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Les Troyens
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Troyens'' is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Under the title ''Les Troyens à Carthage'', the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written. Composition history Berlioz began the libretto on 5 May 1856 and completed it toward the end of June 1856. He finished the full score on 12 April 1858. Berlioz had a keen affection for literature, and he ...
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Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working ...
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Hector Berlioz, Les Troyens à Carthage Vocal Score Cover - Restoration
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb wikt:ἔχειν, ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *''wikt:Reconstruction:Proto-Indo-European/seǵʰ-, seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds [everything together]'. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler John Malalas, Malalas in his account of the ''Chronography'' as "dark- ...
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La Perle Du Brésil
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * '' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * '' Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screening ...
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Félicien David
Félicien-César David (13 April 1810 – 29 August 1876) was a French composer. Biography Félicien David was born in Cadenet, and began to study music at the age of five under his father, whose death when the boy was six left him an impoverished orphan. His good voice enabled him to study as a choirboy at the Church of Saint-Sauveur in Aix-en-Provence, which he left at the age of 15 with a sound knowledge of music, and a scholarship which enabled him to study literature at a Jesuit college. However, after three years, he abandoned these studies to pursue a musical career. He first obtained a position in the orchestra of the theatre at Aix. In 1829, he became ''maître de chapelle'' at Saint-Sauveur, but realised that to complete his musical education he needed to study at Paris. An allowance of 50 francs per month from a rich uncle made this possible. In Paris in 1830 he convinced Luigi Cherubini, the director of the Conservatoire, to enroll him as a pupil: despite his res ...
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Edmond Cabel
Edmond Cabel (18 November 1832 – December 1888) was a French operatic tenor. He was born Edmond-Antoine-Auguste Dreulette in Namur. He was the brother of the famous coloratura soprano Marie Cabel and adopted her married name Cabu (and later, the family's stage name Cabel).Walsh 1981, p. 375.Pierre 1900p. 712Kutsch and Riemens 2003, . He studied singing at the Conservatoire de Paris, and on 22 April 1855 sang Jacob (Isacco) in a student performance of the first two acts of Rossini's '' La pie voleuse'' (as adapted into French by Castil-Blaze) and on 29 June, Artémidore in the first three acts of Gluck's '' Armide'' (both under Jules Pasdeloup as the conductor), and won a second prize in opéra comique for 1855. From 1856 to 1859 he sang at the Théatre de l'Opéra-Comique in Paris. At the Théâtre Lyrique he sang André in a revival of Gretry's '' L’épreuve villageoise'' on 11 September 1863. He also created the role of Hylas in Berlioz' ''Les Troyens à Carthage'' o ...
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Bronchitis
Bronchitis is inflammation of the bronchi (large and medium-sized airways) in the lungs that causes coughing. Bronchitis usually begins as an infection in the nose, ears, throat, or sinuses. The infection then makes its way down to the bronchi. Symptoms include coughing up sputum, wheezing, shortness of breath, and chest pain. Bronchitis can be acute or chronic. Acute bronchitis usually has a cough that lasts around three weeks, and is also known as a chest cold. In more than 90% of cases the cause is a viral infection. These viruses may be spread through the air when people cough or by direct contact. A small number of cases are caused by a bacterial infection such as '' Mycoplasma pneumoniae'' or ''Bordetella pertussis''. Risk factors include exposure to tobacco smoke, dust, and other air pollution. Treatment of acute bronchitis typically involves rest, paracetamol (acetaminophen), and nonsteroidal anti-inflammatory drugs (NSAIDs) to help with the fever. Chronic bronch ...
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Hylas
In classical mythology, Hylas () was a youth who served as Heracles's (Roman Hercules) companion and servant. His abduction by water nymphs was a theme of ancient art, and has been an enduring subject for Western art in the classical tradition. Genealogy In Greek mythology, Hylas was the son of King Theiodamas of the Dryopians and the nymph Menodice, daughter of Orion. In some accounts, his father was Euphemus or King Ceyx of Trachis. Mythology Heracles After Heracles killed Theiodamas in battle, he took on Hylas as his arms-bearer and taught him to be a warrior. The poet Theocritus (about 300 BC) wrote about the love between Heracles and Hylas: "We are not the first mortals to see beauty in what is beautiful. No, even Amphitryon's bronze-hearted son, who defeated the savage Nemean lion, loved a boy—charming Hylas, whose hair hung down in curls. And like a father with a dear son he taught him all the things which had made him a mighty man, and famous." Argonauts ...
