrote around 150 libretti, mainly for comic operas, as well as Latin oratorio texts and his memoirs.Richard Osborne ''Rossini'' 2007 0199724407 p.368 "Foppa, Giuseppe (1760–1845), librettist. An archivist and government official, he wrote some 150 opera libretti. A master of the one-act farsa popular in Venice from the early 1790s, he drew his material from French and Neapolitan sources," Librettos * ''Romeo and Juliet'', for Nicola Antonio Zingarelli *''L'inganno felice'', '' La scala di seta'', ''Il signor Bruschino'' and ''Sigismondo'' (1814) for Gioachino Rossini *''Gli artigiani'', 1795 for Pasquale Anfossi *''L'intrigo della lettera'' 1797, and several oratorios for Simone Mayr *''Lo spazzacamino principe'' 1794, and ''Le donne cambiate'' 1797 for Marcos António Portugal *''Teresa e Claudio'', 1801 for Giuseppe Farinelli *'' Le metamorfosi di Pasquale'', 1802 for Gas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Mayr
Johann(es) Simon Mayr (also spelled Majer, Mayer, Maier), also known in Italian as Giovanni Simone Mayr or Simone Mayr (14 June 1763 – 2 December 1845), was a German composer. His music reflects the transition from the Classical to the Romantic musical era. He was an early inspiration to Rossini and taught and advocated for Donizetti. Life He was born in Mendorf near Altmannstein, Landkreis Eichstätt, Bavaria, and studied theology at the University of Ingolstadt, continuing his studies in Italy from 1787. He was closely associated with the Illuminati of Adam Weishaupt while a student in Ingolstadt, and the ideals of the French Enlightenment were a strong influence on his philosophy as a musician as corroborated by his famed ''Zibaldone'' or "Notebooks" compiled toward the end of his career. Shortly thereafter, he took music lessons with Carlo Lenzi, and later with Ferdinando Bertoni. He moved to Bergamo in 1802 and was appointed ''maestro di cappella'' at the Cathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1760 Births
Year 176 ( CLXXVI) was a leap year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Proculus and Aper (or, less frequently, year 929 ''Ab urbe condita''). The denomination 176 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * November 27 – Emperor Marcus Aurelius grants his son Commodus the rank of ''Imperator'', and makes him Supreme Commander of the Roman legions. * December 23 – Marcus Aurelius and Commodus enter Rome after a campaign north of the Alps, and receive a triumph for their victories over the Germanic tribes. * The Equestrian Statue of Marcus Aurelius is made. It is now kept at Museo Capitolini in Rome (approximate date). Births * Fa Zheng, Chinese nobleman and adviser (d. 220) * Liu Bian, Chinese emperor of the Han Dynasty ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Venetian Writers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspare Spontini
Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor from the classical era. Biography Born in Maiolati, Papal State (now Maiolati Spontini, Province of Ancona), he spent most of his career in Paris and Berlin, but returned to his place of birth at the end of his life. During the first two decades of the 19th century, Spontini was an important figure in French ''opera''. In his more than twenty operas, Spontini strove to adapt Gluck's classical ''tragédie lyrique'' to the contemporary taste for melodrama, for grander spectacle (in ''Fernand Cortez'' for example), for enriched orchestral timbre, and for melodic invention allied to idiomatic expressiveness of words. As a youth, Spontini studied at the Conservatorio della Pietà de' Turchini, one of four active music conservatories of Naples. Working his way from Italian city to city, he got his first break in Rome, with his successful comedy ''Li Puntigli delle Donne'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Metamorfosi Di Pasquale
''Le metamorfosi di Pasquale, o sia Tutto è illusione nel mondo'' is a one-act farsa opera by Gaspare Spontini on a libretto by Giuseppe Foppa, which premiered at the Teatro San Moisè The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal. History Built by the San Bernaba ..., Venice in 1802. The opera was Spontini's last work for Italy before his move to Paris and then Berlin. The opera was considered lost but rediscovered in the collection of the Duke of Ursel in Belgium in 2016. Recording Spontini: Le Metamorfosi di Pasquale; Baurzhan Anderzhanov (Pasquale), Carolina Lippo (Lisetta), Davide Bartolucci (Frontino), Antonio Garés (Il Marchese), Michela Antenucci (Costanza), Carlo Feola (Barone), Daniele Adriani (Il Cavaliere/Un Sergente); Orchestra Sinfonica G. Rossini, Giuseppe Montesano Dynamic 2019 References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Farinelli
