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Loved Ones (album)
''Loved Ones'' is a jazz duo album by Ellis Marsalis and Branford Marsalis. Originally conceived as Ellis's solo record of songs about "unforgettable women," it became a duo project based on his realization that "Branford would sound really good on some of (the songs).". The album reached Number 5 on the ''Billboard'' Top Jazz Albums chart. In his AllMusic review, Scott Yanow calls the set "pleasing and thoughtful if not quite essential," noting that Branford's contributions "sometimes (liven) up the selections although mostly playing a subsidiary role to his father." Don Heckman, writing in the ''Los Angeles Times'', called the recording "one of the most appealing CDs of the year," citing "the warm camaraderie of the father-son musical connection." Track listing Personnel * Branford Marsalis – saxophones * Ellis Marsalis - piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (moder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellis Marsalis, Jr
Ellis Louis Marsalis Jr. (November 14, 1934 – April 1, 2020) was an American jazz pianist and educator. Active since the late 1940s, Marsalis came to greater attention in the 1980s and 1990s as the patriarch of the musical Marsalis family, when sons Branford and Wynton became popular jazz musicians. Early life Born in New Orleans, Louisiana, Marsalis was the son of Florence Marie (née Robertson) and Ellis Marsalis Sr., a businessman and social activist. Marsalis and his wife Dolores Ferdinand Marsalis had six sons: Branford, Wynton, Ellis III, Delfeayo, Mboya, and Jason. Branford, Wynton, Delfeayo, and Jason also became jazz musicians. Ellis III is a poet and photographer. Marsalis played saxophone during high school but switched to piano while studying classical music at Dillard University, graduating in 1955. He later attended graduate school at Loyola University New Orleans. In the 1950s and 1960s he worked with Ed Blackwell, Cannonball Adderley, Nat Adderley, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Dubin
Alexander Dubin (June 10, 1891 – February 11, 1945) was an American lyricist. He is best known for his collaborations with the composer Harry Warren. Life Al Dubin came from a Russian Jewish family that emigrated to the United States from Switzerland when he was two years old. Born in Zürich, Switzerland, he grew up in Philadelphia. Between ages of thirteen and sixteen, Dubin played hookey from school in order to travel into New York City to see Broadway musical shows. At age 14 he began writing special material for a vaudeville entertainer on 28th Street between 5th and Broadway in New York City, otherwise known as Tin Pan Alley. Dubin was accepted and enrolled at Perkiomen Seminary in September 1909, but was expelled in 1911, after writing their Alma Mater. After leaving Perkiomen, Dubin got himself a job as a singing waiter at a Philadelphia restaurant. He continued to write lyrics and tried selling them to area publishing firms. During this time, Dubin met composer Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bess, You Is My Woman Now
"Bess, You Is My Woman Now" is a duet with music by George Gershwin and lyrics by Ira Gershwin and DuBose Heyward. This song comes from the Gershwins' opera ''Porgy and Bess'' (1935) where it is sung by the main character Porgy and his beloved Bess. They express their love for each other and say that they now belong together. The song has been covered a number of times by many artists ( ''Porgy and Bess'' (Ella Fitzgerald and Louis Armstrong album), 1958). In 1959, Harry Belafonte recorded a duet with Lena Horne on their album ''Porgy and Bess''. In 1954 Harry James released a version on his album ''Trumpet After Midnight'' ( Columbia CL-553). Barbra Streisand recorded this song on her ''The Broadway Album'' from 1985, named "I Loves You, Porgy "I Loves You, Porgy" is a duet from the 1935 opera ''Porgy and Bess'' with music by George Gershwin and lyrics by Ira Gershwin. It was performed in the opera's premiere in 1935 and on Broadway the same year by Anne Brown and Todd Duncan. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard A
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yourself'' (1928 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lee Hooker
John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in ''Rolling Stone''s 2015 list of 100 greatest guitarists. Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), " Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including '' The Healer'' (1989), '' Mr. Lucky'' (1991), ''Chill Out'' (1995), and '' Don't Look Back'' (1997), were album chart successes in the U.S. and UK. ''The Healer'' (for the song "I'm In The Mood") and ''Chill Out'' (for the album) both e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise (1929 Song)
"Louise" is a song written by Leo Robin and Richard A. Whiting for the 1929 film ''Innocents of Paris'', where it was performed by Maurice Chevalier. The song was Chevalier's first hit in the United States, and was among the best selling records for 10 weeks in the summer of 1929.Jean Pierre Lion, "Bix: The Definitive Biography of a Jazz Legend : Leon "Bix" Beiderbecke (1903–1931)", ''A&C Black'', (2005) pp. 212–213 Chevalier recorded the song again in 1946 with Henri René's Orchestra for RCA Victor. Other recordings *The same year of Chevalier's recording, Bing Crosby also recorded the song. Crosby's version was recorded on March 15, 1929 with Paul Whiteman and his orchestra and was a hit in that summer. Crosby also recorded a comedy version with The Rhythm Boys on April 10, 1929. * Ben Pollack & His Central Park Orchestra, vocal Charles Roberts, (recorded March 1, 1929 for Victor Records – catalog No. 21941A). * Frankie Trumbauer (recorded April 17, 1929 for Okeh Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
