|
Lucia Aliberti
Lucia Aliberti (born 12 June 1957) is a Italian operatic soprano singer. She performed the bel canto roles of Bellini, Rossini, Donizetti, Verdi, Puccini, Vivaldi, Mercadante and so on. Life and career Aliberti was born in Messina (Sicily). She studied piano, composition, conducting, and singing at the Conservatory, where she graduated with a diploma with full marks very young. She then completed her studies in Rome with Maestro Luigi Ricci and continued the study with Alfredo Kraus. Musician and composer, while studying singing, she was also studying the piano and other musical instruments (guitar, accordion, violin, mandolin). She has composed many pieces for piano, clarinet, flute and singing. She began her artistic career in Spoleto at the Festival dei Due Mondi, under the direction of Gian Carlo Menotti. A lyric-dramatic soprano with agility, Aliberti graduated very young at the conservatory with honors. She studied with Luigi Ricci in Rome, Alfredo Kraus and Herbert von ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Order Of Merit Of The Italian Republic
The Order of Merit of the Italian Republic ( it, Ordine al Merito della Repubblica Italiana) is the senior Italian order of merit. It was established in 1951 by the second President of the Italian Republic, Luigi Einaudi. The highest-ranking honour of the Republic, it is awarded for "merit acquired by the nation" in the fields of literature, the arts, economy, public service, and social, philanthropic and humanitarian activities and for long and conspicuous service in civilian and military careers. The post-nominal letters for the order are OMRI. The order effectively replaced national orders such as the Civil Order of Savoy (1831), the Order of the Crown of Italy (1868), the Order of Saints Maurice and Lazarus (1572) and the Supreme Order of the Most Holy Annunciation (1362). Grades Investiture takes place twice a year – on 2 June, the anniversary of the foundation of the Republic, and on 27 December, the anniversary of the promulgation of the Italian Constitution. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festival Dei Due Mondi
The ''Festival dei Due Mondi'' (Festival of the Two Worlds) is an annual summer music and opera festival held each June to early July in Spoleto, Italy, since its founding by composer Gian Carlo Menotti in 1958. It features a vast array of concerts, opera, dance, drama, visual arts and roundtable discussions on science. The "Two Worlds" in the name of the festival comes from Gian Carlo Menotti's intention to have the worlds of American and European culture facing each other in his event; this concept would then be strengthened by the fact that it was held in conjunction with its "twin", the Spoleto Festival USA held annually in May/June in Charleston, South Carolina. That twinning lasted some 15 years and, after growing disputes between the Menotti family and the board of Spoleto Festival USA, in the early 1990s a separation occurred. Under Menotti's direction in 1986, a third installment in the Spoleto Festival series was held in Melbourne, Australia. Melbourne's Spoleto Festiva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Capuleti E I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''Tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called '' Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera '' Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of June 1829 with no contract for another opera in sight. Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Straniera
''La straniera'' (''The Foreign Woman'') is an opera in two acts with music by Vincenzo Bellini to an Italian libretto by Felice Romani, based on the novel ''L'Étrangère'' (2 vols, 1825) by Charles-Victor Prévot, vicomte d'Arlincourt, although writer Herbert Weinstock also adds that it is "more likely ased ona dramatization of hat novelin Italian by Giovan Carlo, barone di Cosenza" since he then quotes a letter from Bellini to his friend Francesco Florimo in which he says that Romani "certainly will not follow the play" uggesting then that they were aware of its existence.ref name="WEIN55"/> The opera was composed in the autumn of 1828 and premiered on 14 February 1829 at the Teatro alla Scala in Milan. Composition history Historical background At the heart of the plot of this opera is a complicated series of historical events beginning at the end of the twelfth century. King Philip Augustus of France (Philip II of France) married the Danish princess Ingeborg in 1193. Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pirata
