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Lovers Of Paris
''Lovers of Paris'' (original title ''Pot-Bouille'', "Stew Pot") is a 1957 France, French film directed by Julien Duvivier and starring Gérard Philipe. It is based on the 1882 novel ''Pot-Bouille'' by Émile Zola. The movie is in black and white, and filmed in 35mm movie film, 35 mm. It was shot at the Billancourt Studios in Paris and location shooting, on location in the city. The sets were designed by the art director Léon Barsacq. It premiered in France on October 18, 1957. It was the second film Duvivier directed based on a novel in Zola's Les Rougon-Macquart, Rougon-Macquart series, the first being ''Au Bonheur des Dames (film), Au Bonheur des Dames'' in 1930. Plot A young provincial, Octave Mouret, arrives in Paris during the Second French Empire, Second Empire. Madame Josserand, a society woman who thinks of little other than marrying off her daughter Berthe, sets her sights on him. But Octave has already turned his attention to the married Madame Hédouin, who runs a la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julien Duvivier
Julien Duvivier (; 8 October 1896 – 29 October 1967) was a French film director and screenwriter. He was prominent in French cinema in the years 1930–1960. Amongst his most original films, chiefly notable are ''La Bandera (film), La Bandera'', ''Pépé le Moko'', ''Little World of Don Camillo'', ''Panic (1946 film), Panic (Panique)'', ''Voici le temps des assassins'' and '':fr:Marianne de ma jeunesse, Marianne de ma jeunesse''. Jean Renoir called him, a "great technician, [a] rigorist, a poet". Early years It was as an actor, in 1916 at the Théâtre de l'Odéon under the direction of André Antoine, that Duvivier's career began. In 1918 he moved on to Gaumont Film Company, Gaumont, as a writer and assistant of, amongst others, André Antoine, Louis Feuillade and Marcel L'Herbier. In 1919 he directed his first film. In the 1920s several of his films had a religious concern: ''Credo ou la tragédie de Lourdes'', ''The Abbot Constantine (1925 film), L'abbé Constantin'' and ''La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Nollier
Claude Nollier (born Yvette Emilie Maria Louise Nollier), French actress, was born on 12 December 1919 in Paris, and died 12 February 2009 in Boulogne-Billancourt. Biography A theatre actress, she joined the Comédie Française in 1946 to 1951. She began a modest cinematic career during the 1940s. She most notably worked with André Cayatte, John Huston and Sacha Guitry. She is best known for playing the role of Joan of Arc on a number of occasions for the Opéra de Paris, in Jeanne au bûcher, by Paul Claudel and Arthur Honegger. Selected filmography ;Cinema * 1944 : '' La Vie de plaisir'' by Albert Valentin * 1946 : '' Mensonges'' by Jean Stelli * 1950 : '' Justice est faite'' by André Cayatte * 1952 : '' Le Fruit défendu'' by Henri Verneuil * 1952 : ''Moulin Rouge'' by John Huston * 1954 : ''Si Versailles m'était conté'' by Sacha Guitry * 1956 : ''Si Paris nous était conté'' by Sacha Guitry * 1957 : ''Pot-Bouille'' by Julien Duvivier * 1961 : ''The Greengage Summe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Vilbert
Henri Vilbert (6 April 1904 – 20 April 1997) was a French actor. He appeared in more than a hundred films from 1921 to 1982. Filmography References External links * {{DEFAULTSORT:Vilbert, Henri 1904 births 1997 deaths 20th-century French male actors French male film actors French male television actors Male actors from Marseille Volpi Cup for Best Actor winners ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danielle Dumont
Danielle is a modern French female variant of the male name Daniel, meaning "God is my judge" in the Hebrew language. Variants *Dana – Czech, German, Romanian Polish *Danette – English *Daniela – Bulgarian, Czech, Danish, English, German, Italian, Macedonian, Norwegian, Polish, Portuguese, Romanian, Slovene, Spanish, Swedish, Slovak, Latvian *Danièle – French *Daniélín - Irish *Daniella – English, Italian, Hungarian *Danielle – English, French, Odia *Daniëlle – Dutch *Danijela – Croatian, Serbian, Slovene *Danita – English *Danna – English *Dannielle – English *Danniella – English *Danuta – Polish *Danielė – Lithuanian * دانيال – Arabic * Даніэль (Danieĺ) Даніэла (Daniella) – Belarusian * ড্যানিয়েল (Ḍyāniẏēla) – Bengali * 丹妮尔 (Dānnīěr) – Chinese Simplified * 丹妮爾 (Dānnīěr) – Chinese Traditional * ડેનિયલ (Ḍēniyala) – Gujarati * דניאל – He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anouk Aimée
Nicole Françoise Florence Dreyfus (born 27 April 1932), known professionally as Anouk Aimée () or Anouk, is a French film actress, who has appeared in 70 films since 1947, having begun her film career at age 14. In her early years, she studied acting and dance besides her regular education. Although the majority of her films were French, she also made films in Spain, Great Britain, Italy and Germany, along with some American productions. Among her films are Federico Fellini's ''La Dolce Vita'' (1960), after which she was considered a "rising star who exploded" onto the film world. She subsequently acted in Fellini's ''8½'' (1963), Jacques Demy's ''Lola (1961 film), Lola'' (1961), George Cukor's ''Justine (1969 film), Justine'' (1969), Bernardo Bertolucci's ''Tragedy of a Ridiculous Man'' (1981) and Robert Altman's ''Prêt-à-Porter (film), Prêt à Porter'' (1994). She won the Golden Globe Award for Best Actress - Motion Picture Drama and the BAFTA Award for Best Actress in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Hussenot
