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Ludwig Wenzel Lachnith
Ludwig Wenzel Lachnith (Prague, 7 July 1746 – Paris, 3 October 1820) was a Bohemian horn player and versatile composer influenced by Joseph Haydn and Ignaz Pleyel. Today he is chiefly remembered because of his adaptations of operas by Wolfgang Amadeus Mozart. The French composer and writer Hector Berlioz immortalized him in a diatribe in his autobiography. Biography Lachnith was born in Prague. After early studies with his father Franz, an able church musician in Prague, Lachnith from 1768 onwards became a member of the court orchestra in Zweibrücken. In 1773 he went to Paris to study French horn with Johann Josef Rudolf (Rodolphe) and later composition with François-André Danican Philidor. Since 1783 he was living permanently in Paris, where his symphonies were played in the ''Concerts de la Reine'' (i. e. Marie Antoinette). With the onset of the French Revolution he got in trouble with the new authorities and had to resign from his post at the Paris Opera. He fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prague 07-2016 View From Old Town Hall Tower Img5
Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and List of cities in the Czech Republic, largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate climate, temperate oceanic climate, with relatively warm summers and chilly winters. Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque architecture, Romanesque, Czech Gothic architecture, Gothic, Czech Renaissance architecture, Renaissance and Czech Baroque architecture, Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV, Holy Roman Emperor, Charles IV (r. 1346–1378). It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian Reformation, Bohemian and the Protestant Reformations, the Thirty Year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duet
A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo section rather than performing simultaneously. A piece performed by two pianists performing together on the same piano is a "piano duet" or " piano four hands". A piece for two pianists performing together on separate pianos is a " piano duo". The term ''duet'' is also used as a verb for the act of performing a musical duet, or colloquially as a noun to refer to the performers of a duet. A musical ensemble with more than two solo instruments or voices is called trio, quartet, quintet, sextet, septet, octet, etc. History When Mozart was young, he and his sister Marianne played a duet of his composition at a London concert in 1765. The four-hand, described as a duet, was in many of his compositions which included five sonatas; a set o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Jahn
Otto Jahn (; 16 June 1813, in Kiel – 9 September 1869, in Göttingen), was a German archaeologist, philologist, and writer on art and music. Biography After the completion of his university studies at Christian-Albrechts-Universität in Kiel, the University of Leipzig and Humboldt University, Berlin, he traveled for three years in France and Italy. In Rome, he was greatly influenced by the work of August Emil Braun (1809-1856).Dictionary of Art Historians - Otto Jahn @ A Biographical Dictionary of Historic Scholars, Museum Professionals and Academic Historians of Art In 1839 he became '''' at Kiel, and in 1842 professor-extraordinary of archaeology and |
Otto Jahn1
Otto is a masculine German given name and a surname. It originates as an Old High German short form (variants ''Audo'', ''Odo'', ''Udo'') of Germanic names beginning in ''aud-'', an element meaning "wealth, prosperity". The name is recorded from the 7th century ( Odo, son of Uro, courtier of Sigebert III). It was the name of three 10th-century German kings, the first of whom was Otto I the Great, the first Holy Roman Emperor, founder of the Ottonian dynasty. The Gothic form of the prefix was ''auda-'' (as in e.g. '' Audaþius''), the Anglo-Saxon form was ''ead-'' (as in e.g. ''Eadmund''), and the Old Norse form was '' auð-''. The given name Otis arose from an English surname, which was in turn derived from ''Ode'', a variant form of ''Odo, Otto''. Due to Otto von Bismarck, the given name ''Otto'' was strongly associated with the German Empire in the later 19th century. It was comparatively frequently given in the United States (presumably in German American families) during t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Clemenza Di Tito