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Aeneas
In Greco-Roman mythology, Aeneas (, ; from ) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus, founder of Troy), making Aeneas a second cousin to Priam's children (such as Hector and Paris). He is a minor character in Greek mythology and is mentioned in Homer's ''Iliad''. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's ''Aeneid'', where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Vidarr of the Æsir.The Prose Edda of Snorri Sturlson Translated by Arthur Gilchrist Brodeur 916Prologue II at Internet Sacred Texts Archive. Accessed 11/14/17 Etymology Aeneas is the Romanization of the hero's original Greek name (''Aineías''). Aineías is first introduced in the '' Homeric Hymn to Aphrodite'' wh ...
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Iopas
In Virgil's ''Aeneid'', Iopas is a bard at the court of Dido. He appears at the end of Book 1, where he sings the so-called "Song of Iopas", a creation narrative, at the banquet given for Aeneas and his Trojans. Text, context The passage in Virgil: ...cithara crinitus Iopas personat aurata, docuit quem maximus Atlas. hic canit errantem lunam solisque labores, unde hominum genus et pecudes, unde imber et ignes, Arcturum pluuiasque Hyadas geminosque Triones, quid tantum Oceano properent se tingere soles hiberni, uel quae tardis mora noctibus obstet A student of Atlas, the maestro, Livens the air with his gilded harp. For the long-haired Iopas Sings of the unpredictable moon, of the sun and its labours, Origins human and animal, causes of fire and of moisture, Stars (Lesser, Greater Bear, rainy Hyades, also Arcturus), Why in the winter the sun so hurries to dive in the Ocean, What slows winter's lingering nights, what blocks and delays them. (Tr. Frederick Ahl) As Christine G. Perk ...
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Seine
) , mouth_location = Le Havre/ Honfleur , mouth_coordinates = , mouth_elevation = , progression = , river_system = Seine basin , basin_size = , tributaries_left = Yonne, Loing, Eure, Risle , tributaries_right = Ource, Aube, Marne, Oise, Epte The Seine ( , ) is a river in northern France. Its drainage basin is in the Paris Basin (a geological relative lowland) covering most of northern France. It rises at Source-Seine, northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and into the English Channel at Le Havre (and Honfleur on the left bank). It is navigable by ocean-going vessels as far as Rouen, from the sea. Over 60 percent of its length, as far as Burgundy, is negotiable by large barges and most tour boats, and nearly its whole length is available for recreational boating; excursion boats offer sightseeing tours of the river banks in the capital city, Paris. There are 37 b ...
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Backdrop (theater)
Theater drapes and stage curtains are large pieces of cloth that are designed to mask backstage areas of a theater from spectators. They are designed for a variety of specific purposes, moving in different ways (if at all) and constructed from various fabrics. Many are made from black or other darkly colored, light-absorbing material (In North America, for example, heavyweight velour is the current industry standard). Theater drapes represent a portion of any production's ''soft goods'', a category comprising any non-wardrobe, cloth-based element of the stage or scenery. Theater curtains are often pocketed at the bottom to hold weighty chain or to accept pipes to remove their fullness and stretch them tight. Proscenium stages use a greater variety of drapes than arena or thrust stages. In proscenium theaters, drapes are typically suspended from battens and can be controlled by a fly system (i.e., They are "flown," in theater terminology). When a drape is flown, the task of adjusti ...
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Fauns
The faun (, grc, φαῦνος, ''phaunos'', ) is a half-human and half-goat mythological creature appearing in Greek and Roman mythology. Originally fauns of Roman mythology were spirits (genii) of rustic places, lesser versions of their chief, the god Faunus. Before their conflation with Greek satyrs, they and Faunus were represented as nude men (e.g. the Barberini Faun). Later fauns, became copies of the satyrs of Greek mythology, who themselves were originally shown as part-horse rather than part-goat. By Renaissance times fauns were depicted as bipedal creatures with the horns, legs, and tail of a goat and the head, torso, and arms of a human; they are often depicted with pointed ears. These late-form mythological creatures borrowed their appearance from the satyrs, who in turn borrowed their appearance from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their Greek chieftain, Silenus, was a minor deity of Greek mythology. Origins Ro ...
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