Louis-Balthazar De La Chevardière
Louis-Balthazar de La Chevardière (February 1730 in Volx – 8 April 1812 in Verrières-le-Buisson) was a French music publisher in the second half of the 18th century. Biography The publishing activities of the Chevardière were announced in several periodicals in October 1758. He first took over the company that Jean-Pantaléon Le Clerc had passed to his daughter, Madame Vernadé. And indeed, in December 1758. The Chevardière designated himself as "successor to Mr. Le Clerc." He briefly associated with Huberty (1722-1791), whose name appeared jointly on some 1759 scores: ''Paris, de La Chevardière et Huberti, successeurs de M. Leclerc''. But until 1780, La Chevardière worked alone. In February 1780, he entrusted the management of the shop to his daughter, Elisabeth Éléonore and his step-son Jean-Pierre Deroullède for three years. On 1 December 1784, he sold the company to Pierre Leduc (1755–1818) – the brother of composer Simon Le Duc – and retired in Verrières- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Volx
Volx (; oc, Vòus) is a commune in the Alpes-de-Haute-Provence department in the Provence-Alpes-Côte d'Azur region in southeastern France. Population See also * Coteaux de Pierrevert AOC * Luberon The Luberon ( or ; Provençal: ''Leberon'' or ''Leberoun'' ) is a massif in central Provence in Southern France, part of the French Prealps. It has a maximum elevation of and an area of about . It is composed of three mountain ranges (from wes ... References Communes of Alpes-de-Haute-Provence Alpes-de-Haute-Provence communes articles needing translation from French Wikipedia {{AlpesHauteProvence-geo-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat. Biographical information Early life Jommelli was born to Francesco Antonio Jommelli and Margarita Cristiano in Aversa, a town some north of Naples. He had one brother, Ignazio, who became a Dominican friar and was of some help to him in his elder years, and three sisters. His father was a prosperous linen merchant, who entrusted him for musical instruction to Canon Muzzillo, the director of the choir of Aversa Cathedral. When this proved successful, he was enrolled in 1725 at the Conservatorio di Santo Onofrio a Capuana in Naples, where he studied under Ignazio Prota alongside Tomaso Prota and Francesco Feo. Three years later he was transferred to the Conserva ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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People From Provence
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1730 Births
Year 173 ( CLXXIII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Pompeianus (or, less frequently, year 926 ''Ab urbe condita''). The denomination 173 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Gnaeus Claudius Severus and Tiberius Claudius Pompeianus become Roman Consuls. * Given control of the Eastern Empire, Avidius Cassius, the governor of Syria, crushes an insurrection of shepherds known as the Boukoloi. Births * Maximinus Thrax ("the Thracian"), Roman emperor (d. 238) * Mi Heng, Chinese writer and musician (d. 198) Deaths * Donatus of Muenstereifel, Roman soldier and martyr (b. AD 140 Year 140 ( CXL) was a leap year starting on Thursday (link will display the full calendar) of the Julian cal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Répertoire International Des Sources Musicales
A repertoire () is a list or set of dramas, operas, musical compositions or roles which a company or person is prepared to perform. Musicians often have a musical repertoire. The first known use of the word ''repertoire'' was in 1847. It is a loanword from the French language, as (), with a similar meaning in the arts. This word, in turn, has its origin in the Late Latin word ''repertorium''. The concept of a basic repertoire has been extended to refer to groups which focus mainly on performing standard works, as in repertory theater or repertoire ballet. See also * setlist – a list of works for a specific performance * playlist – a list of works available to play * signature song A signature (; from la, signare, "to sign") is a Handwriting, handwritten (and often Stylization, stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and ... – a musical composition most associate ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marie Bobillier
Marie Bobillier, real name Antoinette Christine Marie Bobillier (12 April 1858 – 4 November 1918) was a French musicologist, music critic, writing under her pseudonym Michel Brenet. Biography Born in Lunéville of a military father, captain and then colonel in the artillery, Marie Bobillier, a single daughter, lived her childhood in several cities, including Strasbourg and Metz, before finally settling in Paris in 1871. She learned to play the piano, but a scarlet fever contracted at the age of thirteen rendered her disabled, influencing her decision to devote her life to research, after having been to the Pasdeloup concerts. She was one of the first French women musicologists. Her first publication, ''Histoire de la symphonie à orchestre'' (1882), won a prize in Brussels (Royal Academy of Science, Letters and Fine Arts of Belgium), engaging her ever-increasing reputation in the French musicological world. With a rigorous method that drew on the most reliable sources and docum ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alexandre Lachevardière