' (''The Clemency of Titus''), K. 621, is an '' opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after most of ' (''The Magic Flute''), the last of Mozart's principal operas, had already been written. The work premiered on 6 September 1791 at the Estates Theatre in Prague. Background In 1791, the last year of his life, Mozart was already well advanced in writing ' by July when he was asked to compose an '' opera seria''. The commission came from the impresario Domenico Guardasoni, who lived in Prague and who had been charged by the Estates of Bohemia with providing a new work to celebrate the coronation of Leopold II, Holy Roman Emperor, as King of Bohemia. The coronation had been planned by the Estates in order to ratify a political agreement between Leopold and the nobility of Bohemia (it had rescinded efforts of Leopold's brother Joseph II to initiate a program to free the ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castil-Blaze
François-Henri-Joseph Blaze, known as Castil-Blaze (1 December 1784 – 11 December 1857), was a French musicologist, music critic, composer, and music editor. Biography Blaze was born and grew up in Cavaillon, Vaucluse. He went to Paris to study law, but also to learn music, at the Conservatoire de Paris. After having passed several more years in Vaucluse (southeastern France), Castil-Blaze moved back to Paris. A large part of his activities consisted of adapting French and foreign opera for different stages in French provinces. In these cases, Castil-Blaze adapted the libretto as well as the music. This arranging work was highly criticized, but Castil-Blaze claimed that this permitted part of the public to become familiar with opera. Castil-Blaze is mostly known as a music critic. Beginning on 7 December 1820, he published ''Musical Chronicles'' in the ''Journal des débats'', signing his articles, which were often very controversial, 'XXX'.Newark 2001. In these irregu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
151 Franck Hector Berlioz
Year 151 (CLI) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Condianus and Valerius (or, less frequently, year 904 ''Ab urbe condita''). The denomination 151 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Asia * Mytilene and Smyrna are destroyed by an earthquake. * First year of Yuanjia of the Chinese Han Dynasty. By topic Art * Detail from a rubbing of a stone relief in Wu family shrine (Wuliangci), Jiaxiang, Shandong, is made (Han dynasty). Births * Annia Galeria Aurelia Faustina, daughter of Marcus Aurelius * Zhong Yao, Chinese official and calligrapher (d. 230) Deaths * Kanishka, Indian ruler of the Kushan Empire * Novatus Saint Novatus (died c. 151) is an early Christian saint. His feast day is 20 June. Novatus and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Kalkbrenner
Friedrich Wilhelm Michael Kalkbrenner (2–8 November 1785 – 10 June 1849), also known as ''Frédéric Kalkbrenner'', was a pianist, composer, piano teacher and piano manufacturer. German by birth, Kalkbrenner studied at the Conservatoire de Paris, starting at a young age and eventually settled in Paris, where he lived until his death in 1849. Kalkbrenner composed more than 200 piano works, as well as many piano concertos and operas. When Frédéric Chopin came to Paris, Kalkbrenner suggested that Chopin could benefit by studying in one of Kalkbrenner's schools. It was not until the late 1830s that Kalkbrenner's reputation was surpassed by the likes of Chopin, Thalberg and Liszt. Author of a famous method of piano playing (1831) which was in print until the late 19th century, he ran in Paris what is sometimes called a "factory for aspiring virtuosos" and taught scores of pupils from as far away as Cuba. His best piano pupils were Marie Pleyel and Camille-Marie Stamaty. Throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Kalkbrenner
Christian Kalkbrenner (Hann. Münden, September 22, 1755 – Paris, August 10, 1806) was a German Kapellmeister, violinist, organ and keyboard player, and composer. Almost an exact contemporary of Wolfgang Amadeus Mozart, he was a prolific composer in many fields and a force in the musical world. He rose to high honours at the courts of the Prussian Kings. For unknown reasons, Kalkbrenner left his position as Kapellmeister to Prince Henry of Prussia and went first to Naples and later on to Paris. He was the father of Friedrich Wilhelm Kalkbrenner, one of the great piano virtuosos of the first half of the 19th century. Biography Christian Kalkbrenner was born in Münden, Germany. Münden, nowadays called Hann. Münden, an old town with a historic inner city, is situated 17 kilometres north-east of Kassel. Kalkbrenner had his first musical education from his father who was town musician (Stadtmusikus) in the Hessian town of Kassel. Kalkbrenner learned to play violin and organ. In vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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