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List Of Musical Scales And Modes
The following is a list of musical scales and modes. Degrees are relative to the major scale. See also *Bebop scale *Chord-scale system *Heptatonic scale *Jazz scale *List of chord progressions * List of chords * List of musical intervals *List of pitch intervals *Arabian maqam *Modes of limited transposition *Symmetric scale * Synthetic modes *Tetrachord In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency propo ... External links A free Android app with scales & building chords for the scalesA Study Of ScalesThe Universal Encyclopedia of Scales {{Scales List Scales and modes Music theory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Scale
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Dominant Scale
In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian 7 scale, or the Pontikonisian Scale is a seven-note synthetic scale. : This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F–G–A–B) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F–G–A–B–C–D). History In traditional music, the overtone scale persists in the music of peoples of South Siberia, especially in Tuvan music. Overtone singing and the sound of the Jew's harp are naturally rich in overtones, but melodies performed on the igil (bowed instrument distantly related to the violin) and plucked string instruments such as the doshpuluur or the chanzy also often follow the overtone scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beta Scale
The β (beta) scale is a non-octave-repeating musical scale invented by Wendy Carlos and first used on her album ''Beauty in the Beast'' (1986). It is derived from approximating just intervals using multiples of a single interval without, as is standard in equal temperaments, requiring an octave (2:1). It may be approximated by splitting the perfect fifth (3:2) into eleven equal parts 3:2) ≈ 63.8 cents It may be approximated by splitting the perfect fourth (4:3) into two equal parts 4:3)Milano, Dominic (November 1986)"A Many-Colored Jungle of Exotic Tunings" ''Keyboard''. or eight equal parts 4:3) = 64 centsCarlos, Wendy (2000/1986). "Liner notes", ''Beauty in the Beast''. ESD 81552. totaling approximately 18.8 steps per octave. The scale step may also precisely be derived from using 11:6 (B, 1049.36 cents, ) to approximate the interval , which equals 6:5 . \frac=0.05319411048 and 0.05319411048\times1200=63.832932576 () Although neither has an octave, one advantage to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop Dominant Scale On C
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop Scale
Bebop scale is a term referring to the practice of adding a note (typically a chromatic passing tone) to any common seven tone scale in order to make it an eight tone scale. An eight tone scale is balanced, meaning that it contains an even number of notes (8), and an even number of notes enables the primary chord tones to continuously fall on the strong beats of "1 2 3 4" (downbeats). This is unlike common seven note scale (an odd quantity of notes) in which the chord tones do not all naturally fall on the beats "1 2 3 4" (downbeats). These bebop scales are frequently used in jazz improvisation. Jazz educator David Baker nicknamed these scales the 'bebop scales' because they were used often by jazz artists from the Bebop Era. These artists include Charlie Christian, Charlie Parker, Bud Powell, and Dizzy Gillespie, to name a few. In general, bebop scales consist of traditional scales with an added passing tone, and when the scale is played from any chord tone (1 3 5 6 in major) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented Scale
In music and music theory, a hexatonic scale is a scale with six pitches or notes per octave. Famous examples include the whole-tone scale, C D E F G A C; the augmented scale, C D E G A B C; the Prometheus scale, C D E F A B C; and the blues scale, C E F G G B C. A hexatonic scale can also be formed by stacking perfect fifths. This results in a diatonic scale with one note removed (for example, A C D E F G). Whole-tone scale The whole-tone scale is a series of whole tones. It has two non-enharmonically equivalent positions: C D E F G A C and D E F G A B D. It is primarily associated with the French impressionist composer Claude Debussy, who used it in such pieces of his as ''Voiles'' and ''Le vent dans la plaine'', both from his first book of piano '' Préludes''. This whole-tone scale has appeared occasionally and sporadically in jazz at least since Bix Beiderbecke's impressionistic piano piece ''In a Mist''. Bop pianist Thelonious Monk often interpolated whole-tone scale flo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Altered Scale Flats
