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Looshaus
The Looshaus is a commercial and residential building at 3, between Herrengasse and , in Vienna. Designed by Adolf Loos and completed in 1912, it is considered a major building of Viennese Modernism. Building The modernist design of the Looshaus contrasts with both historicism and the floral ornament of Secessionist architecture. Although functionalist, it is far from purely utilitarian. In particular, it makes use of sumptuous materials. The lower, commercial section of the façade is clad in green Cipollino marble from Euboea, in striking contrast with the simple plaster of the upper, residential section. A colonnade of Tuscan columns was intended to allude to the portico of the St. Michael's Church on the same square. The upper storeys are unornamented except for window boxes; according to legend, these were intended to allude to the Hofburg by resembling the Archducal hat in form; the Looshaus is opposite its north façade (''Michaelertrakt''). The Looshaus was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Looshaus Michaelerplatz
The Looshaus is a commercial and residential building at 3, between Herrengasse and , in Vienna. Designed by Adolf Loos and completed in 1912, it is considered a major building of Viennese Modernism. Building The modernist design of the Looshaus contrasts with both historicism and the floral ornament of Secessionist architecture. Although functionalist, it is far from purely utilitarian. In particular, it makes use of sumptuous materials. The lower, commercial section of the façade is clad in green Cipollino marble from Euboea, in striking contrast with the simple plaster of the upper, residential section. A colonnade of Tuscan columns was intended to allude to the portico of the St. Michael's Church on the same square. The upper storeys are unornamented except for window boxes; according to legend, these were intended to allude to the Hofburg by resembling the Archducal hat in form; the Looshaus is opposite its north façade (''Michaelertrakt''). The Looshaus was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Looshaus Innenansicht 4
The Looshaus is a commercial and residential building at 3, between Herrengasse and , in Vienna. Designed by Adolf Loos and completed in 1912, it is considered a major building of Viennese Modernism. Building The modernist design of the Looshaus contrasts with both historicism and the floral ornament of Secessionist architecture. Although functionalist, it is far from purely utilitarian. In particular, it makes use of sumptuous materials. The lower, commercial section of the façade is clad in green Cipollino marble from Euboea, in striking contrast with the simple plaster of the upper, residential section. A colonnade of Tuscan columns was intended to allude to the portico of the St. Michael's Church on the same square. The upper storeys are unornamented except for window boxes; according to legend, these were intended to allude to the Hofburg by resembling the Archducal hat in form; the Looshaus is opposite its north façade (''Michaelertrakt''). The Looshaus was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Looshaus Innenansicht 3
The Looshaus is a commercial and residential building at 3, between Herrengasse and , in Vienna. Designed by Adolf Loos and completed in 1912, it is considered a major building of Viennese Modernism. Building The modernist design of the Looshaus contrasts with both historicism and the floral ornament of Secessionist architecture. Although functionalist, it is far from purely utilitarian. In particular, it makes use of sumptuous materials. The lower, commercial section of the façade is clad in green Cipollino marble from Euboea, in striking contrast with the simple plaster of the upper, residential section. A colonnade of Tuscan columns was intended to allude to the portico of the St. Michael's Church on the same square. The upper storeys are unornamented except for window boxes; according to legend, these were intended to allude to the Hofburg by resembling the Archducal hat in form; the Looshaus is opposite its north façade (''Michaelertrakt''). The Looshaus was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolf Loos
Adolf Franz Karl Viktor Maria Loos (; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was an inspiration to modernism and a widely-known critic of the Art Nouveau movement. His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and postmodernism. Loos was born in Brno to a family of sculptors and stonemasons. His almost deaf father, a stonemason, died when he was 9 and played a role in Loos' interest in arts and crafts. Loos later presented with his father's hearing impairment and other health-related issues. His lack of hearing contributed to his solitary personality. Loos had three tumultuous marriages that all ended in divorce and was convicted as a pedophile in 1928. With changing interests, Loos attended multiple colleges also due to his poor academics and his different desires, which proved to be useful by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Moderne
The Wiener Moderne () or ''Viennese Modernism'' is a term describing the culture of Vienna in the period between approximately 1890 and 1910. It refers especially to the development of modernism in the Austrian capital and its effect on the spheres of philosophy, literature, music, art, design and architecture. Background Under Emperor Franz Joseph I., the conservative-catholic Austrian-Hungarian Empire reaches its zenith and enters its final phase. Industrialization remains comparatively sluggish, a large administrative apparatus continues to tighten its empire-wide grip, with nationality conflicts in the multi-ethnic state coming to a head. Against this backdrop, in the empire's urban centers (Vienna, Budapest, Prague, Trieste, Zagreb, etc.) intellectual achievements abound in the development of - often contradictory - principles, opinions, scientific approaches and trends. The capital city of Vienna, which in 1900 has more than 2 million inhabitants, has become a cultural me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archducal Hat
