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Love Is Real
''Love Is Real'' is the second album by the American lo-fi musician John Maus John Maus (born February 23, 1980) is an American musician, composer, singer, and songwriter known for his baritone singing style and his use of vintage synthesizer sounds and Medieval church modes, a combination that often draws comparisons to ..., released in 2007 on the British label Upset the Rhythm. Track listing # Heaven Is Real (4:16) # Do Your Best (2:45) # Rights for Gays (2:36) # Love Letters From Hell (3:15) # The Silent Chorus (5:00) # Navy Seals (2:16) # Pure Rockets (3:21) # My Whole World's Coming Apart (3:43) # Don't Worship the Devil (3:41) # Tenebrae (5:19) # Too Much Money (3:24) # Green Bouzard (1:00) # Old Town (1:58) # Times Is Weird (4:42) References 2007 albums John Maus albums {{2000s-album-stub ...
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John Maus
John Maus (born February 23, 1980) is an American musician, composer, singer, and songwriter known for his baritone singing style and his use of vintage synthesizer sounds and Medieval church modes, a combination that often draws comparisons to 1980s goth-pop. His early lo-fi recordings anticipated and inspired the late 2000s hypnagogic pop movement. On stage, he is characterized for his intense displays of emotion while performing. He is also a former teacher of philosophy at the University of Hawaii, where he later earned his PhD in political science. Maus' early influences included Nirvana, Syd Barrett, Jim Morrison, and composers of the Medieval, Renaissance, and Baroque eras. In 1998, he left his hometown of Austin, Minnesota to study experimental music at the California Institute of the Arts. When he befriended and first worked alongside classmate Ariel Pink, he took a greater interest in pop music. He produced most of the music from his first two albums ''Songs'' (2006) ...
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Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ...
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Dark Wave
Dark wave (also typeset as darkwave) is a music genre that emerged from the new wave and post-punk movement of the late 1970s. Dark wave compositions are largely based on minor key tonality and introspective lyrics and have been perceived as being dark, romantic and bleak, with an undertone of sorrow. The genre embraces a range of styles including cold wave,Schilz, Andrea: ''Flyer der Schwarzen Szene Deutschlands: Visualisierungen, Strukturen, Mentalitäten.'' Waxmann Verlag, 2010, , p. 84. ethereal wave, gothic rock,Uecker, Susann: ''Mit High-Heels im Stechschritt'', Hirnkost Verlag, 2014, neoclassical dark wave and neofolk. In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose followers were called ''wavers'' or ''dark wavers''. In some countries such as Germany, the movement also included fans of gothic rock (so-called ''trad-goths''). 1980s: Origins Since the 1980s, SPEX. Musik zur Zeit: ''Classified Ad by German distribution ...
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Vulture (magazine)
''New York'' is an American biweekly magazine concerned with life, culture, politics, and style generally, and with a particular emphasis on New York City. Founded by Milton Glaser and Clay Felker in 1968 as a competitor to ''The New Yorker'', it was brasher and less polite, and established itself as a cradle of New Journalism. Over time, it became more national in scope, publishing many noteworthy articles on American culture by writers such as Tom Wolfe, Jimmy Breslin, Nora Ephron, John Heilemann, Frank Rich, and Rebecca Traister. In its 21st-century incarnation under editor-in-chief Adam Moss, "The nation's best and most-imitated city magazine is often not about the city—at least not in the overcrowded, traffic-clogged, five-boroughs sense", wrote then-''Washington Post'' media critic Howard Kurtz, as the magazine increasingly published political and cultural stories of national significance. Since its redesign and relaunch in 2004, the magazine has won more National Mag ...
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Upset The Rhythm
Upset The Rhythm is an independent record label based in London with a varied roster of leftfield artists and bands; they also operate as a diverse DIY live music promoter. Huw Stephens featured Upset The Rhythm as "purveyors of interesting indie" on his BBC Radio 1 show (24 November 2011) as part of his ongoing 'Label Of Love' feature. As of 2015, Upset The Rhythm had 85 releases. History Upset The Rhythm initially formed in 2003 while its members were organising a concert for Deerhoof. By 2015, Upset The Rhythm had organised about 700 shows. Upset The Rhythm shows occur each week in venues across London from smaller DIY hubs like Power Lunches to more established venues like The Roundhouse. The record label began in the Summer of 2005, funded by a gift of profits from a The Evens show by Ian MacKaye. The label's first release was a mini-album by Death Sentence: Panda!, followed by debut releases by John Maus, ''No Age'' and Future Islands. The company works with unusual ...
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Songs (John Maus Album)
''Songs'' is the first official album by American lo-fi musician John Maus, released on June 27, 2006 by the British label Upset the Rhythm. The album was recorded over the course of five years. It consists of slightly remixed tracks that originally appeared on the self-released albums ''Snowless Winters EP'' (1999), ''Love Letters From Hell'' (2000), and ''I Want to Live!'' (2003). Reception Upon release, the album generally drew negative reviews from critics. ''CMJ'' stated, "It took this Ariel Pink cohort five years to write and record his debut album, and only five minutes to become more annoying than Ariel Pink." ''Tiny Mix Tapes'' gave the LP a four-star review, in which they wrote that Maus's singing "is always an effortless balance between weird visceral descriptions, deadpan humor Deadpan, dry humour, or dry-wit humour is the deliberate display of emotional neutrality or no emotion, commonly as a form of comedic delivery to contrast with the ridiculousness or absurdit ...
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We Must Become The Pitiless Censors Of Ourselves
''We Must Become the Pitiless Censors of Ourselves'' is the third album by American musician John Maus, released on June 27, 2011. Its title is derived from French philosopher Alain Badiou's "Fifteen Theses on Contemporary Art". Maus said that he wrote the album in a "search for the perfect pop music, pop song". Upon release, the album was met with generally favorable reviews, a contrast from the reception of Maus' earlier work. Three singles were issued from the album: "Quantum Leap", "Believer" and "Hey Moon". Background After the release of Maus' first two albums, which generally drew negative reviews upon release, he was awarded a scholarship to study political philosophy at the University of Hawaii, where he had a day job as a lecturer. In the evenings, he continued working on music from his office. In 2009, Maus relocated from Hawaii to a secluded cabin in Minnesota, where he struggled to write material for a third album. He said that he eventually gave up, and instead began ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Drowned In Sound
''Drowned in Sound'', sometimes abbreviated to ''DiS'', is a UK-based music webzine financed by artist management company Silentway. Founded by editor Sean Adams, the site features reviews, news, interviews, and discussion forums. History ''DiS'' began as an email fanzine in 1998 called ''The Last Resort'' but was relaunched by founder and editor Sean Adams as ''Drowned in Sound'' in 2000. The freelance writing team is currently spread across four continents – North America, Asia, Europe and Australasia. The site is mostly based on contributions from unpaid writers and has an integrated forum to allow for discussion and comments on interviews, news and reviews. It also includes a user-rated database of artists and bands as well as details for most live music venues (big and small) in the UK. The site has over 60,000 registered members, and gets around 470,000 unique visitors per month. In 2006, the site launched a podcast called ''Drowned in Sound Radio''. In November 2007 ...
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Lo-fi Music
Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music (from "do it yourself"). Harmonic distortion and " analog warmth" are sometimes confused as core features of lo-fi music. Traditionally, lo-fi has been characterized by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artist ...
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2007 Albums
The following is a list of albums, EPs, and mixtapes released in 2007. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2007 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2007 albums Albums An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records coll ... 2007 ...
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