C, or c, is the third letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''cee'' (pronounced ), plural ''cees''. History "C" comes from the same letter as "G". The Semites named it gimel. The sign is possibly adapted from an Egyptian hieroglyph for a staff sling, which may have been the meaning of the name ''gimel''. Another possibility is that it depicted a camel, the Semitic name for which was ''gamal''. Barry B. Powell, a specialist in the history of writing, states "It is hard to imagine how gimel = "camel" can be derived from the picture of a camel (it may show his hump, or his head and neck!)". In the Etruscan language, plosive consonants had no contrastive voicing, so the Greek ' Γ' (Gamma) was adopted into the Etruscan alphabet to represent . Already in the Western Greek alphabet, Gamma first took a '' form in Early Etruscan, then '' in Classical Etru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super Locrian
In jazz, the altered scale, altered dominant scale, Palamidian Scale, or Super Locrian scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. These are: * the fifth is altered to a 5 and a 5 * the ninth is altered to a 9 and a 9 *the eleventh is altered to a 11 (equivalent to a 5) *the thirteenth is altered to a 13 (equivalent to a 5) The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. The natural forms of the non-essential tones are not present in the scale. This means it lacks a major ninth, a perfect eleventh, a perfect fifth, and a major thir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altered Scale
In jazz, the altered scale, altered dominant scale, Palamidian Scale, or Super Locrian scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. These are: * the fifth is altered to a 5 and a 5 * the ninth is altered to a 9 and a 9 *the eleventh is altered to a 11 (equivalent to a 5) *the thirteenth is altered to a 13 (equivalent to a 5) The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. The natural forms of the non-essential tones are not present in the scale. This means it lacks a major ninth, a perfect eleventh, a perfect fifth, and a major thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alpha Scale
The α (alpha) scale is a non-octave-repeating musical scale invented by Wendy Carlos and first used on her album ''Beauty in the Beast'' (1986). It is derived from approximating just intervals using multiples of a single interval, but without requiring (as equal temperaments normally do) an octave (2:1). It may be approximated by dividing the perfect fifth (3:2) into nine equal steps (3:2),Carlos, Wendy (1989–96)"Three Asymmetric Divisions of the Octave" ''WendyCarlos.com''. "9 steps to the perfect (no kidding) fifth." The alpha scale "splits the minor third exactly in half (also into quarters)." or by dividing the minor third (6:5) into four steps (6:5).Milano, Dominic (November 1986)"A Many-Colored Jungle of Exotic Tunings" ''Keyboard''. "The idea was to split a minor third into two equal parts. Then that was divided again."Carlos, Wendy (2000/1986). "Liner notes", ''Beauty in the Beast''. ESD 81552. The size of this scale step may also be precisely derived from using 9:5 (B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algerian Scale
The Algerian Scale is a scale frequently used in Algerian, Berber, and North African music. The frequent use of 1.5 steps (a minor 3rd) in the scale contributes to a sound commonly associated with Moorish music. It is also defined as an eleven note scale with two augmented seconds. Jacques Ibert first used this definition in ''Escales'' (1924).Robert Fink, Robert Ricci (1975). ''The Language of Twentieth Century Music: A Dictionary of Terms'', p.3. Schirmer Books. , . In India's Carnatic music, this corresponds to Simhendramadhyamam Simhendramadhyamam is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 57th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sumadyuti in Muthuswami Dikshitar school .... Scale formula In step notation: * W, H, WH, H, H, WH, H * W = Whole step * H = Half step * WH = Whole-and-a-half step or in decimals: * 1 step + 0.5 step + 1.5 step + 0.5 step + 0.5 step + 1.5 step ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolian Mode C
Aeolian commonly refers to things related to either of two Greek mythological figures: * Aeolus (son of Hippotes), ruler of the winds * Aeolus (son of Hellen), son of Hellen and eponym of the Aeolians * Aeolians, an ancient Greek tribe thought to be descended from Aeolus, son of Hellen Aeolian or Eolian may also refer to: Music * ''Aeolian'' (album), an album by German post-metal band The Ocean Collective * Aeolian Company (1887–1985), a maker of organs, pianos, sheet music, and phonographs * Aeolian Hall (other), any one of a number of concert halls of that name * Aeolian harp, a harp that is played by the wind * Aeolian mode, a musical mode, the natural minor key * Aeolian Quartet (1952–1981), a string quartet based in London * Aeolian-Skinner (1932–1972), pipe organ builder Other uses * Aeolian dialect, a dialect of Ancient Greek * Aeolian Islands, islands in the Tyrrhenian Sea, named after Aeolus the ruler of the winds * Aeolian or Aeolic order, an early orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
