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Lexicon (typeface)
Lexicon is a serif typeface designed by Dutch type designer Bram de Does between the years 1989 and 1992. The typeface was specially designed for use at very small point sizes in Van Dale's ''Dictionary of the Dutch Language''. History Lexicon was De Does' second typeface, his first one being Trinité. After the release of Trinité, De Does held a lecture at the 1983 edition of ATypI. Some of his peers had asked him when his next typeface would be released, and in his lecture he announced that there would be no new typefaces from his hand. According to him, he would not be able to design something significantly different from the Renaissance inspired roman like Trinité. In 1989 however, he was approached by the designer of the Van Dale dictionary, who wanted to test Trinité for use at 7pt. De Does suggested to specially design a new typeface instead. The first rough drawings were made with a felt-tipped pen, and then photographically reduced to be able to judge the design at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
X-height
upright 2.0, alt=A diagram showing the line terms used in typography In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter ''x'' in the font (the source of the term), as well as the letters ''v'', ''w'', and ''z''. (Curved letters such as ''a'', ''c'', ''e'', ''m'', ''n'', ''o'', ''r'', ''s'', and ''u'' tend to exceed the x-height slightly, due to overshoot; ''i'' has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters. Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ArtReview
''ArtReview'' is an international contemporary art magazine based in London, founded in 1948. Its sister publication, ''ArtReview Asia'', was established in 2013. History Launched as a fortnightly broadsheet in February 1949 by a retired country medical practitioner, Dr Richard Gainsborough, and the first edition was designed by his wife, the artist Eileen Mayo, ''Arts News and Review'' set out to champion contemporary art in Britain, providing its readers with commentary, news and reviews. At the outset its focus was set firmly on the artist – its regular cover ‘Portrait of the artist’ introduced its readership to emerging artists as well as reconnecting with the past masters of modernism from before the war. Cover artists included Édouard Manet, Henry Moore, Barbara Hepworth and Lucian Freud. As its editorial would declare in 1954, Art News and Review's purpose was ‘to stimulate the criticism of contemporary art, to give to both painters and writers space they would nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nrc•next
''nrc•next'' () was a Dutch daily newspaper published in the Netherlands by Mediahuis. The first edition was released on 14 March 2006. It was stopped in March 2021. ''nrc•next'' was a morning edition tabloid, and its primary target group are young higher educated people. Formula The newspaper aimed at young, well-educated (HBO or university) readers in the 25-34 age group, most of whom did not read a newspaper, or read the free tabloids ''Metro'' and '' Spits''. Secondarily, ''nrc•next'' aimed at the 20-39 age group. The newspaper was intended for "the new generation of interested media-users who use news and information in a different way", according to NRC executive editor Folkert Jensma. The news was delivered in concise format, because it was assumed that the readers had already picked up the basics from other sources. For the same reason, some news items was not covered at all. Background, analysis and opinion were thus the main focus of the paper. Relations with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NRC Handelsblad
''NRC'', previously called ''NRC Handelsblad'' (), is a daily morning newspaper published in the Netherlands by NRC Media. It is generally accepted as a newspaper of record in the Netherlands. History ''NRC Handelsblad'' was first published on 1 October 1970 after a merger of the Amsterdam newspaper ''Algemeen Handelsblad'' (founded 1828 by J.W. van den Biesen) and the Rotterdam ''Nieuwe Rotterdamsche Courant'' (founded 1844 by Henricus Nijgh). The paper's motto is ''Lux et Libertas'' – Light (referring to the Age of Enlightenment) and Freedom. Editor was succeeded on 12 December 2006, by . After a dispute with the new owners Donker had to step down on 26 April 2010 and was replaced by Belgian . In 2019, he was succeeded by René Moerland. On 7 March 2011, the paper changed its format from broadsheet to tabloid. The circulation of ''NRC Handelsblad'' in 2014 was 188,500 copies, putting it in 4th place among the national dailies. In 2015 the NRC Media group was acquired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good News Publishers
