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Louis Audran
Louis Audran, the fourth and youngest son of Germain Audran, was born at Lyon in 1670, and instructed in engraving by his uncle Gérard. He did not execute many plates, but assisted his brothers in forwarding theirs. He died at Paris about 1712. He engraved some copies of the large plates executed by his relatives. There is a set of seven middle-sized plates by him of the 'Seven Acts of Mercy,' after Bourdon. He also engraved after the works of Le Brun, Poussin Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a ..., and other French painters. References * 1670 births 1710s deaths Engravers from Lyon 17th-century French engravers 18th-century French engravers {{France-artist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germain Audran
Germain Audran (1631–1710) was a French engraver. Audran, who was born and died at Lyons, was instructed by his uncle Charles in the art of engraving in Paris. His merit was considerable, although very inferior to that of some others of his family. Germain had four sons, Claude III, Benoit I, Jean, and Louis. He engraved several plates, consisting of portraits, and a variety of ornaments, ceilings, and vases, amongst which are the following : *Portraits of Charles Emmanuel II of Savoy, and his wife, in an oval; after F. de la Monce. *Portrait of Cardinal de Richelieu, in an oval. *Portrait of Theophile Reynauld. 1663. *Six sheets of Ceilings; after George Charmeton. *Six ornaments of Vases; after N. Robert. *A book of Friezes; after Raymond Lafage. *A book of views in Italy; after Fancus. *Six Landscapes; after Gaspar Poussin Gaspard Dughet (15 June 1615 – 25 May 1675), also known as Gaspard Poussin, was a French painter born in Rome. Life Dughet was born in Rome, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyon
Lyon,, ; Occitan: ''Lion'', hist. ''Lionés'' also spelled in English as Lyons, is the third-largest city and second-largest metropolitan area of France. It is located at the confluence of the rivers Rhône and Saône, to the northwest of the French Alps, southeast of Paris, north of Marseille, southwest of Geneva, northeast of Saint-Étienne. The City of Lyon proper had a population of 522,969 in 2019 within its small municipal territory of , but together with its suburbs and exurbs the Lyon metropolitan area had a population of 2,280,845 that same year, the second most populated in France. Lyon and 58 suburban municipalities have formed since 2015 the Metropolis of Lyon, a directly elected metropolitan authority now in charge of most urban issues, with a population of 1,411,571 in 2019. Lyon is the prefecture of the Auvergne-Rhône-Alpes region and seat of the Departmental Council of Rhône (whose jurisdiction, however, no longer extends over the Metropolis of Lyo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Audran
Gérard Audran (or Girard Audran) (2 August 164026 July 1703), was a French engraver of the Audran family, the third son of Claude Audran. Life He was born in Lyon and was taught the first principles of design and engraving by his father. Following the example of his brother, he went to Paris to perfect himself in his art. In 1666, he engraved for Le Brun ''Constantines Battle with Laxentius'', his ''Triumph'', and the ''Stoning of Stephen'', which gave great satisfaction to the painter, and placed Audran in the very first rank of engravers at Paris. The next year he set out for Rome, where he resided three years, and engraved several fine plates. He is reputed to have worked for or trained with Carlo Maratta. That great patron of the arts, J. B. Colbert, was so struck with Audran's works that he persuaded Louis XIV to recall him to Paris. On his return, Audran applied himself assiduously to engraving, and was appointed ''engraver to the king'', from whom he received great ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sébastien Bourdon
Sébastien Bourdon (2 February 1616 – 8 May 1671) was a French painter and engraver. His ''chef d'œuvre'' is ''The Crucifixion of St. Peter'' made for the cathedral of Notre Dame de Paris, Notre Dame. Biography Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636. There he studied the paintings of masters such as Nicolas Poussin, Claude Lorrain and Caravaggio. He was forced to flee Rome in 1638, fearing prosecution for his Reformed Protestant faith.Thierry Bayou''Bourdon, Sébastien'' Grove Art Online. He lived in Paris from 1637 to 1652. In 1648, Bourdon was one of the founders of the Académie de peinture et de sculpture, French Royal Academy of Painting and Sculpture and was elected as one of the original twelve elders in charge of its running. In 1652 he departed for Sweden, where Queen Christina of Sweden made him her first court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Le Brun
Charles Le Brun (baptised 24 February 1619 – 12 February 1690) was a French painter, physiognomist, art theorist, and a director of several art schools of his time. As court painter to Louis XIV, who declared him "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Biography Early life and training Born in Paris, Le Brun attracted the notice of Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier. At fifteen he received commissions from Cardinal Richelieu, in the execution of which he displayed an ability which obtained the generous commendations of Nicolas Poussin, in whose company Le Brun started for Rome in 1642. In Rome, he remained four years in the receipt of a pension due to the liberality of the chancellor. There he worked under Poussin, adapting the latter's theories of art. While in Rome, Le Brun studied anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1670 Births
Year 167 ( CLXVII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 ''Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius repels the invaders, ending the Pax Romana (Roman Peace) that has kept the Roman Empire free of conflict since the days of Emperor Augustus. * The Vandals (Astingi and Lacringi) and the Sarmatian Iazyges invade Dacia. To counter them, Legio V ''Macedonica'', returning from the Parthian War, moves its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1710s Deaths
Year 171 ( CLXXI) was a common year starting on Monday A common year starting on Monday is any non-leap year (i.e., a year with 365 days) that begins on Monday, 1 January, and ends on Monday, 31 December. Its dominical letter hence is G. The most recent year of such kind was 2018 and the next one wi ... (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Herennianus (or, less frequently, year 924 ''Ab urbe condita''). The denomination 171 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius forms a new military command, the ''praetentura Italiae et Alpium''. Aquileia is relieved, and the Marcomanni are evicted from Roman territory. * Marcus Aurelius signs a peace treaty with the Quadi and the Sarmatians, Sarmatian Iazyges. The Germanic t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engravers From Lyon
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, where it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century French Engravers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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