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Lucera Cathedral
Lucera Cathedral ( it, Duomo di Lucera; ''Basilica cattedrale di Santa Maria Assunta di Lucera''; also popularly ''Santa Maria della Vittoria'') is the cathedral of Lucera, Apulia, Italy. The dedication is to the Assumption of the Virgin Mary but it is also popularly known as Santa Maria della Vittoria from the statue of the Madonna kept here. It is the seat of the Bishop of Lucera-Troia (previously of the Bishops of Lucera), and is also a minor basilica. In its present form it originates mostly from the 14th century. It is one of the very few buildings in Apulia in which the Gothic architectural style of the medieval French rulers appears almost unaltered. Site and dedication The church is located in the historical town centre of Lucera, on the ''Piazza del Duomo''. The dedication, to the Assumption of the Blessed Virgin Mary, refers to a small gilded wooden statue of the Virgin of the late 14th century, which has the nickname ''Madonna della vittoria'' ("Madonna of Victory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotico Angioiano
The Gotico Angioiano is a Gothic style of architecture found in southern Italy. It is named after the Capetian House of Anjou and had been the style of the Kingdom of Sicily since 1266 and the Kingdom of Naples since 1302. It must not be confused with the Angevin Gothic of western France. The Capetian House of Anjou began with Charles I of Anjou, who had been given the County of Anjou in apanage by his brother, Louis IX of France. He was given the kingdom of Sicily as a fief by Pope Clement IV, as the popes wanted to finish the Hohenstaufen rule in Italy and to cut the junctions between the Holy Roman Empire and Sicily. Establishing his rule in Naples, he brought a large staff of courtiers and specialists along with himself. Therefore, the architectural style developed under his rule, was a combination of influences from the Crown land of France around Paris and Italian traditions. Among the examples of this style are Lucera Cathedral in Apulia and the church Santa Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifix
A crucifix (from Latin ''cruci fixus'' meaning "(one) fixed to a cross") is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the ''corpus'' (Latin for "body"). The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Roman Rite of the Roman Catholic Church, but is also used in the Eastern Orthodox Church, most Oriental Orthodox Churches (except the Armenian & Syriac Church), and the Eastern Catholic Churches, as well as by the Lutheran, Moravian and Anglican Churches. The symbol is less common in churches of other Protestant denominations, and in the Assyrian Church of the East and Armenian Apostolic Church, which prefer to use a cross without the figure of Jesus (the ''corpus''). The crucifix emphasizes Jesus' sacrifice—his death by crucifixion, which Christians beli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose windows, in sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lancet Window
A lancet window is a tall, narrow window with a pointed arch at its top. It acquired the "lancet" name from its resemblance to a lance. Instances of this architectural element are typical of Gothic church edifices of the earliest period. Lancet windows may occur singly, or paired under a single moulding, or grouped in an odd number with the tallest window at the centre. The lancet window first appeared in the early French Gothic period (c. 1140–1200), and later in the English period of Gothic architecture (1200–1275). So common was the lancet window feature that this era is sometimes known as the "Lancet Period". Retrieved 24 October 2006 The term ''lancet window'' is properly applied to windows of austere form, without |
Basilica
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Cattedrale Di Santa Maria Assunta, Abside (Lucera)
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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