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Liu An (marquess)
Liú Ān (, c. 179–122 BC) was a Han dynasty Chinese prince, ruling the Huainan Kingdom, and an advisor to his nephew, Emperor Wu of Han (武帝). He is best known for editing the (139 BC) ''Huainanzi'' compendium of Daoist, Confucianist, and Legalism (Chinese philosophy), Legalist teachings and is credited for inventing tofu. Early texts represent Liu An in three ways: the "author-editor of a respected philosophical symposium", the "bumbling rebel who took his life to avoid arrest", and the successful Daoist adept who transformed into a ''Xian (Taoism), xian'' and "rose into the air to escape prosecution for trumped-up charges of treason and flew to eternal life." Life He was the grandson of Liu Bang, the founding emperor of the Han Dynasty. After his father died, he became the Prince of Huainan, the lands south of the Huai River, at the age of 16. Liu An had two sons. The younger was Liu Qian (刘迁), who was born by his princess consort and thus became heir to Huainan, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Of Huainan
Huainan Kingdom was a kingdom of China's Han dynasty, located in what is now parts of Anhui, Jiangxi and Hubei provinces. History The title "King (or Prince) of Huainan" was first created in 202BC by Liu Bang, King of Han, for Ying Bu, the former king of Jiujiang. After Liu Bang became the first emperor of the Han, Ying Bu rose up against Liu Bang in 196 BC. He was defeated and killed by Liu Bang. After Liu Bang killed Ying Bu, he conferred the title of king of Huainan on his youngest son Liu Chang. In 164 BC, Huainan was divided among Liu Chang's three sons. The eldest son Liu An kept the title King of Huainan, while his brothers became Kings of Hengshan (衡山王) and Lujiang (廬江王), respectively. Liu An, engaged in political and cosmological arguments with Dong Zhongshu, founded an academy which compiled the ''Huainanzi''.. The ''Huainanzi'' leaves room for multiple cultural traditions in China through the concept of the Tao. By contrast, Dong advocated cultural cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eight Immortals Of Huainan
The Eight Gentlemen of Huainan () were the eight scholars under the patronage of Liu An (劉安 Liú Ān), the prince of Huainan during the Western Han Dynasty. Together, they wrote the philosophical collection ''Huainanzi The ''Huainanzi'' is an ancient Chinese text that consists of a collection of essays that resulted from a series of scholarly debates held at the court of Liu An, Prince of Huainan, sometime before 139. The ''Huainanzi'' blends Daoist, Confuci ...'' (淮南子, Huáinánzǐ, literally "The Philosophers of Huainan"). They were: * Jin Chang (晋昌 Jìn Chāng), * Lei Bei (雷被 Léi Bèi), * Li Shang (李尚 Lǐ Shàng), * Mao Bei (毛被 Máo Bèi), * Su Fei (苏飞 Sū Fēi), * Tian You (田由 Tián Yóu), * Wu Bei (伍被 Wǔ Bèi), and * Zuo Wu (左吴 Zuǒ Wú). The "Bagong Mountain" ("Eight Gentlemen Mountain") in China is named after them. 8 Eight Immortals of Huainan 2nd-century BC Chinese people Articles about multiple people in pre-Tang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuan You
"Yuanyou" or Far-off Journey (; Pinyin: Yuǎnyóu; en, Far Roaming) is a short work anthologized in the Chuci (楚辭 ''Songs of Chu'', sometimes called ''The Songs of the South''). "Yuanyou" is a poetic conceit involving a shamanic/Daoist flight to various places on earth and in heaven. Traditionally attributed to Qu Yuan, there is little likelihood that he is the actual author, and the imagery of the cosmos and of the beings and deities encountered during this vast trip are rather typical of the literary circle around the Han Dynasty Prince of Huainan, Liu An, according to David Hawkes. (2011 985 191 – 193) See also *Chuci (the anthology containing "''Yuanyou''") *Classical Chinese poetry (general information on subject) *Daoism (a religiophilosophical tradition strongly referenced in "''Yuanyou''") *Eight Immortals of Huainan (members of Liu An's court; also known as the Eight Gentlemen of Huainan) *Fu Yue (menial worker promoted to key government minister; "''Yuanyou''" exam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qu Yuan
Qu Yuan ( – 278 BCE) was a Chinese poet and politician in the Chu (state), State of Chu during the Warring States period. He is known for his patriotism and contributions to Classical Chinese poetry, classical poetry and verses, especially through the poems of the ''Chu Ci'' anthology (also known as ''The Songs of the South'' or ''Songs of Chu''): a volume of poems attributed to or considered to be inspired by his Verse (poetry), verse writing. Together with the ''Classic of Poetry, Shi Jing'', the ''Chu Ci'' is one of the two greatest collections of ancient Chinese verse. He is also remembered in connection to the supposed origin of the Dragon Boat Festival. Historical details about Qu Yuan's life are few, and his authorship of many ''Chu Ci'' poems has been questioned at length. However, he is widely accepted to have written "The Lament," a ''Chu Ci'' poem. The first known reference to Qu Yuan appears in a poem written in 174 BCE by Jia Yi, an official from Luoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Sao
"''Li Sao''" (; translation: "Encountering Sorrow") is an ancient Chinese poem from the anthology ''Chuci'' traditionally attributed to Qu Yuan. ''Li Sao'' dates from the late 3rd century BCE, during the Chinese Warring States period. Background The poem "Li Sao" is in the ''Chuci'' collection and is traditionally attributed to Qu Yuan of the Kingdom of Chu, who died about 278 BCE. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the ''Shijing'' and the other early poems which exist as preserved in the form of incidental incorporations into various documents of ancient miscellany. The rest of the ''Chuci'' anthology is centered on the "''Li Sao''", the purported biography of its author Qu Yuan. In "''Li Sao''", the poet despairs that he has been plotted against by evil factions at court with his resulting rejection by his lord and then recounts a series of shamanistic s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shijing
