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List Of Three Hundred Tang Poems Poets
The ''Three Hundred Tang Poems'' () is an anthology of poems from the Chinese Tang dynasty (618–907). It was first compiled around 1763 by Sun Zhu (1722–1778Yu, 64–65), who was a Qing Dynasty scholar and was also known as Hengtang Tuishi (, "Retired Master of Hengtang"). Various later editions also exist. All editions contain slightly more than 300 total poems. The number 300 (or more exactly 305) was a classic number for a poetry collection due to the influence of the ''Classic of Poetry'' (, ''Shijing''), which was generally known as ''The Three Hundred Poems''. Dissatisfied with the anthology ''Poems by a Thousand Masters'' (, ''Qianjiashi'') compiled by Liu Kezhuang in the late Southern Song, and influenced by Ming Dynasty poetry anthologies, Sun selected the poems based on their popularity and educational value. The collection has been popular ever since and can be found in many Chinese households. For centuries, elementary students memorized the poems and used them t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthology
In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs or excerpts by different authors. In genre fiction, the term ''anthology'' typically categorizes collections of shorter works, such as short stories and short novels, by different authors, each featuring unrelated casts of characters and settings, and usually collected into a single volume for publication. Alternatively, it can also be a collection of selected writings (short stories, poems etc.) by one author. Complete collections of works are often called "complete works" or "" (Latin equivalent). Etymology The word entered the English language in the 17th century, from the Greek word, ἀνθολογία (''anthologic'', literally "a collection of blossoms", from , ''ánthos'', flower), a reference to one of the earliest known anthologies, the ''Garland'' (, ''stéphanos''), the introduction to which compares each of its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cen Shen
Cen Shen or Cen Can (), 715–770, was one of the great Chinese poets of the Tang dynasty. His poems were included in the Three Hundred Poems anthology. Name He is also called Cen Jiazhou (). During the reign of Emperor Suzong he was made governor () of Jia Prefecture (''Jiazhou'' in Chinese), which earned him the name Cen Jiazhou.'' Kanjigen'' entry "Cen Can" (Shinshin/Shinjin). Gakken 2006. Life He was born to a bureaucratic family in Nanyang (in today's Henan), but later moved to Jiangling, Jizhou (in today's Hubei). His great-grandfather Cen Wenben, granduncle Cen Changqian and uncle Cen Xi were all chancellors. His father Cen Zhi was Governor (Cishi) of Jingzhou. When Cen Shen was 10, his father died, and the financial situation of his family worsened. After then, Cen learned with assiduity, reading a lot of scriptures and history books. He moved to Chang'an when he was 20 and obtained jinshi in 744. In 749, Cen's ambitions lead him towards a stint of military servic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li He
Li He ( – ) was a Chinese poet of the mid-Tang dynasty. His courtesy name was Changji, and he is also known as Guicai and Shigui. He was prevented from taking the imperial examination due to a naming taboo. He died very young, and was noted for his sickly appearance. He was a diligent poet, going out on journeys during the day and, when a line of poetry came to him, jotting it down, and completing the poems when he arrived home in the evening. His poems famously explored ghostly, supernatural and fantastic themes. His popularity and place in the Chinese literary canon has fluctuated throughout the centuries. His idiosyncratic style of poetry was frequently imitated in China until the Qing dynasty. During this era, the popularity of his poetry suffered from a change in literary tastes, with his works notably being excluded from the influential ''Three Hundred Tang Poems'', but there was a revival of interest in him in the twentieth century. He was among the Tang poets most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liu Zongyuan
Liu Zongyuan (; 77328 November 819) was a Chinese philosopher, poet, and politician who lived during the Tang Dynasty. Liu was born in present-day Yongji, Shanxi. Along with Han Yu, he was a founder of the Classical Prose Movement. He has been traditionally classed as one of the "Eight Great Prose Masters of the Tang and Song". Biography Liu Zongyuan was born in 773. His courtesy name was Zihou (). Liu Zongyuan's civil service career was initially successful; however, in 805, he fell out of favour with the imperial government because of his association with a failed reformist movement. He was exiled first to Yongzhou, Hunan, and then to Liuzhou, Guangxi, where he eventually became the city Governor. A park and temple in Liuzhou is dedicated to his memory. His exile allowed his literary career to flourish: he produced poems, fables, reflective travelogues and essays synthesizing elements of Confucianism, Taoism and Buddhism. He died in 819. Works Liu's best-known travel p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Shangyin