Alexandre Lachevardière (1795 in Sucy-en-Brie – 6 May 1855 in Paris) was a French bookseller and printer-publisher of the 19th century. Biography The son of Alexandre-Louis Lachevardière (1765-1828) and grandson of Parisian music publisher Louis-Balthazar de La Chevardière or Lachevardière (1730-1812), he directed Louis-Toussaint Cellot's printing company (1822) and got his printer's license 9 December 1823. He then took over the Cellot printing. One of the introducers of mechanical presses in France, in 1824 he financially participated with Pierre Leroux to the founding of the newspaper ''Le Globe'' and in 1833 to that of ''Le Magasin pittoresque''. His printing became one of the largest of Paris, employing the most workers and presses in the capital. He is famous for having published numerous Saint-Simonists.Philippe Régnier, ''Études saint-simoniennes'', 2002, (p. 272). In 1830, he lost many of his printing presses during the July Revolution. The government the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacobin (politics)
A Jacobin (; ) was a member of the Jacobin Club, a revolutionary political movement that was the most famous political club during the French Revolution (1789–1799). The club got its name from meeting at the Dominican rue Saint-Honoré Monastery of the Jacobins. The Dominicans in France were called ''Jacobins'' (, corresponds to ''Jacques'' in French and ''James'' in English) because their first house in Paris was the Saint Jacques Monastery. The terms Jacobin and Jacobinism have been used in a variety of senses. Prior to 1793, the terms were used by contemporaries to describe the politics of Jacobins in the congresses of 1789 through 1792. With the ascendancy of Maximilien Robespierre and the Montagnards into 1793, they have since become synonymous with the policies of the Reign of Terror, with Jacobinism now meaning "Robespierrism." As Jacobinism was memorialized through legend, heritage, tradition and other nonhistorical means over the centuries, the term acquir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre-Alexandre Monsigny
Pierre-Alexandre Monsigny ( – ) was a French composer and a member of the French Académie des Beaux-Arts (1813). He is considered alongside André Grétry and François-André Danican Philidor to have been the founder of a new musical genre, the ''opéra comique'', laying a path for other French composers such as François-Adrien Boieldieu, Daniel-François-Esprit Auber, Charles Gounod, Georges Bizet, and Jules Massenet in this genre. Biography Pierre-Alexandre Monsigny was born at Fauquembergues, near Saint-Omer, in the former Artois region of France (now Pas-de-Calais), four months before the marriage of his parents, Marie-Antoinette Dufresne and Nicolas Monsigny. He was educated at the Walloon Collége des Jésuites in Saint-Omer. It was here that he first discovered his aptitude for music. As the eldest child, in 1749, a few months after his father's death, he left for Paris with only a few coins in his pocket, a violin and a recommendation letter, in an attempt to fur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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François-André Danican Philidor
François-André Danican Philidor (7 September 1726 – 31 August 1795), often referred to as André Danican Philidor during his lifetime, was a French composer and chess player. He contributed to the early development of the ''opéra comique''. He is widely regarded as the best chess player of his age; his book ''Analyse du jeu des Échecs'' was considered a standard chess manual for at least a century. A well-known chess opening, an endgame position, and a checkmate method are all named after him. Musical family François-André Danican Philidor came from the well-known musical Philidor family. The original name of his family was Danican, but François-André's grandfather, Jean Danican Philidor, was given the nickname of Philidor by Louis XIII because his oboe playing reminded the king of an Italian virtuoso oboist named Filidori. Music career Philidor joined the royal choir of Louis XV in 1732 at the age of 6, and made his first attempt at the composition of a song at th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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François-Joseph Gossec
François-Joseph Gossec (17 January 1734 – 16 February 1829) was a French composer of operas, string quartets, symphonies, and choral works. Life and work The son of a small farmer, Gossec was born at the village of Vergnies, then a French exclave in the Austrian Netherlands, now an '' ancienne commune'' in the municipality of Froidchapelle, Belgium. Showing an early taste for music, he became a choir-boy in Antwerp. He went to Paris in 1751 and was taken on by the composer Jean-Philippe Rameau. He followed Rameau as the conductor of a private orchestra kept by the '' fermier général'' Le Riche de La Poupelinière, a wealthy amateur and patron of music. Gradually he became determined to do something to revive the study of instrumental music in France. Gossec's own first symphony was performed in 1754, and as conductor to the Prince de Condé's orchestra he produced several operas and other compositions of his own. He imposed his influence on French music with remarkable su ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |