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Algerian Scale
The Algerian Scale is a scale frequently used in Algerian, Berber, and North African music. The frequent use of 1.5 steps (a minor 3rd) in the scale contributes to a sound commonly associated with Moorish music. It is also defined as an eleven note scale with two augmented seconds. Jacques Ibert first used this definition in ''Escales'' (1924).Robert Fink, Robert Ricci (1975). ''The Language of Twentieth Century Music: A Dictionary of Terms'', p.3. Schirmer Books. , . In India's Carnatic music, this corresponds to Simhendramadhyamam Simhendramadhyamam is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 57th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sumadyuti in Muthuswami Dikshitar school .... Scale formula In step notation: * W, H, WH, H, H, WH, H * W = Whole step * H = Half step * WH = Whole-and-a-half step or in decimals: * 1 step + 0.5 step + 1.5 step + 0.5 step + 0.5 step + 1.5 step ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algerian Scale
The Algerian Scale is a scale frequently used in Algerian, Berber, and North African music. The frequent use of 1.5 steps (a minor 3rd) in the scale contributes to a sound commonly associated with Moorish music. It is also defined as an eleven note scale with two augmented seconds. Jacques Ibert first used this definition in ''Escales'' (1924).Robert Fink, Robert Ricci (1975). ''The Language of Twentieth Century Music: A Dictionary of Terms'', p.3. Schirmer Books. , . In India's Carnatic music, this corresponds to Simhendramadhyamam Simhendramadhyamam is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 57th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sumadyuti in Muthuswami Dikshitar school .... Scale formula In step notation: * W, H, WH, H, H, WH, H * W = Whole step * H = Half step * WH = Whole-and-a-half step or in decimals: * 1 step + 0.5 step + 1.5 step + 0.5 step + 0.5 step + 1.5 step ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algeria
) , image_map = Algeria (centered orthographic projection).svg , map_caption = , image_map2 = , capital = Algiers , coordinates = , largest_city = capital , religion = , official_languages = , languages_type = Other languages , languages = Algerian Arabic (Darja) French , ethnic_groups = , demonym = Algerian , government_type = Unitary semi-presidential republic , leader_title1 = President , leader_name1 = Abdelmadjid Tebboune , leader_title2 = Prime Minister , leader_name2 = Aymen Benabderrahmane , leader_title3 = Council President , leader_name3 = Salah Goudjil , leader_title4 = Assembly President , leader_name4 = Ibrahim Boughali , legislature = Parliament , upper_house = Council of the Nation , lower_house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berber People
, image = File:Berber_flag.svg , caption = The Berber flag, Berber ethnic flag , population = 36 million , region1 = Morocco , pop1 = 14 million to 18 million , region2 = Algeria , pop2 = 9 million to ~13 million , region3 = Mauritania , pop3 = 2.9 million , region4 = Niger , pop4 = 2.6 million, Niger: 11% of 23.6 million , region5 = France , pop5 = 2 million , region6 = Mali , pop6 = 850,000 , region7 = Libya , pop7 = 600,000 , region8 = Belgium , pop8 = 500,000 (including descendants) , region9 = Netherlands , pop9 = 467,455 (including descendants) , region10 = Burkina Faso , pop10 = 406,271, Burkina Faso: 1.9% of 21.4 million , region11 = Egypt , pop11 = 23,000 or 1,826,580 , region12 = Tunisia , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
North African
North Africa, or Northern Africa is a region encompassing the northern portion of the African continent. There is no singularly accepted scope for the region, and it is sometimes defined as stretching from the Atlantic shores of Mauritania in the west, to Egypt's Suez Canal. Varying sources limit it to the countries of Algeria, Libya, Morocco, and Tunisia, a region that was known by the French during colonial times as "''Afrique du Nord''" and is known by Arabs as the Maghreb ("West", ''The western part of Arab World''). The United Nations definition includes Morocco, Algeria, Tunisia, Libya, Egypt, Sudan, and the Western Sahara, the territory disputed between Morocco and the Sahrawi Republic. The African Union definition includes the Western Sahara and Mauritania but not Sudan. When used in the term Middle East and North Africa (MENA), it often refers only to the countries of the Maghreb. North Africa includes the Spanish cities of Ceuta and Melilla, and plazas de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Step (music)
In music, a step, or conjunct motion,Bonds, Mark Evan (2006). ''A History of Music in Western Culture'', p.123. 2nd ed. . is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between two consecutive scale degrees. Any larger interval is called a skip (also called a leap), or disjunct motion. In the diatonic scale, a step is either a minor second (sometimes also called ''half step'') or a major second (sometimes also called ''whole step''), with all intervals of a minor third or larger being skips. For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used. Melodic motion in which the interval between any two consecutive pitches is no more than a step, or, les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algerian ScaleB
Algerian may refer to: * Something of, or related to Algeria * Algerian people, a person or people from Algeria, or of Algerian descent * Algerian cuisine * Algerian culture * Algerian Islamic reference * Algerian Mus'haf * Algerian (solitaire) * Algerian (typeface) See also * * Languages of Algeria * List of Algerians Notable Algerians include: Artists Writers (including poets) *Ferhat Abbas (1899–1985), political leader and essayist *Mohamed Aïchaoui (1921–1959), political leader and journalist *Abdelkader Alloula (born 1939), playwright *Al-Akhd ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Ibert
Jacques François Antoine Marie Ibert (15 August 1890 – 5 February 1962) was a French composer of classical music. Having studied music from an early age, he studied at the Paris Conservatoire and won its top prize, the Prix de Rome at his first attempt, despite studies interrupted by his service in World War I. Ibert pursued a successful composing career, writing (sometimes in collaboration with other composers) seven operas, five ballets, incidental music for plays and films, works for piano solo, choral works, and chamber music. He is probably best remembered for his orchestral works including ''Divertissement'' (1930) and ''Escales'' (1922). As a composer, Ibert did not attach himself to any of the prevalent genres of music of his time, and has been described as an eclectic. This is seen even in his best-known pieces: ''Divertissement'' for small orchestra is lighthearted, even frivolous, and ''Escales'' (1922) is a ripely romantic work for large orchestra. In tandem with h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simhendramadhyamam
Simhendramadhyamam is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 57th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sumadyuti in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Structure and Lakshana It is the 3rd rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Go''. The mnemonic phrase is ''sa ri gi mi pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : It is also equivalent to Hungarian Minor Scale that is also called as Gypsy Minor Scale in Western Music. This musical scale uses the notes ''chatushruti rishabham, sadharana gandharam, prati madhyama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modes (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tritonic Scales
A tritonic scale is a musical scale or mode with three notes per octave. This is in contrast to a heptatonic (seven-note) scale such as the major scale and minor scale, or a dodecatonic (chromatic 12-note) scale, both common in modern Western music. Tritonic scales are not common in modern art music, and are generally associated with indigenous and prehistoric music.Onkar Prasad,Tribal Music: Its Proper Context, in ''Tribal Thought and Culture: Essays in Honour of Surajit Chandra Sinha'', edited by Baidyanath Saraswati, 131–49 (New Delhi: Concept Publishing Company, 1991): 131 (accessed 18 January 2020) Distribution India Early Indian Rig Vedic hymns were tri-tonic, sung in three pitches with no octave: Udatta, Anudatta, and Swarita. Maori In a 1969 study, Mervyn McLean noted that tritonic scales were the most common among the Maori tribes he surveyed, comprising 47% of the scales used. South America The pre-Hispanic '' herranza'' ritual music of the Andes is generally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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