The archducal hat (german: Erzherzogshut) is the insignia of the Archduchy of Austria, mostly apparently symbolic and used in the heraldry and some portraits of Austrian archdukes rather than routinely worn. One late example is kept in Klosterneuburg Monastery. History The first archducal coronet (''Erzherzogskrone'') was shown on a portrait of Rudolf IV, Duke of Austria, though this coronet probably never existed. Ernest the Iron (1377–1424) had a coronet made, and another was made on the death of Archduke Ferdinand II of the Tyrol in 1595. The final crown of the Archduchy of Austria was made in 1616 for the regent of the Tyrol, Maximilian III. Its place of production remains unknown. It is kept at Klosterneuburg Monastery in Lower Austria. It was brought to Vienna in 1620 for the Ceremony of Homage by the Estates (the so-called '' Erbhuldigung'') for the new ruler, and was last there in 1835. Margaret of Austria, aunt of Emperor Charles V and Regent of the Netherla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Residential Buildings In Vienna
A residential area is a land used in which housing predominates, as opposed to industrial and commercial areas. Housing may vary significantly between, and through, residential areas. These include single-family housing, multi-family residential, or mobile homes. Zoning for residential use may permit some services or work opportunities or may totally exclude business and industry. It may permit high density land use or only permit low density uses. Residential zoning usually includes a smaller FAR (floor area ratio) than business, commercial or industrial/manufacturing zoning. The area may be large or small. Overview In certain residential areas, especially rural, large tracts of land may have no services whatever, such that residents seeking services must use a motor vehicle or other transportation, so the need for transportation has resulted in land development following existing or planned transport infrastructure such as rail and road. Development patterns may be re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Innere Stadt
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Piva
Paolo Piva (13 March 1950 − 6 July 2017) was an Austrian-Italian architect and designer. Biography Paolo Piva was born on 13 March 1950, in Adria in the Veneto region of Northern Italy. He studied architecture under Prof. Carlo Scarpa in Venice. He worked as an architect and created designs for renowned furniture companies, such as Poliform/Varenna, De Sede, B&B Italia and Wittmann Austria. Since 1988, Piva was Professor for Industrial Design at the University of Applied Arts Vienna. He worked and lived in Venice and Vienna and Biella, Piedmont.Wojciech Czaja: „Architekt und Designer Paolo Piva verstorben“', Der Standard, 7 July 2017 (german)„Scompare Paolo Piva. Il ricordo di Giorgio Busnelli“', La Repubblica ''la Repubblica'' (; the Republic) is an Italian daily general-interest newspaper. It was founded in 1976 in Rome by Gruppo Editoriale L'Espresso (now known as GEDI Gruppo Editoriale) and led by Eugenio Scalfari, Carlo Caracciolo and Arnoldo ..., 7. July ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raiffeisen Bankengruppe (Austria)
Raiffeisen Bankengruppe is the larger of two groups of cooperative banks in Austria (another one was Austrian Volksbanks). Structure The roughly 490 local cooperatives (''Raiffeisenbanken'') are organized in nine ''Raiffeisen-landesbanken'', one for each federal state, with only Vienna and Lower Austria sharing one. Only Carinthia has two ''Raiffeisenlandesbanken'', with the ''Zveza Bank'' serving the Slovene minority. Owned by their respective member banks, most ''Raiffeisenlandesbanken'' are cooperatives themselves (regGenmbH), with some having recently switched to the legal status of Aktiengesellschaft. Together, they own their national umbrella institute, the Raiffeisen Bank International, via a shareholders' agreement. * Raiffeisenlandesbank Niederösterreich-Wien AG * Raiffeisenlandesbank Oberösterreich AG, * Raiffeisen-Landesbank Steiermark AG * Raiffeisenlandesbank Burgenland regGenmbH * Raiffeisenlandesbank Kärnten - regGenmbH * Zveza Bank, r.z.z o.j. Bank und Revisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Heritage Management
Cultural heritage management (CHM) is the vocation and practice of managing cultural heritage. It is a branch of cultural resources management (CRM), although it also draws on the practices of cultural conservation, restoration, museology, archaeology, history and architecture. While the term cultural heritage is generally used in Europe, in the USA the term cultural resources is in more general use specifically referring to cultural ''heritage'' resources. CHM has traditionally been concerned with the identification, interpretation, maintenance, and preservation of significant cultural sites and physical heritage assets, although intangible aspects of heritage, such as traditional skills, cultures and languages are also considered. The subject typically receives most attention, and resources, in the face of threat, where the focus is often upon rescue or salvage archaeology. Possible threats include urban development, large-scale agriculture, mining activity, looting, erosion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