Olivier Hussenot (10 September 1913 – 25 August 1978) was a French theatre and film actor. Career The actor appeared in French, Italian and American films. Selected filmography References External links * {{DEFAULTSORT:Hussenot, Olivier 1913 births 1978 deaths French male film actors French male stage actors Male actors from Paris 20th-century French male actors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Marken
Jane Marken (born Jeanne Berthe Adolphine Crabbe, sometimes credited as Jeanne Marken, 13 January 1895 in Paris 10th arrondissement – 1 December 1976 in Paris 4th arrondissement) was a French actress. She was the first wife of the actor Jules Berry. Marken began her film career under the aegis of Abel Gance in 1915. She made several films with Marcel Carné including ''Hotel du Nord'' (1938), and as Madame Hermine, the hotelier (a comic role) in ''Les Enfants du Paradis'' (''Children of Paradise'', 1945). She also appeared in films of Julien Duvivier, Jacques Becker, Sacha Guitry, Renoir's ''Partie de campagne'' (''A Day in the Country'' 1936), Yves Allégret's ''Une si jolie petite plage'' (1949) and '' Manèges'' (1950), '' Dr. Knock'' (1951), ''The Turkey'' (1951), and in Roger Vadim's '' And God Created Woman'' (1956). Her last appearance was in ''L'Humeur vagabonde'' (1971), directed by Édouard Luntz. Selected filmography * ''Fioritures'' (1916) - Anny Dorleville * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Duby
Jacques Duby (7 May 1922 – 15 February 2012) was a French stage, film and television actor. He was born in Toulouse. Jacques Duby as narrator Some of his works include '' 101 Dalmatians'' (1961), ''Pinocchio'' (1968), and ''The Jungle Book'' (1967). He also served as narrator in a French audiobook recording of ''Treasure Island'' released in 2011. Selected filmography * ''Stopover in Orly'' (1955) * ''It Happened in Aden'' (1956) * ''Meeting in Paris'' (1956) * ''Short Head ''Short Head'' (French: '' Courte tête'') is a 1956 French comedy film directed by Norbert Carbonnaux, written by Michel Audiard and starring Fernand Gravey, Micheline Dax and Jean Richard. The film is known under the alternative title ''Photo Fi ...'' (1956) * '' Women's Prison'' (1958) * '' Les Novices'' (1970) * '' Piaf'' (1974) References External links * 1922 births 2012 deaths Burials at Montmartre Cemetery French male film actors French male stage actors French male television ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second French Empire
The Second French Empire (; officially the French Empire, ), was the 18-year Empire, Imperial Bonapartist regime of Napoleon III from 14 January 1852 to 27 October 1870, between the French Second Republic, Second and the French Third Republic, Third Republic of France. Historians in the 1930s and 1940s often disparaged the Second Empire as a precursor of fascism. That interpretation is no longer widely held, and by the late 20th century they were giving it as an example of a modernising regime. Historians have generally given the Empire negative evaluations on its foreign policy, and somewhat more positive evaluations of domestic policies, especially after Napoleon III liberalised his rule after 1858. He promoted French business and exports. The greatest achievements included a grand History of rail transport in France#Success under the Second Empire, railway network that facilitated commerce and tied the nation together with Paris as its hub. This stimulated economic growth a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Au Bonheur Des Dames (film)
(; ''The Ladies' Delight'' or ''The Ladies' Paradise'') is the eleventh novel in the '' Rougon-Macquart'' series by Émile Zola. It was first serialized in the periodical ''Gil Blas'' from December 17, 1882 to March 1, 1883; and published in novel form by Charpentier in 1883. The novel is set in the world of the department store, an innovative development in mid-nineteenth century retail sales. Zola models his store after Le Bon Marché, which consolidated under one roof many of the goods hitherto sold in separate shops. The narrative details many of Le Bon Marché's innovations, including its mail-order business, its system of commissions, its in-house staff commissary, and its methods of receiving and retailing goods. is a sequel to ''Pot-Bouille''. Like its predecessor, focuses on Octave Mouret, who at the end of the previous novel married Caroline Hédouin, the owner of a small silk shop. Now a widower, Octave has expanded the business into an international retail powerho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Rougon-Macquart
''Les Rougon-Macquart'' is the collective title given to a cycle of twenty novels by French writer Émile Zola. Subtitled ''Histoire naturelle et sociale d'une famille sous le Second Empire'' (''Natural and social history of a family under the Second Empire''), it follows the lives of the members of the two titular branches of a fictional family living during the Second French Empire (1852–1870) and is one of the most prominent works of the French naturalism literary movement. Influences Early in his life, Zola discovered the work of Honoré de Balzac and his famous cycle ''La Comédie humaine''. This had a profound impact on Zola, who decided to write his own, unique cycle. However, in 1869, he explained in ''Différences entre Balzac et moi'', why he would not make the same kind of book as Balzac: In one word, his work wants to be the mirror of the contemporary society. My work, mine, will be something else entirely. The scope will be narrower. I don't want to describe the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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