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Lucille Kailer
Lucille Carrol Weinberger ( Kailer; December 7, 1925 – September 22, 2011) was an American operatic soprano who had an active international singing career during the 1950s and 1960s. Life and career Lucille Carrol Kailer was born in Oconomowoc, Wisconsin on December 7, 1925. She studied voice at Marquette University, in Chicago with George Graham, and later in New York City with Julia Charol Drobner and Kurt Adler. She began her career appearing in minor roles at the Florentine Opera and leading roles with the Waukesha Opera Guild in Milwaukee, Wisconsin during the 1950s while simultaneously teaching on the voice faculty at the Wisconsin Conservatory of Music. In 1958, Kailer won the Metropolitan Opera National Council Auditions. The following year she made her debut with the New York City Opera (NYCO) as Musetta in ''La boheme''. She made her stage debut at the Metropolitan Opera in 1961 as one of the Flower Maidens in ''Parsifal'' with Ramon Vinay in the title role. She had pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grace Bumbry
Grace Melzia Bumbry (born January 4, 1937), an American opera singer, is considered one of the leading mezzo-sopranos of her generation, as well as a major soprano earlier in her career. She is a member of a pioneering generation of African-American opera and classical singers, beginning with Leontyne Price and including Martina Arroyo, Shirley Verrett, Jessye Norman, Kathleen Battle, and Reri Grist), who succeeded Marian Anderson in the worlds of opera and classical music. They paved the way for future generations of African-American opera and concert singers. Bumbry's voice was rich and dynamic, possessing a wide range, and was capable of producing a very distinctive plangent tone. In her prime, she also possessed good agility and bel canto technique (see for example her renditions of the 'Veil Song' from Verdi's ''Don Carlo'' in the 1970s and 1980s, as well as her ''Ernani'' from the Lyric Opera of Chicago in 1984). She was particularly noted for her fiery temperament and drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Régine Crespin
Régine Crespin (23 February 1927 – 5 July 2007) was a French singer who had a major international career in opera and on the concert stage between 1950 and 1989. She started her career singing roles in the dramatic soprano and spinto soprano repertoire, drawing particular acclaim singing Wagner and Strauss heroines. She went on to sing a wider repertoire that embraced Italian, French, German, and Russian opera from a variety of musical periods. In the early 1970s Crespin began experiencing vocal difficulties for the first time and ultimately began performing roles from the mezzo-soprano repertoire. Throughout her career she was widely admired for the elegance, warmth and subtlety of her singing, especially in the French and German operatic repertories. Crespin began her career in France, earning her first critical successes in the French provinces during the early 1950s and then becoming a fixture at the Opéra National de Paris in the mid-1950s. Her international career was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Opera Of Chicago
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in ''Norma''. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric. Opera in Chicago 1850–1954 The first opera to be performed in Chicago was Bellini's ''La sonnambula'', presented by a traveling opera company on 29 July 1850. Chicago's first opera house opened in 1865 but was destroyed in the Great Fire of Chicago in 1871. The second opera house, the Chicago Auditorium, opened in 1889. In 1929 the current Civic Opera House on 20 North Wacker Drive was opened, though ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Library Of Philadelphia
The Free Library of Philadelphia is the public library system that serves Philadelphia. It is the 13th-largest public library system in the United States. The Free Library of Philadelphia is a non-Mayoral agency of the City of Philadelphia governed by an independent Board of Trustees as per the Charter of the City of Philadelphia. The Free Library of Philadelphia Foundation is a separate 501c3 non-profit with its own board of directors and serves to support the mission of the Free Library of Philadelphia through philanthropic dollars. History Founding The Free Library of Philadelphia was chartered in 1891 as "a general library which shall be free to all", through efforts led by Dr. William Pepper, who secured initial funding through a $225,000 bequest from his wealthy uncle, George S. Pepper. However, several libraries claimed the bequest, and only after the courts decided the money was intended to found a new public library did the Free Library finally open in March 1894. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Merrill
Robert Merrill (June 4, 1917 – October 23, 2004) was an American operatic baritone and actor, who was also active in the musical theatre Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movemen ... circuit. He received the National Medal of Arts in 1993. Early life Merrill was born Moishe Miller, later known as Morris Miller, in the Williamsburg, Brooklyn, Williamsburg section of Brooklyn, New York. He was the son of tailor Abraham Miller, originally Milstein, and his wife, Lillian (née Balaban), Jewish immigrants from Pultusk, Poland, near Warsaw. His paternal grandparents were Berl Milstein and Chana (née Mlawski), both from Pultusk, Poland. His mother claimed to have had an operatic and concert career in Poland (a fact denied by her son in his biographies) and encouraged her son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Tucker (tenor)
Richard Tucker (August 28, 1913January 8, 1975) was an American operatic tenor and cantor. Long associated with the Metropolitan Opera, Tucker's career was primarily centered in the United States. Early life Tucker was born Rivn (Rubin) Ticker in Brooklyn, New York, the son of Bessarabian Jewish parents who immigrated to the US in 1911. His father, Sruel (Sam) Ticker, and mother Fanya-Tsipa (Fanny) Ticker had already adopted the surname "Tucker" by the time their son entered first grade. His musical aptitude was discovered early, and was nurtured under the tutelage of Samuel Weisser at the Tifereth Israel synagogue in Lower Manhattan. As a teenager, Tucker's interests alternated between athletics, at which he excelled during his high-school years, and singing for weddings and bar mitzvahs as a hazzan, cantorial student. Eventually, he progressed from a part-time cantor at Temple Emanuel in Passaic, New Jersey, to full-time cantorships at Temple Adath Israel in the Bronx and, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelphia Lyric Opera Company
The Philadelphia Lyric Opera Company was an American opera company located in Philadelphia, Pennsylvania that was active between 1958 and 1974. The company was led by a number of Artistic Directors during its history, beginning with Aurelio Fabiani. Other notable Artistic Directors include Julius Rudel and Anton Guadagno (1966–1972). The company produced between four and six of their own operas every year in addition to sponsoring numerous traveling productions from the New York City Opera. In 1975 the company merged with the Philadelphia Grand Opera Company but retained its original name. With the combined resources of both companies, the Philadelphia Lyric Opera Company began producing higher quality productions with name artists such as Luciano Pavarotti, Joan Sutherland, Roberta Peters, Montserrat Montserrat Caballé, and others. For the bicentennial year 1976, the company commissioned famed opera composer Gian Carlo Menotti to create a new opera. The work, The Hero, premie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