Li Shangyin (, 813858), courtesy name Yishan (), was a Chinese poet and politician of the late Tang dynasty, born in the Henei Commandery (now Qinyang, Henan). He is noted for the imagist quality of his poems and his "no title" () style of poetry. Li Shangyin has been frequently anthologized, and many of his poems have been translated into various languages, including several collections in English. Biography Li Shangyin was born about 812 or 813 CE, but the exact date is uncertain. His career was rough, and he never obtained a high position, either because of factional disputes or because of his association with Liu Fen (), a prominent opponent of the eunuchs. Historical background Li Shangyin lived at a time when the Tang dynasty was rapidly declining, after some two hundred years of glorious reign. Culturally, politically, and economically, the Tang was one of the great periods of Chinese history. The cosmopolitan capital of Chang'an was filled with traders from the Middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form ''qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the ''yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lüshi (poetry)
''Lüshi'' () refers to a specific form of Classical Chinese poetry verse form. One of the most important poetry forms of classical Chinese poetry, the ''lüshi'' refers to an eight-line regulated verse form with lines made up of five, six, or seven characters; thus: *Five-character eight-line regulated verse (''wulü''): a form of regulated verse with eight lines of five characters each. *Six-character eight-line regulated verse is relatively rare. *Seven-character eight-line regulated verse (''qilü''): a form of regulated verse with eight lines of seven characters each. *Extended forms (''pailü''): expansion of the forms listed above with more than eight lines. All ''lüshi'' forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Historical development Although the idea of regulating the tonal pattern of poetry can be traced back to Shen Yue, the ''lüshi' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regulated Verse
Regulated verse – also known as Jintishi () – is a development within Classical Chinese poetry of the ''shi'' main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang Dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.Watson, 110–112 There are three types of regulated verse: the eight-lined '' lüshi'', the four-lined ''jueju'', and the linked couplets of indeterminate length '' pailu''. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang Dynasty, the "Shen-Song" team of Shen Quanq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gushi (poetry)
''Gushi'' (), is one of the main poetry forms defined in Classical Chinese poetry, literally meaning "old (or ancient) poetry" or "old (or ancient) style poetry": ''gushi'' is a technical term for certain historically exemplary poems, together with later poetry composed in this formal style. Poetic form The normal formal style is for uniform line lengths of 5 or 7 syllables (or characters), with lines in syntactically paired couplets. Parallelism emphasizing thesis or antithesis is frequently found but is not an obligatory feature. Rhymes generally occur at the ends of couplets, the actual rhyme sound sometimes changing through the course of the poem. Caesura usually occurs as a major feature before the last 3 syllables in any line, with the 7 syllable lines also often having a minor caesura in between the first two pairs of syllables. The final 3 syllables in a line are often varied syntactically by whether the first and second of these are more closely linked by the syntax or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuefu
''Yuefu'' are Chinese poems composed in a folk song style. The term originally literally meant "Music Bureau", a reference to the imperial Chinese governmental organization(s) originally charged with collecting or writing the lyrics, later the term ''yuefu'' was applied to later literary imitations or adaptations of the Music Bureau's poems. The use of ''fu'' in ''yuefu'' is different from the other Chinese term ''fu'' that refers to a type of poetry or literature: although homonyms in English, the other '' fu'' () is a rhapsodic poetry/prose form of literature. The term ''yuefu'' covers original folk songs, court imitations and versions by known poets (such as those of Li Bai). As opposed to what appears to be more of an authentic anonymous folk verse which was collected by the Music Bureau, verse written deliberately in this style, often by known authors, is often referred to as "literary ''yuefu''". The lines of the ''yuefu'' can be of uneven length, reflecting its origins as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang Dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and still c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Virginia
The University of Virginia (UVA) is a Public university#United States, public research university in Charlottesville, Virginia. Founded in 1819 by Thomas Jefferson, the university is ranked among the top academic institutions in the United States, with College admissions in the United States, highly selective admission. Set within the The Lawn, Academical Village, a World Heritage Site, UNESCO World Heritage Site, the university is referred to as a "Public Ivy" for offering an academic experience similar to that of an Ivy League university. It is known in part for certain rare characteristics among public universities such as #1800s, its historic foundations, #Honor system, student-run academic honor code, honor code, and Secret societies at the University of Virginia, secret societies. The original governing Board of Visitors included three List of presidents of the United States, U.S. presidents: Thomas Jefferson, Jefferson, James Madison, and James Monroe. The latter as si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