Giuseppe Farinelli (7 May 1769 – 12 December 1836) was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include '' I riti d'Efeso'' (1803, Venice), '' La contadina bizzarra'' (1810, Milan) and ''Ginevra degli Almieri'' (1812, Venice). More than 2/3 of his operas were produced between 1800-1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat mater, a Salve regina, a Tantum ergo, numerous motets, and several other sacred works. Biography Born Giuseppe Francesco Finco in Este, he assumed the professional name of Farinelli after the famous castrato of that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcos António Portugal
Marcos António da Fonseca Portugal (24 March 1762 – 17 February 1830), known as Marcos Portugal, or Marco Portogallo, was a Portuguese-born Brazilian classical composer, who achieved great international fame for his opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...s. Biography Marcos António da Fonseca Portugal was born in Lisbon. He studied music at the Royal Patriarchal Music Seminary of Lisbon, Patriarchal Seminary in Lisbon where, as a 14-year-old student, he wrote his first work, a ''Miserere''. He later worked as composer and organist at the Patriarchal See, and was ''maestro'' at the Theatre of Salitre in Lisbon from c. 1784. He lived in Italy from late 1792 to 1800, possibly funded by the prince regent D. John, the later King John VI of Portugal. He wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasquale Anfossi
Pasquale Anfossi (5 April 1727 – February 1797) was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome. He wrote more than 80 operas, both '' opera seria'' and ''opera buffa'', although he concentrated on church music, especially oratorios, during his last years. Anfossi died in Rome in 1797. Career Aiming at first to become a performer, he studied violin at the Neapolitan Loreto Conservatorium from 1744 to 1752, and played in an opera orchestra for ten years. He then turned to composing, studying with Sacchini and Piccinni. The first performance of his own work, the ''opera buffa'' ''La Serva Spiritosa'' was at the Rome Carnival in 1763, though his authorship of the work was not clearly established at the time. It appears he preferred to work under his teacher Sacchini, supplementing his tutor's works. Nevertheless, he made a breakthrough with his '' dramma giocoso'' '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulietta E Romeo (Zingarelli)
''Giulietta e Romeo'' is a dramma per musica by composer Niccolò Antonio Zingarelli with an Italian libretto by Giuseppe Maria Foppa after the 1530 novella of the same name by Luigi Da Porto and Shakespeare's '' Romeo and Juliet''. The opera premiered at the Teatro alla Scala in Milan on 30 January 1796. ''Giulietta e Romeo'' was composed by Zingarelli in only eight days and it is considered by many scholars to be his best work. The opera remained a part of the Italian repertory well into the nineteenth century and the role of Romeo was a favourite vehicle for Maria Malibran Maria Felicia Malibran (24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality ... until c. 1830.Original libretto for Manuel García family's American tour''Romeo and Giulietta; A Serious Opera. In Three Acts. As Performed at the New- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigismondo
''Sigismondo'' is an operatic 'dramma' in two acts by Gioachino Rossini to an Italian libretto by Giuseppe Maria Foppa. The opera was not a success and Rossini later re-used some of its music in ''Elisabetta, regina d'Inghilterra'', ''The Barber of Seville'', and ''Adina''. Performance history ''Sigismondo'' was first performed at the Teatro La Fenice, Venice, on 26 December 1814, with revivals in Cremona, Reggio Emilia, Padua and Senigallia (all in 1819), Florence and Siena (both in 1820) and finally in Bologna (1827). Its modern revival took place in Rovigo in 1992 (see recording details below). Synopsis :Time: 16th Century :Place: PolandOsborne, Charles, p. 43 Roles Recordings References Notes Sources * Gossett, Philip; Brauner, Patricia (2001), " ''Sigismondo'' " in Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. * Osborne, Charles (1994), ''The Bel Canto Operas of Rossini, Donizetti, and Bellini'', London: Methuen; Portland, Oregon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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