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Ludovico Antonio David
Ludovico Antonio David was born at Lugano in 1648. After studying for some time at Milan, under the Cavaliere Cairo and Ercole Procaccini, he went to Bologna, where he entered the school of Carlo Cignani. He was a painter of some eminence, and gave proof of his ability in the churches and convents of Milan and of Venice. In the church of San Silvestro, in the latter city, is a picture of the Nativity, more resembling the finished style of Camillo Camillo is an Italian masculine given name, descended from Latin Camillus. Its Slavic cognate is Kamil. People with the name include: *Camillo Agrippa, Italian Renaissance fencer, architect, engineer and mathematician *Camillo Almici (1714–17 ... than that of Ercole Procaccini. He also painted the portraits of many of the distinguished persons of his time. Lodovico David died after 1709. References * External links * 1648 births Year of death unknown 17th-century Swiss painters Swiss male painters People from Lug ...
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The Judgment Of Paris - Lodovico David (1690)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Lugano
Lugano (, , ; lmo, label=Ticinese dialect, Ticinese, Lugan ) is a city and municipality in Switzerland, part of the Lugano District in the canton of Ticino. It is the largest city of both Ticino and the Italian-speaking southern Switzerland. Lugano has a population () of , and an urban agglomeration of over 150,000. It is the List of cities in Switzerland, ninth largest Swiss city. The city lies on Lake Lugano, at its largest width, and, together with the adjacent town of Paradiso, Switzerland, Paradiso, occupies the entire bay of Lugano. The territory of the municipality encompasses a much larger region on both sides of the lake, with numerous isolated villages. The region of Lugano is surrounded by the Lugano Prealps, the latter extending on most of the Sottoceneri region, the southernmost part of Ticino and Switzerland. Both western and eastern parts of the municipality share an international border with Italy. Described as a market town since 984, Lugano was the object of con ...
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Francesco Cairo
Francesco Cairo (26 September 1607 – 27 July 1665), also known as Francesco del Cairo, was an Italian Baroque painter active in Lombardy and Piedmont. Biography He was born and died in Milan. It is not known where he obtained his early training though he is strongly influenced by the circle of il Morazzone, in works such as the ''Saint Teresa'' altarpiece in the Certosa di Pavia. In 1633, Cairo moved to Turin to work as a court painter, including portraits, to Vittorio Amedeo I of the House of Savoy. Between 1637 and 1638, Cairo travelled to Rome, where he encounters the works of Pietro da Cortona, Guido Reni and of the Caravaggisti. He returns to Lombardy to complete altarpieces for the Certosa of Pavia and a church at Casalpusterlengo. He painted a ''St. Theresa'' for San Carlo in Venice. Between 1646 and 1649, he returns to Turin, and paints an altarpiece for Savigliano and the church of San Salvario. He is also known as ''Il Cavalière del Cairo'', because in Turin, he r ...
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Ercole Procaccini The Younger
Ercole Procaccini il Giovane (''the Younger'') (c. 6 August 1605 – 14 November 1675 or 2 March 1680) was an Italian painter of the Baroque period. Born to a family of painters in Milan, he initially apprenticed with his father, painter Carlantonio Procaccini. In 1621 he was enrolled in the first session of the Accademia Ambrosiana. His uncles, Camillo and Giulio Cesare Procaccini, were also painters. His grandfather was Ercole Procaccini the Elder. He was trained with his uncle Giulio Cesare Procaccini in the city. He painted an altarpiece of the ''Assumption of the Virgin'' for the church of Santa Maria Maggiore at Bergamo Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como .... On the death of Giulio Cesare, he became the director of the academy established by the Procaccini. ...
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Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ...
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Carlo Cignani
Carlo Cignani (15 May 1628 – 8 September 1719) was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting. Life He was born to a family of noble ancestry, but limited resources, in Bologna. His father's first name was Pompeo, and his mother, Maddalena Quaini. In Bologna, he studied first under Battista Cairo and later under Francesco Albani, to whom he remained closely allied, and was his most famous disciple. His first noted commission was a ''St Paul exorcising demon'' for the church of the Gesu in Bologna. For a hall dedicated to the Farnese in the Palazzo Publico, he painted with Taruffi, depicting the ''Francis, king of France, curing Scrofula on his entry to Bologna'' and ...
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San Silvestro, Venice
San Silvestro is a church building in the sestiere of San Polo of Venice, northern Italy. The church is located in the business district of Rialto. Originally, in the 12th century, it was under the jurisdiction of the Patriarch of Grado. After rebuilding, it was reconsecrated in 1422, and in 1485 it merged with the ''Oratory of Santa Maria dei Patriarchi e di Ognissanti''. After a partial collapse in 1820, the church was entirely rebuilt from 1837, being reconsecrated in 1850, to designs by Giovanni Meduna. The facade is modern, and was completed in 1909 by Giuseppe Sicher. The Baroque ceiling has paintings by Ludovico Dorigny. The altars were designed in the 19th century by Santi and decorated by the sculptor Giovanni Antonio Dorigo. The interior has four Renaissance panels, and a ''Baptism of Christ'' by Tintoretto. The ''Adoration of the Magi'' by Paolo Veronese is a large oil painting on canvas painted for the church in 1573 which has been in the National Gallery, Lon ...
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Nativity Of Jesus In Art
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the ''Nativity'' or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the "Madonna and Child" or "Virgin and Child". They are not usually representations of the ''Nativity'' specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary, or Jesus. ''Nativity'' pictures, on the other hand, are specifically illustrative, and include many narrative details; they are a normal component of the sequences illustrating both the Life of Christ and the Life of the Virgin. The Nativity has been depicted in many different media, both pictorial and sculptural. Pictoria ...
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Camillo Procaccini
300px, ''Nativity'' by Camillo Procaccini Camillo Procaccini (3 March 1561 at Parma – 21 August 1629) was an Italian painter. He has been posthumously referred to as the ''Vasari of Lombardy'', for his prolific Mannerist fresco decoration. Born in Bologna, he was the son of the painter Ercole Procaccini the Elder, and older brother to Giulio Cesare and Carlo Antonio, both painters. Works In 1587 he distinguished in the fresco decoration of the Basilica della Ghiara in Reggio Emilia. In the late 1580s he moved to Milan, where count Camillo Visconti Borromeo commissioned him the decoration of his villa in Lainate. The organ shutters for the Cathedral of Milan were painted after 1590 by Camillo, Giuseppe Meda (died 1599), and Ambrogio Figino. He painted the frescoes of the nave and the apse of the Cathedral of Piacenza in collaboration with Ludovico Carracci Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etch ...
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1648 Births
1648 has been suggested as possibly the last year in which the overall human population declined, coming towards the end of a broader period of global instability which included the collapse of the Ming dynasty and the Thirty Years' War, the latter of which ended in 1648 with the Peace of Westphalia. Events January–March * January 15 – Manchu invaders of China's Fujian province capture Spanish Dominican priest Francisco Fernández de Capillas, torture him and then behead him. Capillas will be canonized more than 350 years later in 2000 in the Roman Catholic Church as one of the Martyr Saints of China. * January 15 – Alexis, Tsar of Russia, marries Maria Miloslavskaya, who later gives birth to two future tsars (Feodor III and Ivan V) as well as Princess Sophia Alekseyevna, the regent for Peter I. * January 17 – By a vote of 141 to 91, England's Long Parliament passes the Vote of No Addresses, breaking off negotiations with King Charles ...
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Year Of Death Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ...
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17th-century Swiss Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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