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Le Financier Et Le Savetier
''Le financier et le savetier'' (The financier and the cobbler) is a one-act opérette bouffe of 1856 with words by Hector Crémieux and Edmond About, and music by Jacques Offenbach, based on the poem by La Fontaine. In 1842 Offenbach had set '' The Cobbler and the Financier'' (''Le Savetier et le Financier'') among a set of six fables of La Fontaine. Performance history ''Le financier et le savetier'' was first performed in Paris, at the refurbished Théâtre des Bouffes-Parisiens, on 23 September 1856, and ran into 1857. In 1858 it was performed by the company at Bad Ems. At the Carltheater in Vienna it was staged as ''Schuhflicker und Millionär'' in January 1859.Yon, Jean-Claude. ''Jacques Offenbach.'' Éditions Gallimard, Paris, 2000. A complete recording of Keck’s critical edition was made in 2007. Roles Synopsis :The drawing-room of rich financier Belazor on his name-day; it is 1856 and nine o’clock in the evening ''A page waits at the entrance, Belazor paces up and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach By Nadar
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lansquenet
Lansquenet is a banking game played with cards, named after the French spelling of the German word Landsknecht ('servant of the land or country'), which refers to 15th- and 16th-century German mercenary foot soldiers; the lansquenet drum is a type of field drum used by these soldiers. It is recorded as early as 1534 by François Rabelais in ''Gargantua and Pantagruel''. Cards Lansquenet is played with an Italian pack of 40 cards. Game play The dealer or banker stakes a certain sum, and this must be met by the nearest to the dealer first, and so on. When the stake is met, the dealer turns up one card and lays it to his right, for the table or the players, and another card in front of himself for the bank. He then keeps on turning up cards (while keeping the first two cards visible), until a card turns up with a value matching either of the first two cards. For instance, if the five of diamonds has been laid down for the bank, then any other five, regardless of suit, consti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1856 Operas
Events January–March * January 8 – Borax deposits are discovered in large quantities by John Veatch in California. * January 23 – American paddle steamer SS ''Pacific'' leaves Liverpool (England) for a transatlantic voyage on which she will be lost with all 186 on board. * January 24 – U.S. President Franklin Pierce declares the new Free-State Topeka government in "Bleeding Kansas" to be in rebellion. * January 26 – First Battle of Seattle: Marines from the suppress an indigenous uprising, in response to Governor Stevens' declaration of a "war of extermination" on Native communities. * January 29 ** The 223-mile North Carolina Railroad is completed from Goldsboro through Raleigh and Salisbury to Charlotte. ** Queen Victoria institutes the Victoria Cross as a British military decoration. * February ** The Tintic War breaks out in Utah. ** The National Dress Reform Association is founded in the United States to promote "rational" dress for w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic music, Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue hazzan, cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éric Huchet
Éric Huchet (born 1 December 1962 in Saint-Germain-en-Laye) is a French contemporary lyric tenor. Musical studies * First prize of the in 1992. * University of Music and Performing Arts Vienna in Walter Berry's class Roles * Achille, Menelas in Offenbach's ''La Belle Hélène'', Théâtre du Châtelet, 2000, Marseille. * Le Prince Paul in Offenbach's ''La Grande-Duchesse de Gérolstein'', Théâtre du Châtelet, 2004. * Cochenille in Offenbach's ''The Tales of Hoffmann'', Grand Théâtre de Genève, 2008. * Falsacappa in Offenbach's ''Les Brigands'', Opéra-Comique of Paris, 2011. * Graf Elemer in Strauss's ''Arabella'', Paris Opera, July 2012. * Trufaldino in Sergei Prokofiev's ''The Love for Three Oranges'', Paris Opera 2012 * Franz in Offenbach's ''The Tales of Hoffmann'', Paris Opera, September 2012. * Monostatos in Mozart's ''The Magic Flute'', Angers-Nantes Opéra, May 2014. * Spoletta in Puccini ''Tosca''. Paris Opera, November 2014 * Cantarelli in Hérold's ''Le p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Belle Hélène
''La belle Hélène'' (, ''The Beautiful Helen'') is an opéra bouffe in three acts, with music by Jacques Offenbach and words by Henri Meilhac and Ludovic Halévy. The piece parodies the story of Helen of Troy, Helen's elopement with Paris (mythology), Paris, which set off the Trojan War. The premiere was at the Théâtre des Variétés, Paris, on 17 December 1864. The work ran well, and productions followed in three continents. ''La belle Hélene'' continued to be revived throughout the 20th century and has remained a repertoire piece in the 21st. Background and first performance By 1864 Offenbach was well established as the leading French composer of operetta. After successes with his early works – short pieces for modest forces – he was granted a licence in 1858 to stage full-length operas with larger casts and chorus. The first of these to be produced, ''Orpheus in the Underworld, Orphée aux enfers'', achieved notoriety and box-office success for its risqué satire o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Coeur-de-lion (opera)
''Richard Cœur-de-lion'' (''Richard the Lionheart'') is an opéra comique, described as a ''comédie mise en musique'', by the Belgian composer André Grétry. The French text was by Michel-Jean Sedaine. The work is generally recognised as Grétry's masterpiece and one of the most important French ''opéras comiques''. It is based on a legend about King Richard I of England's captivity in Austria and his rescue by the troubadour Blondel de Nesle. On his way home from the Third Crusade, King Richard has been imprisoned by Leopold, Archduke of Austria. The king's faithful squire Blondel seeks him out disguised as a blind troubadour. He arrives in Linz where he meets the English exile Sir Williams and his daughter Laurette, who tell him of an unknown prisoner in the nearby castle. Laurette is in love with the prison governor, Florestan. Countess Marguerite, who is in love with King Richard, arrives and offers Blondel her help. Blondel goes to the castle where he sings the song ''Une f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bourse
''La Bourse'' (''The Purse'') is a short story by the French novelist Honoré de Balzac. It was published in 1832 by Mame-Delaunay as one of the ''Scènes de la vie privée'' (''Scenes of Private Life'') in ''La Comédie humaine''. Later editions of the work were brought out by Béchet in 1835 and by Charpentier in 1839, in both of which ''La Bourse'' was placed among the ''Scènes de la vie parisienne'' (''Scenes of Parisian Life''). It was, however, restored to the ''Scènes de la vie privée'' when Furne brought out the fourth and final edition in 1842; this heavily revised version of the story appeared as the third work in Volume 1 of ''La Comédie humaine''. Plot The young painter Hippolyte Schinner falls from a step-ladder while working in his atelier and is knocked unconscious. The noise of his fall alerts two of his neighbours, Adélaïde Leseigneur and her mother Madame de Rouville, who occupy the apartment immediately below. The two women revive the young man and an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Crémieux
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
