|
Yuefu
''Yuefu'' are Chinese poems composed in a folk song style. The term originally literally meant "Music Bureau", a reference to the imperial Chinese governmental organization(s) originally charged with collecting or writing the lyrics, later the term ''yuefu'' was applied to later literary imitations or adaptations of the Music Bureau's poems. The use of ''fu'' in ''yuefu'' is different from the other Chinese term ''fu'' that refers to a type of poetry or literature: although homonyms in English, the other '' fu'' () is a rhapsodic poetry/prose form of literature. The term ''yuefu'' covers original folk songs, court imitations and versions by known poets (such as those of Li Bai). As opposed to what appears to be more of an authentic anonymous folk verse which was collected by the Music Bureau, verse written deliberately in this style, often by known authors, is often referred to as "literary ''yuefu''". The lines of the ''yuefu'' can be of uneven length, reflecting its origins as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Bureau
The Music Bureau (Traditional Chinese: 樂府; Simplified Chinese: 乐府; Hanyu Pinyin: ''yuèfǔ'', and sometimes known as the "Imperial Music Bureau") served in the capacity of an organ of various imperial government bureaucracies of China: discontinuously and in various incarnations, the Music Bureau was charged directly, by the emperor (or other monarchical ruler), or indirectly, through the royal (or imperial) government to perform various tasks related to music, poetry, entertainment, or religious worship. These tasks included both musical and lyrical research and development, and also directing performances. The existence of a Music Bureau was typical of various Chinese dynasties, though the Music Bureau's prominence and influence may have peaked during the reign of Han dynasty emperor Wu, who was especially interested in such activities and engaged himself accordingly. The mission of the Music Bureau was concerned with poetry, music, and their live performances, because t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang Dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and still c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Poetry
Han poetry as a style of poetry resulted in significant poems which are still preserved today, and whose origins are associated with the Han dynasty era of China, 206 BC – 220 AD, including the Wang Mang interregnum (9–23 AD). The final years at the end of the Han era (known by the name ''Jian'an'', 196–220) often receive special handling for purposes of literary analysis because, among other things, the poetry and culture of this period is less than typical of the Han period, and has important characteristics of its own, or it shares literary aspects with the subsequent Three Kingdoms period. This poetry reflects one of the poetry world's more important flowerings, as well as being a special period in Classical Chinese poetry, particularly in regard to the development of the quasipoetic '' fu''; the activities of the Music Bureau in connection with the collection of popular ballads and the resultant development of what would eventually become known as the ''yuefu'', or as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Song
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Song
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuan Zhen
Yuan Zhen (; 779 – September 2, 831), courtesy name Weizhi (), was a Chinese novelist, poet, and politician of the middle Tang Dynasty. In prose literature, Yuan Zhen is particularly known for his work ''Yingying's Biography'', which has often been adapted for other treatments, including operatic and musical ones. In poetry, he is remembered for the inclusion of some of his poems by popular anthologies, his verses on exotic topics (such as the former Liangzhou), and for being part of the group of "New Yuefu" poets, which often used poetry as a form of expression and protest, but one potentially subtle enough to avoid the likely repercussions of more direct criticism. The poetic circle in which Yuan Zhen was involved included Bai Juyi, among others. Politically Yuan Zhen was briefly chancellor, during the reign of Emperor Muzong. A native of Luoyang, Yuan Zhen was a descendant of Northern Wei's imperial family. He lost his father at the age of seven and moved to Fengxiang (), ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunka Shūreishū
is the second imperially commissioned Japanese kanshi collection. The text was compiled by Fujiwara no Fuyutsugu, Sugawara no Kiyotomo, Nakao Ō, Isayama no Fumitugu, Shigeno no Sadanushi, and Kuwahara no Haraaka under the command of Emperor Saga. The text was completed c. 818, four years after the previous imperial collection, ''Ryōunshū''. Contents The text is three volumes in length. It begins with a preface by Nakao Ō. The main text contains 148 poems composed by 28 authors, including poems from an 814 Balhae delegation. However, only 143 poems still exist as the final five have since been lost. While ''Ryōunshū'' ordered its poems by author, ''Bunka Shūreishū'' orders its poems by subject matter: Volume 1 *Sights (遊覧) *Banquets (宴集) *Partings (餞別) *Exchanges (贈答) Volume 2 *Historical (詠史) *Reminiscence (述懐) *Love (艶情) *Yuefu ''Yuefu'' are Chinese poems composed in a folk song style. The term originally literally meant "Music Burea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form ''qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the ''yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honolulu, Hawaii
Honolulu (; ) is the capital and largest city of the U.S. state of Hawaii, which is in the Pacific Ocean. It is an unincorporated county seat of the consolidated City and County of Honolulu, situated along the southeast coast of the island of Oahu, and is the westernmost and southernmost major U.S. city. Honolulu is Hawaii's main gateway to the world. It is also a major hub for business, finance, hospitality, and military defense in both the state and Oceania. The city is characterized by a mix of various Asian, Western, and Pacific cultures, reflected in its diverse demography, cuisine, and traditions. ''Honolulu'' means "sheltered harbor" or "calm port" in Hawaiian; its old name, ''Kou'', roughly encompasses the area from Nuuanu Avenue to Alakea Street and from Hotel Street to Queen Street, which is the heart of the present downtown district. The city's desirability as a port accounts for its historical growth and importance in the Hawaiian archipelago and the broader Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sing-song Girls
Sing-song girls (), also known as flower girls, is an English term for the courtesans in China during the 19th century AD. Origin Before the founding of modern China in 1911, concubinage was legal. In Chinese custom, males carry the family name and the family's heritage after marriage. To ensure male heirs were produced, it was a common practice for an upper-class married male to have one or more concubines, provided he could support them.Morris, Peter Thomas. (1992) ''Cantonese Love Songs: An English Translation of Jiu Ji-Yung's Cantonese Songs of the Early 19th century''. Hong Kong University. The custom could be invoked without the wife's consent: the husband's actions were protected by law. Concubines would co-exist in the family along with wives and children. A man might choose a courtesan to be his concubine. Many of these courtesans would sing songs to attract potential husbands, hoping to become secondary wives. Terminology Western observers in China during the nineteenth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bai Juyi
Bai Juyi (also Bo Juyi or Po Chü-i; ; 772–846), courtesy name Letian (樂天), was a renowned Chinese poet and Tang dynasty government official. Many of his poems concern his career or observations made about everyday life, including as governor of three different provinces. He achieved fame as a writer of verse in a low-key, near vernacular style that was popular throughout China, in Korea and Japan. Bai was also influential in the historical development of Japanese literature, where he is better known by the on'yomi reading of his courtesy name, Haku Rakuten (shinjitai: 白楽天). His younger brother Bai Xingjian was a short story writer. Among his most famous works are the long narrative poems " Chang hen ge" ("Song of Everlasting Sorrow"), which tells the story of Yang Guifei, and "Pipa xing" ("Song of the Pipa"). Life Bai Juyi lived during the Middle Tang period. This was a period of rebuilding and recovery for the Tang Empire, following the An Lushan Rebellion, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Du Fu
Du Fu (; 712–770) was a Tang dynasty poet and politician. Along with his elder contemporary and friend Li Bai (Li Po), he is frequently called the greatest of the Chinese poets.Ebrey, 103. His greatest ambition was to serve his country as a successful civil servant, but he proved unable to make the necessary accommodations. His life, like the whole country, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest. Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire".Hung, 1. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
