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Ludwig (film)
''Ludwig'' (german: Ludwig II.) is a 1973 epic biographical drama film about Ludwig II, who ruled Bavaria from 1864 to 1886. Directed and co-written by Luchino Visconti, the film stars Helmut Berger as Ludwig and Romy Schneider as Empress Elisabeth of Austria (reprising the role from the unrelated 1955 film '' Sissi'' and its two sequels), along with Trevor Howard, Silvana Mangano, Helmut Griem, and Gert Fröbe. It is the third and final part of Visconti's "German Trilogy" - preceded by ''The Damned'' (which also starred Berger and Griem) and ''Death in Venice''. An international co-production (shot in English) by Italian producer Ugo Santalucia and West German producer Dieter Giessler, ''Ludwig'' was one of the most expensive European films at the time, and was a moderate success in its home territories, but was more lukewarmly received in the United States, where a heavily-truncated 177 minute version was released. It was filmed in Munich and surrounding parts of Bavaria, an ...
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Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, ''Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ital ...
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Epic Film
Epic films are a style of filmmaking with large-scale, sweeping scope, and spectacle. The usage of the term has shifted over time, sometimes designating a film genre and at other times simply synonymous with big-budget filmmaking. Like epics in the classical literary sense it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other types of film such as the period piece or adventure film. Epic historical films would usually take a historical or a mythical event and add an extravagant setting and lavish costumes, accompanied by an expansive musical score with an ensemble cast, which would make them among the most expensive of films to produce. The most common subjects of epic films are royalty, and important figures from various periods in world history. Characteristics The term "epic" originally came from the poetic genre exemplified by such works as the ''Epic of Gilgamesh'' and the works of the Trojan War Cycle. In classical litera ...
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David Di Donatello For Best Film
The David di Donatello Award for Best Film (Italian: ''David di Donatello per il miglior film'') is one of the David di Donatello awards presented annually by the Accademia del Cinema Italiano (ACI). The award recognizes the most outstanding Italian film theatrically released in Italy during the year preceding the ceremony. The award was first given in 1970, and became competitive in 1981. Nominees and winners are selected via runoff voting by all the members of the Accademia. Winners and nominees Below, winners are listed first in the colored row, followed by other nominees. 1970s 1980s 1990s 2000s 2010s 2020s See also * Nastro d'Argento The Nastro d'Argento, also known by its translated name Silver Ribbon, is an Italian film award awarded each year since 1946 by the Italian National Syndicate of Film Journalists (Italian: ''Sindacato Nazionale Giornalisti Cinematografici Italiani ... * Academy Award for Best Picture * Academy Award for Best Foreign Language Fi ...
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David Di Donatello
The David di Donatello Awards, named after Donatello's ''David'', a symbolic statue of the Italian Renaissance, are film awards given out each year by the ''Accademia del Cinema Italiano'' (The Academy of Italian Cinema). There are 26 award categories, as of 2021. The industry-voted awards are considered the Italian equivalent of the American Academy Awards and rank among top-tier awards such as the Premio Regia Televisiva for television, the Premio Ubu for stage performances, the Sanremo Music Festival, and the annual Venice Film Festival, which hosts the Golden Lion film award. History The David di Donatello film awards follow the same criteria as the American Academy Awards.) The ceremony was established in 1955 in order to honour the best of each year's Italian and foreign films, and first awarded in Rome on 5 July 1956. Similar prizes had already existed in Italy for about a decade, such as the Nastro d.'Gentro, but these were voted on by film critics and journalists. Ho ...
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Franco Mannino
Franco Mannino (25 April 1924 – 1 February 2005) was an Italian film composer, pianist, opera director, playwright and novelist, born in Palermo. He made his debut as pianist at the age of 16. He conducted the National Arts Centre Orchestra in Canada between 1982 and 1986, among the others. In all he wrote more than 440 compositions including opera, ballet, oratorios, symphonies, chamber music and music for the theatre. In addition there was his music for more than a hundred films by some of the best-known directors of his day, including Luchino Visconti with whom he collaborated many times, including such films as ''Death in Venice''. His 1963 opera ''Il diavolo in giardino'', from a libretto by Visconti (and collaborators) based on a Thomas Mann short story, was presented at the Teatro Massimo in Palermo in February. Another of his works, which Visconti directed, was the ballet ''Mario e il Mago'' in 1956. He died in Rome in 2005. Selected filmography * '' Tomorrow Is ...
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Cinecittà
Cinecittà Studios (; Italian for Cinema City Studios), is a large film studio in Rome, Italy. With an area of 400,000 square metres (99 acres), it is the largest film studio in Europe, and is considered the hub of Italian cinema. The studios were constructed during the Fascist era as part of a plan to revive the Italian film industry. Filmmakers such as Federico Fellini, Roberto Rossellini, Luchino Visconti, Sergio Leone, Bernardo Bertolucci, Francis Ford Coppola, Martin Scorsese, and Mel Gibson have worked at Cinecittà. More than 3,000 movies have been filmed there, of which 90 received an Academy Award nomination and 47 of these won it. In the 1950s, the number of international productions being made there led to Rome being dubbed "Hollywood on the Tiber." History The studios were founded in 1937 by Benito Mussolini, his son Vittorio, and his head of cinema Luigi Freddi under the slogan "''Il cinema è l'arma più forte''" ("Cinema is the most powerful weapon"). The pu ...
