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Lingsberg Runestones
The Lingsberg Runestones are two 11th-century runestones, listed as U 240 and U 241 in the Rundata catalog, and one fragment, U 242, that are engraved in Old Norse using the younger futhark. They are at the Lingsberg farm about east of Vallentuna (halfway to Kusta), which is about north of the center of Stockholm, Stockholm County, Sweden, which was part of the former province of Uppland. The two intact runestones were raised by members of the same family, and on U 241 they engraved for posterity that a grandfather had taken two Danegelds in England. Because the receipt of the Danegeld (tax) indicates likely service with the Scandinavian troops in the Thingmen from 1018 to 1066, the runestones are dated to the second quarter of the 11th century. U 240 The U 240 runestone is known locally as the '' Lingsbergsstenen 1'' and was raised at the end of a causeway facing U 241. The causeway is only seen as traces in a field, and U 240 is the only runesto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Causeway
A causeway is a track, road or railway on the upper point of an embankment across "a low, or wet place, or piece of water". It can be constructed of earth, masonry, wood, or concrete. One of the earliest known wooden causeways is the Sweet Track in the Somerset Levels, England, which dates from the Neolithic age. Timber causeways may also be described as both boardwalks and bridges. Etymology When first used, the word ''causeway'' appeared in a form such as "causey way" making clear its derivation from the earlier form "causey". This word seems to have come from the same source by two different routes. It derives ultimately, from the Latin for heel, ''calx'', and most likely comes from the trampling technique to consolidate earthworks. Originally, the construction of a causeway utilised earth that had been trodden upon to compact and harden it as much as possible, one layer at a time, often by enslaved bodies or flocks of sheep. Today, this work is done by machines. The s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runic Transliteration And Transcription
Runic transliteration and transcription are part of analysing a runic inscription which involves transliteration of the runes into Latin letters, transcription into a normalized spelling in the language of the inscription, and translation of the inscription into a modern language. There is a long-standing practice of formatting transliterations in boldface and transcriptions in ''Italic type'', as the two forms of rendering a runic text have to be kept distinct. Overview By not only showing the original inscription, but also transliterating, transcribing and translating, scholars present the analysis in a way that allows the reader to follow their interpretation of the runes. Every step has its challenges, but most Younger Futhark inscriptions are quite easy to interpret. Most Scandinavians can learn to read runic inscriptions with a little training. The Elder Futhark inscriptions, however, are much more challenging and they demand a great deal of knowledge in historical linguistics. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orkesta Runestones
The Orkesta Runestones are a set of 11th-century runestones engraved in Old Norse with the Younger Futhark alphabet that are located at the church of Orkesta, northeast of Stockholm in Sweden. Several of the stones were raised by, or in memory of, the Swedish Viking Ulf of Borresta, who during the 11th century returned home three times with danegeld. The leaders of the three expeditions were Skagul Toste (Tosti), Thorkell the Tall (Þorketill), and Canute the Great (Knútr). This Ulfr also made the Risbyle Runestones in the same region, and he was mentioned on the lost runestone U 343. There are two other runestones that mention the danegeld and both of them are found in the vicinity: runestones U 241 and U 194. U 333 This runestone is in runestone style Pr3, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animals heads are typically seen in profile with slender almond-shaped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U 241, Lingsberg
U or u, is the twenty-first and sixth-to-last letter and fifth vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''u'' (pronounced ), plural ''ues''. History U derives from the Semitic waw, as does F, and later, Y, W, and V. Its oldest ancestor goes to Egyptian hieroglyphics, and is probably from a hieroglyph of a mace or fowl, representing the sound v.html"_;"title="Voiced_labiodental_fricative.html"_;"title="nowiki/>Voiced_labiodental_fricative">v">Voiced_labiodental_fricative.html"_;"title="nowiki/>Voiced_labiodental_fricative">vor_the_sound_[Voiced_labial–velar_approximant.html" ;"title="Voiced_labiodental_fricative">v.html" ;"title="Voiced_labiodental_fricative.html" ;"title="nowiki/>Voiced labiodental fricative">v">Voiced_labiodental_fricative.html" ;"title="nowiki/>Voiced labiodental fricative">vor the sound [Voiced labial–velar approximant" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ã…smund KÃ¥resson
Åsmund Kåresson was a Viking Age runemaster who flourished during the first half of the 11th century in Uppland and Gästrikland, Sweden. The early Urnes style is represented in his art. pp. 197, 208–09. Work Most early medieval Scandinavians were probably literate in runes, and most people probably carved messages on pieces of bone and wood.Vilka kunde rista runor?' on the Swedish National Heritage Board website, retrieved January 13, 2007. However, it was difficult to make runestones, and in order to master it one also needed to be a stonemason. During the 11th century, when most runestones were raised, there were a few professional runemasters. Åsmund was active mainly in Uppland, and about twenty runestones are signed by him and an additional thirty stones have been attributed to him. The ornamentation is characterized by variation with firmness and security in the composition. Åsmund is the inventor of the classic Uppland runestone style with one or two animals (''rundjur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runemaster
A runemaster or runecarver is a specialist in making runestones. Description More than 100 names of runemasters are known from Viking Age Sweden with most of them from 11th-century eastern Svealand.The article ''Runristare'' in ''Nationalencyklopedin'' (1995). Many anonymous runestones have more or less securely been attributed to these runemasters. During the 11th century, when most runestones were raised, there were a few professional runemasters. They and their apprentices were contracted to make runestones and when the work was finished, they sometimes signed the stone with the name of the runemaster. Many of the uncovered runic inscriptions have likely been completed by non-professional runecarvers for the practical purposes of burial rites or record-keeping. Due to the depictions of daily life, many of the nonprofessional runecarvers could have been anything from pirates to soldiers, merchants, or farmers. The layout of Scandinavian towns provided centers where craftspeople ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urnes Style
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runestone Styles
:''The term "runestone style" in the singular may refer to the Urnes style.'' The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. Her systematization is considered to have been a break-through and is today a standard. The styles are RAK, Fp, Pr1, Pr2, Pr3, Pr4 and Pr5, and they cover the period 980-1130, which was the period during which most runestones were made. The styles Pr1 and Pr2 correspond to the Ringerike style, whereas Pr3, Pr4 and Pr5 belong to what is more widely known as the Urnes style.Sawyer 2000:32 Below follows a brief presentation of the various styles by showing sample runestones according to Rundata's annotation. RAK RAK is the oldest style and covers the period 980-1015 AD, but the R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lindworm
The lindworm (''worm'' meaning snake), also spelled lindwyrm or lindwurm, is a mythical creature in Northern and Central European folklore living deep in the forest that traditionally has the shape of a giant serpent monster. It can be seen as a sort of dragon. According to legend, everything that lies under the lindworm will increase as the lindworm grows, giving rise to tales of dragons that brood over treasures to become richer. Legend tells of two kinds of lindworm, a good one associated with luck, often a cursed prince who has been transformed into another beast (as in the fairy tale The Frog Prince), and a bad one, a dangerous man-eater which will attack humans on sight. A lindworm may swallow its own tail, turning itself into a rolling wheel, as a method of pursuing fleeing humans. The head of the 16th-century lindworm statue at Lindwurm Fountain () in Klagenfurt, Austria, is modeled on the skull of a woolly rhinoceros found in a nearby quarry in 1335. It has been cited a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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