Crossway (previously known by its parent ministry Good News Publishers) is a not-for-profit evangelical Christian publishing ministry headquartered in Wheaton, Illinois. Clyde and Muriel Dennis founded Good News Publishers in 1938, working out of their home in Minneapolis, Minnesota. Crossway is best known for publishing evangelical Christian books, along with the English Standard Version (ESV) translation of the Bible. Mark Ward, editor of ''Bible Study Magazine'', has praised Crossway for its continuous commitment to technological innovation in publishing the ESV online. Crossway In late 1978, Good News Publishers began expanding its reach by establishing Crossway, a publishing division. Beginning under the leadership of Lane T. Dennis—Clyde and Muriel's son—Crossway claims that it has published more than 1,500 titles, including books "by Francis A. Schaeffer, Martyn Lloyd-Jones, John Piper, John MacArthur, Paul David Tripp, Jen Wilkin, J. I. Packer, Chuck Colson, Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Standard Version
The English Standard Version (ESV) is an English translation of the Bible. Published in 2001 by Crossway, the ESV was "created by a team of more than 100 leading evangelical scholars and pastors." The ESV relies on recently published critical editions of the original Hebrew and Greek texts. Crossway claims that the ESV continues a legacy of precision and faithfulness in English translation of the original text. It describes the ESV as a translation that "emphasizes 'word-for-word' accuracy, literary excellence, and depth of meaning." It also describes the ESV as a translation that adheres to an "essentially literal" translation philosophy, taking into account "differences in grammar, syntax, and idiom between current literary English and the original languages." Since publication, the ESV has been endorsed by numerous evangelical pastors and theologians, including John Piper, R. C. Sproul, and Kevin DeYoung. As of July 2015, over 100 million printed copies of the translati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ESV Study Bible
The ''ESV Study Bible'' (abbreviated as ESVSB) is a study Bible published by Crossway. It features the text of the English Standard Version, along with study notes from a perspective of "classic evangelical orthodoxy, in the historic stream of the Reformation." Contributors The ''ESV Study Bible'' features the work of "95 evangelical Christian scholars and teachers." The list of contributors found in the ESVSB contains the following notable scholars: * Dr. Clifford John Collins (Professor of Old Testament, Covenant Theological Seminary) * Dr. Wayne A. Grudem (Research Professor, Theology and Biblical Studies, Phoenix Seminary) * Dr. J. I. Packer (Board of Governors Professor of Theology, Regent College, Vancouver, Canada) * Dr. Vern Sheridan Poythress (Professor of New Testament Interpretation, Westminster Theological Seminary; Editor, Westminster Theological Journal) * Dr. Thomas R. Schreiner (Professor of New Testament Interpretation, The Southern Baptist Theological Semina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subscript And Superscript
A subscript or superscript is a character (such as a number or letter) that is set slightly below or above the normal line of type, respectively. It is usually smaller than the rest of the text. Subscripts appear at or below the baseline, while superscripts are above. Subscripts and superscripts are perhaps most often used in formulas, mathematical expressions, and specifications of chemical compounds and isotopes, but have many other uses as well. In professional typography, subscript and superscript characters are not simply ordinary characters reduced in size; to keep them visually consistent with the rest of the font, typeface designers make them slightly heavier (i.e. medium or bold typography) than a reduced-size character would be. The vertical distance that sub- or superscripted text is moved from the original baseline varies by typeface and by use. In typesetting, such types are traditionally called "superior" and "inferior" letters, figures, etc., or just "superio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a form pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font Weight
In movable type, metal typesetting, a font is a particular #Characteristics, size, weight and style of a typeface. Each font is a matched set of type, with a piece (a "Sort (typesetting), sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface "Bauer Bodoni" (sample shown here) includes fonts "Roman (typeface), Roman" (or "Regular"), "Emphasis (typography), Bold" and ''"Italic type, Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Owing to the influence from calligraphy, italics normally slant slightly to the right. Italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of English usage described italics as "the print equivalent of Underline, underlining"; in other words, underscore in a manuscript directs a typesetter to use italic. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. Along with blackletter and Roman type, it served as one of the major typefaces in the history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
