In
jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major ...
, the altered scale, altered dominant scale, Palamidian Scale, or Super Locrian scale is a
seven-note scale that is a
dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a
dominant seventh chord
In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, usually built on the fifth degree of the major scale, and composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad tog ...
, which are root, major third, and minor seventh and that all other
chord tones have been altered. These are:
* the fifth is altered to a 5 and a 5
* the ninth is altered to a 9 and a 9
*the eleventh is altered to a 11 (equivalent to a 5)
*the thirteenth is altered to a 13 (equivalent to a 5)
The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are
enharmonically identical and have multiple potential spellings. The natural forms of the non-essential tones are not present in the scale. This means it lacks a major ninth, a perfect eleventh, a perfect fifth, and a major thirteenth.
This is written below in musical notation with the essential chord tones coloured black and the non-essential altered chord tones coloured red.
:
The altered scale is made by the sequence:
:Half, Whole, Half, Whole, Whole, Whole, Whole
The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names. For example, "C
7alt" supplants "C
759911", "C
7−5+5−9+9", "Caug
7−9+9+11", etc.
This scale has existed for a long time as the 7th mode of the
ascending melodic minor scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also ...
.
Enharmonic spellings and alternate names
The C altered scale is also
enharmonic
In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently. The enharmonic spelling of a written n ...
ally equivalent to the C
Locrian mode The Locrian mode is the seventh mode of the major scale. It is either a musical mode or simply a diatonic scale. On the piano, it is the scale that starts with B and only uses the white keys from there. Its ascending form consists of the key note, ...
with F changed to F. For this reason, the altered scale is sometimes called the super-Locrian scale or the Locrian flat four scale.
It is also enharmonically the seventh
mode
Mode ( la, modus meaning "manner, tune, measure, due measure, rhythm, melody") may refer to:
Arts and entertainment
* '' MO''D''E (magazine)'', a defunct U.S. women's fashion magazine
* ''Mode'' magazine, a fictional fashion magazine which is ...
of the
ascending melodic minor scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also ...
. The altered scale is also known as the Pomeroy scale after
Herb Pomeroy
Irving Herbert Pomeroy III (April 15, 1930 – August 11, 2007) was an American jazz trumpeter, teacher, and the founder of the MIT Festival Jazz Ensemble.
Early life
Pomeroy was born in Gloucester, Massachusetts, United States. He began playing ...
, the Ravel scale after
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In ...
, and the diminished whole tone scale due to its resemblance to the lower part of the
diminished scale
An octatonic scale is any eight- note musical scale. However, the term most often refers to the symmetric scale composed of alternating whole and half steps, as shown at right. In classical theory (in contrast to jazz theory), this symmetric ...
and the upper part of the
whole tone scale
In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone. In twelve-tone equal temperament, there are only two complementary whole-tone scales, both six-note or ''hexatonic'' sc ...
.
The super-Locrian scale (enharmonically identical to the altered scale) is obtained by flattening the fourth note of the diatonic Locrian mode:
:
Another way to obtain the altered scale is by raising the tonic of a major scale by a half step. For example taking the tonic of the B-major scale, and raising the tonic by a half step produces the scale C–C–D–E–F–G–A–C.
:
The altered scale can also be the
major scale
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double i ...
with all of the notes except the tonic being flattened.
See also
*
Altered chord
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest examp ...
*
Jazz scale
A jazz scale is any musical scale used in jazz. Many "jazz scales" are common scales drawn from Western European classical music, including the diatonic, whole-tone, octatonic (or diminished), and the modes of the ascending melodic minor. All o ...
References
Sources
*
*
*
*
Further reading
* Callender, Clifton. 1998. "Voice-leading parsimony in the music of Alexander Scriabin", ''
Journal of Music Theory
The ''Journal of Music Theory'' is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale University) in 1957.
According to its website, " e ''Journal of Music Theory'' fosters c ...
'' 42, no. 2 ("Neo-Riemannian Theory", Autumn): 219–233.
*
Tymoczko, Dmitri. 1997. "The Consecutive-Semitone Constraint on Scalar Structure: A Link Between Impressionism and Jazz." ''
Integral
In mathematics
Mathematics is an area of knowledge that includes the topics of numbers, formulas and related structures, shapes and the spaces in which they are contained, and quantities and their changes. These topics are represented i ...
'' 11:135–79.
* Tymoczko, Dmitri. 2004. "Scale Networks in Debussy." ''
Journal of Music Theory
The ''Journal of Music Theory'' is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale University) in 1957.
According to its website, " e ''Journal of Music Theory'' fosters c ...
'' 48, no. 2 (Autumn): 215–292.
External links
"The Altered Scale for Jazz Guitar" jazzguitar.be
{{DEFAULTSORT:Altered Scale
Heptatonic scales
Musical terminology
Jazz terminology
Hemitonic scales
Tritonic scales