''Il pirata'' (''The Pirate'') is an opera in two acts by Vincenzo Bellini with an Italian libretto by Felice Romani which was based on a three-act ''mélodrame ''from 1826: ''Bertram, ou le Pirate'' (''Bertram, or The Pirate'') by Charles Nodier and Isidore Justin Séverin Taylor). This play was itself based upon a French translation of the five-act verse tragedy ''Bertram, or The Castle of St. Aldobrand'' by Charles Maturin which appeared in London in 1816. The original play has been compared with Bellini's opera and the influence of ''Il pirata'' on Gaetano Donizetti's ''Lucia di Lammermoor'' has been noted. Also, Bellini's recycling of his own music in this opera has been analyzed, as well as his utilizing "a more self-consciously innovative compositional style" and participating more in work on the libretto, as compared with prior efforts where he was more deferential to the librettists chosen by the Naples opera management and the corresponding texts. In addition, 19th-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel ''Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norma (opera)
''Norma'' () is a ''tragedia lirica'' or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play ''Norma, ou L'infanticide'' (''Norma, or The Infanticide'') by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in act 1 is a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé. Composition history Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May 1830 Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for December 1831 at La Scala became ''Norma'', while the one for the 1832 Carnival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Stuarda
''Maria Stuarda'' (Mary Stuart) is a tragic opera (''tragedia lirica''), in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play '' Maria Stuart''. The opera is one of a number of operas by Donizetti which deal with the Tudor period in English history, including ''Anna Bolena'' (named for Henry VIII's second wife, Anne Boleyn), ''Roberto Devereux'' (named for a putative lover of Queen Elizabeth I of England) and ''Il castello di Kenilworth''. The lead female characters of the operas ''Anna Bolena'', ''Maria Stuarda'', and ''Roberto Devereux'' are often referred to as the "Three Donizetti Queens". The story is loosely based on the lives of Mary, Queen of Scots (Mary Stuart) and her cousin Elizabeth I of England, Queen Elizabeth I. Schiller had invented the confrontation of the two Queens, who in fact never met.Ashbrook 1972, pp. 17 to 30. After a series of problems surrounding its presentation in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrice Di Tenda
''Beatrice di Tenda'' is a tragic opera in two acts by Vincenzo Bellini, from a libretto by Felice Romani, after the play of the same name by . Initially, a play by Alexandre Dumas was chosen as the subject for the opera, but Bellini had reservations about its suitability. After he and Giuditta Pasta (for whom the opera was to be written) had together seen the ballet based on the very different play, Tedaldi-Fores' ''Beatrice Tenda'', in Milan in October 1832, she became enthusiastic about the subject and the composer set about persuading Romani that this was a good idea. Romani, who had his own concerns, the principal one being the close parallels with the story told in Donizetti's ''Anna Bolena'', an opera which had established that composer's success in 1830. Against his better judgment, he finally agreed, although he failed to provide verses for many months. Although unsuccessful at its premiere in Venice in 1833, Bellini felt that he had counteracted the horror of its story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucrezia Borgia (opera)
''Lucrezia Borgia'' is a melodramatic opera in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play ''Lucrezia Borgia'' by Victor Hugo, in its turn after the legend of Lucrezia Borgia. ''Lucrezia Borgia'' was first performed on 26 December 1833 at La Scala, Milan. Performance history 19th century The first London production was at Her Majesty's Theatre on 6 June 1839 with Giulia Grisi and Mario.Ashbrook and Hibberd, p. 234 When the opera was staged in Paris (Théâtre des Italiens) in 1840, Victor Hugo obtained an injunction against further productions within the domain of French copyright law. The libretto was then rewritten and retitled ''La rinegata'', with the Italian characters changed to Turks, and the performances were resumed. The first English-language production was in London on 30 December 1843. The English tenor Sims Reeves was a noted Gennaro. ''Lucrezia'' was first presented in New Orleans on 27 April 1843 and then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Bolena
''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII. It is one of four operas by Donizetti dealing with the Tudor period in History of England, English history—in composition order, ''Il castello di Kenilworth'' (1829), ''Anna Bolena'' (1830), ''Maria Stuarda'' (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and ''Roberto Devereux'' (1837, named for a putative lover of Queen Elizabeth I of England). The leading female characters of the latter three operas are often referred to as "the Three Donizetti Queens." ''Anna Bolena'' premiered on 26 December 1830 at the Teatro Carcano in Milan, to "overwhelming success." Weinstock notes that only after this success did Donizetti's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_ICON012449.jpg "Click for more on -> Lucia Di Lammermoor")