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Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ...
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International Co-production
A co-production is a joint venture between two or more different production companies for the purpose of film production, television production, video game development, and so on. In the case of an international co-production, production companies from different countries (typically two to three) are working together. Co-production also refers to the way services are produced by their users, in some parts or entirely. History and benefits The journalist Mark Lawson identifies the first use of the term, in the context of radio production, in 1941, although the programme to which he refers, ''Children Calling Home'', "Presented in collaboration between the CBC of Canada, NBC of the U.S.A., and the BBC, and broadcast simultaneously in all three countries", was first broadcast in December 1940. Following the Second World War, US film companies were forbidden by the Marshall Plan to take their film profits in the form of foreign exchange out of European countries. As a result, seve ...
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Death In Venice (film)
''Death in Venice'' ( it, Morte a Venezia) is a 1971 historical drama film directed and produced by Italian filmmaker Luchino Visconti, adapted by Visconti and Nicola Badalucco from the 1912 novella of the same name by German author Thomas Mann. It stars Dirk Bogarde as Gustav von Aschenbach and Björn Andrésen as Tadzio, with supporting roles played by Mark Burns, Marisa Berenson and Silvana Mangano. It was filmed in Technicolor by Pasqualino De Santis, with a soundtrack featuring classical composers such as Gustav Mahler, Ludwig van Beethoven and Modest Mussorgsky. It is the second part of Visconti's thematic "German Trilogy"—preceded by '' The Damned'' (1969) and followed by '' Ludwig'' (1973). The film premiered in London on 1 March 1971, and was entered into the 1971 Cannes Film Festival. It received positive reviews from critics and won several accolades, including BAFTA Awards for Best Cinematography, Best Production Design, Best Costume Design, and Best Soun ...
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The Damned (1969 Film)
german: Die Verdammten , image_size = , alt = , caption = American film poster , director = Luchino Visconti , producer = Ever HaggiagAlfred Levy , writer = Nicola BadaluccoEnrico MedioliLuchino Visconti , screenplay = , story = , based_on = , starring = , narrator = , music = Maurice Jarre , cinematography = Pasqualino De SantisArmando Nannuzzi , editing = Ruggero Mastroianni , studio = PraesidensPegaso CinematograficaItal-Noleggio CinematograficoEichberg-Film , distributor = Ital-Noleggio Cinematografico Warner Bros.-Seven Arts , released = , runtime = 154 minutes , country = ItalyWest Germany , language = EnglishGerman , budget = $2 million , gross = 2,638,507 admissions (France)$1.2 million ''The Damned''; german: Die Verdammten, lit=The Damned. The Italian title ''La caduta degli dei'' is the convent ...
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Sissi (film)
''Sissi'' is a 1955 Austrian film directed by Ernst Marischka and starring Romy Schneider, Karlheinz Böhm, Magda Schneider, Uta Franz, Gustav Knuth, Vilma Degischer and Josef Meinrad. ''Sissi'' is the first installment in the trilogy of films about Empress Elisabeth of Austria, who was known to her family as "Sisi". It was followed by '' The Young Empress'' and '' Fateful Years of an Empress''. Plot Princess Elisabeth, nicknamed "Sissi", is the second oldest daughter of Duke Maximilian Joseph in Bavaria and Princess Ludovika of Bavaria. She is a carefree, impulsive and nature-loving child. She is raised with her seven siblings at the family seat Possenhofen Castle on the shores of Lake Starnberg in Bavaria. She has a happy childhood free of constraints associated with her royal status. With her mother and her demure older sister Helene (called "Néné"), 16-year-old Sissi travels from Possenhofen to the spa town of Bad Ischl in Upper Austria. Ludovika's sister, Archduchess ...
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Empress Elisabeth Of Austria
Duchess Elisabeth Amalie Eugenie in Bavaria (24 December 1837 – 10 September 1898) was Empress of Austria and Queen of Hungary from her marriage to Emperor Franz Joseph I on 24 April 1854 until her assassination in 1898. Elisabeth was born into the royal Bavarian House of Wittelsbach. Nicknamed Sisi (also Sissi), she enjoyed an informal upbringing before marrying Emperor Franz Joseph I at the age of sixteen. The marriage thrust her into the much more formal Habsburg court life, for which she was unprepared and which she found uncongenial. Early in the marriage, she was at odds with her mother-in-law, Archduchess Sophie, who took over the rearing of Elisabeth's daughters, one of whom, Sophie, died in infancy. The birth of a son to the imperial couple, Crown Prince Rudolf, improved Elisabeth's standing at court, but her health suffered under the strain. As a result, she would often visit Hungary for its more relaxed environment. She came to develop a deep kinship ...
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