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Lào Zi
(), also called (), is an ancient appellation for knots in China. In ancient Chinese literature, the actually refers to what is now known as () in Chinese and Chinese knotting in English. The term "Chinese knotting" only became known in recent years when it was summarized by Lydia Chen in the 1980s. It was a tradition to use the and/or as a form of () in where it was tied to the waist by using silk or cotton ribbon. Etymology The meaning of the two terms and are quite similar. The Chinese character for 《》in traditional Chinese and《》in simplified Chinese, is a specific term which refers to knotting, enmeshing, and wrapping. The Chinese character for 《》refers to the lace or flat ribbon woven from silk thread which can used to decorate clothing. Usage According to ''Dream of the Red Chamber'', making means making knots that can be used on waist as knotting belt; the could also be as decorative knots with tassel hanging for small object or furnishin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norigae
() is a typical, traditional Korean accessory used in , which can be hung on (coat strings) of a woman's or on her . The functions as a decorative pendant and is both a good-luck charm hoped to bring something such as eternal youth, wealth or many sons (depending on its shape), as well as a fashion accessory. Usually, the ' from the parents' or in-laws' home was passed down to descendants. Terminology The word ' originally referred to “pretty and playful objects” or "favourite trinkets" signifying women's liking for the tassel charm regardless of social ranks. History Origins The exact origins of the is unknown, but the current knotting tassel known as ' can be traced back to the Joseon dynasty and was item worn exclusive to the Joseon. It is also difficult to pinpoint the exact time when the ' started to be widely used. Some sources state that the ' might have been a protective emblem called ' used in primitive shamanism and was worn initially worn by child ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Folk Art
Chinese folk art are artistic forms inherited from a regional or ethnic scene in China. Usually there are some variation between provinces. Individual folk arts have a long history, and many traditions are still practiced today. The general definition of folk art incorporates Chinese art forms that are not classified as Chinese fine art. Chinese Folk art is the ancient forms of art that originated in China. Some of these ancient art forms include jade carvings, performance art such as music and their respective instruments, textile art such as basket weaving, paper art and clothing. Jade Carving Jade is a semi-rare green mineral. This mineral is prominently found in Chinese art. Due to the toughness of Jade, It is believed that Chinese Jade Carvings were first carved into weapons such as swords, it is unclear if the sword carvings were used for ceremonial or utilitarian use. As time went on Jade was carved into many different shapes and forms, an example of a Jade Carving is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts In China
The arts of China () have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers, religious figures and even political leaders. The arrival of Buddhism and modern Western influence produced especially large changes. Chinese art encompasses fine arts, folk arts and performance arts. General history Early forms of art in China were made from pottery and jade in the Neolithic period, to which was added bronze in the Shang dynasty. The Shang are most remembered for their blue casting, noted for its clarity of detail. Early Chinese music and poetry was influenced by the Classic of Poetry, Confucius and the Chinese poet and statesman Qu Yuan. In early imperial China, porcelain was introduced and was refined to the point that in English the word ''china'' has become synonymous with high-quality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheongsam
''Cheongsam'' (, ), also known as the ''qipao'' () and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the , the ethnic clothing of the Manchu people. The cheongsam is most often seen as a longer, figure-fitting, one piece garment with a standing collar, an asymmetric, left-over-right () opening and two side slits, and embellished with Chinese frog fasteners on the lapel and the collar. It was developed in the 1920s and evolved in shapes and design over years. It was popular in China from the Republic of China (1912–1949), 1920s to 1940s, overlapping the Republican era, and was popularized by Chinese socialites and high society (social class), high society women in Shanghai. It was also one of the national dress of the Republic of China (1912–1949), Republic of China in 1929 and is currently the national dress of China, which symbolizes a generic Chinese national identity rather than a specific ethnic and/or ancest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frog (fastening)
(), also called () or () in China, are referred as knots, Chinese frog closures and decorative toggles in English language, is a type of ornamental braiding closure made out of cord, consisting of a button (oftentimes a Chinese button knot for a traditional oriental style) and a loop; it is used to fasten garments without creating an overlap. Its purpose is to act as a fastener as well as providing a decorative closure for the garment. It is especially used on the cheongsam, where the represents the cultural essence of the dress. This form of decorative fastener originated from China and was later introduced to other countries outside of China where they are now called frog closures, frogs, and frogging in English-speaking countries. It was first adopted in the military uniform of Western countries, where they gained popularity, before eventually making its way into civilian clothes of both genders, such as overcoats, spencers, and pelisses. Frog fasteners are usual to garm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spring And Autumn Period
The Spring and Autumn period was a period in Chinese history from approximately 770 to 476 BC (or according to some authorities until 403 BC) which corresponds roughly to the first half of the Eastern Zhou period. The period's name derives from the ''Spring and Autumn Annals'', a chronicle of the state of Lu between 722 and 479 BCE, which tradition associates with Confucius (551–479 BCE). During this period, the Zhou royal authority over the various feudal states eroded as more and more dukes and marquesses obtained ''de facto'' regional autonomy, defying the king's court in Luoyi and waging wars amongst themselves. The gradual Partition of Jin, one of the most powerful states, marked the end of the Spring and Autumn period and the beginning of the Warring States period. Background In 771 BCE, a Quanrong invasion in coalition with the states of Zeng and Shen — the latter polity being the fief of the grandfather of the disinherited crown prince Yijiu — destroyed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanbok
The (; term used in South Korean standard language, South Korea), also called () n North Korean standard language, North Korea and China, is an Hyponymy and hypernymy, umbrella term which is used to refer to traditional ethnic Koreans, Korean clothes, including the traditional clothing of the (Korean Chinese), an officially recognized Ethnic minorities in China, ethnic minority in China. The term literally means "Korean clothing". Due to the isolation from each other for about 50 years, the styles of in South Korea, North Korea, and China, worn by the Korean ethnics from these three countries have developed separately from each other. Since the 1990s, the South Korean-style and the North Korean-style have been looking more and more similar to each other. Similarly, since the Chinese economic reform of China, there have been more exchanges with both Koreas leading to both the development and changes in Korean-Chinese-style in China; some of designs of the Korean-Chinese-sty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Of The Red Chamber
''Dream of the Red Chamber'' (''Honglou Meng'') or ''The Story of the Stone'' (''Shitou Ji'') is a novel composed by Cao Xueqin in the middle of the 18th century. One of the Four Great Classical Novels of Chinese literature, it is known for its psychological scope, and its observation of the worldview, aesthetics, life-styles, and social relations of 18th-century China. The intricate strands of its plot depict the rise and decline of a family much like Cao’s own and, by extension, of the dynasty itself. Cao depicts the power of the father over the family, but the novel is intended to be a memorial to the women he knew in his youth: friends, relatives and servants. At a more profound level, the author explores religious and philosophical questions, and the writing style includes echoes of the plays and novels of the late Ming, as well as poetry from earlier periods. Cao apparently began composing it in the 1740s and worked on it until his death in 1763 or 1764. Copies of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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