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BCE. It is one of the "Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of ''chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' (''shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han Dynasty official adoption of Confucia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chu Ci
The ''Chu ci'', variously translated as ''Verses of Chu,'' ''Songs of Chu'', or ''Elegies of Chu'', is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period (ended 221 BC), and also a large number of works composed several centuries later, during the Han dynasty.Hawkes, David. Ch'u Tz'u: ''Songs of the South, an Ancient Chinese Anthology''. (Oxford: Clarendon Press, 1959), 28. The traditional version of the ''Chu ci'' contains 17 major sections, anthologized with its current contents by Wang Yi (librarian), Wang Yi, a 2nd-century AD librarian who served under Emperor Shun of Han. The early (pre-Qin dynasty) Classical Chinese poetry is mainly known through the two anthologies the ''Chu ci'' and the ''Shi Jing, Shi jing'' (''Classic of Poetry'' or ''Book of Songs''). Background ''Chu ci'' was named after a form of poetry that originated in the Chu (state), State of Chu, which was located i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shí-èr-lǜ
''Shí-èr-lǜ'' (, , ''12 pitches'') (twelve-pitch scale) was a standardized gamut of twelve notes. Also known, rather misleadingly, as the Chinese chromatic scale, it was one kind of chromatic scale used in ancient Chinese music. The Chinese scale uses the same intervals as the Pythagorean scale, based on 3:2 ratios (8:9, 16:27, 64:81, etc.). The gamut or its subsets were used for tuning and are preserved in bells and pipes. Unlike the Western chromatic scale, the shí-èr-lǜ was not used as a scale in its own right; it is rather a set of fundamental notes on which other scales were constructed.Needham, Joseph (1962/2004). ''Science and Civilization in China, Vol. IV: Physics and Physical Technology'', p.170-171. . The first reference to "standardization of bells and pitch" dates back to around 600 BCE, while the first description of the generation of pitches dates back to around 240 CE. Note names * 黃鐘 (黄钟) - Huáng Zhōng - tonic/unison - 1 : 1 - * 大呂 ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pythagorean Comma
In musical tuning, the Pythagorean comma (or ditonic comma), named after the ancient mathematician and philosopher Pythagoras, is the small interval (or comma) existing in Pythagorean tuning between two enharmonically equivalent notes such as C and B (), or D and C. It is equal to the frequency ratio = ≈ 1.01364, or about 23.46 cents, roughly a quarter of a semitone (in between 75:74 and 74:73). The comma that musical temperaments often refer to tempering is the Pythagorean comma. The Pythagorean comma can be also defined as the difference between a Pythagorean apotome and a Pythagorean limma (i.e., between a chromatic and a diatonic semitone, as determined in Pythagorean tuning), or the difference between twelve just perfect fifths and seven octaves, or the difference between three Pythagorean ditones and one octave (this is the reason why the Pythagorean comma is also called a ''ditonic comma''). The diminished second, in Pythagorean tuning, is defined as the differ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topography
Topography is the study of the forms and features of land surfaces. The topography of an area may refer to the land forms and features themselves, or a description or depiction in maps. Topography is a field of geoscience and planetary science and is concerned with local detail in general, including not only relief, but also natural, artificial, and cultural features such as roads, land boundaries, and buildings. In the United States, topography often means specifically ''relief'', even though the USGS topographic maps record not just elevation contours, but also roads, populated places, structures, land boundaries, and so on. Topography in a narrow sense involves the recording of relief or terrain, the three-dimensional quality of the surface, and the identification of specific landforms; this is also known as geomorphometry. In modern usage, this involves generation of elevation data in digital form (DEM). It is often considered to include the graphic representation of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Geography
The history of geography includes many histories of geography which have differed over time and between different cultural and political groups. In more recent developments, geography has become a distinct academic discipline. 'Geography' derives from the Greek – ''geographia'', literally "Earth-writing", that is, description or writing about the Earth. The first person to use the word ''geography'' was Eratosthenes (276–194 BC). However, there is evidence for recognizable practices of geography, such as cartography (map-making), prior to the use of the term. Egypt The known world of Ancient Egypt saw the Nile as the center, and the world as based upon "the" river. Various oases were known to the east and west, and were considered locations of various gods (e.g. Siwa, for Amon). To the South lay the Kushitic region, known as far as the 4th cataract. Punt was a region south along the shores of the Red Sea. Various Asiatic peoples were known as Retenu, Kanaan, Que, Har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warring States
The Warring States period () was an era in ancient Chinese history characterized by warfare, as well as bureaucratic and military reforms and consolidation. It followed the Spring and Autumn period and concluded with the Qin wars of conquest that saw the annexation of all other contender states, which ultimately led to the Qin state's victory in 221 BC as the first unified Chinese empire, known as the Qin dynasty. Although different scholars point toward different dates ranging from 481 BC to 403 BC as the true beginning of the Warring States, Sima Qian's choice of 475 BC is the most often cited. The Warring States era also overlaps with the second half of the Eastern Zhou dynasty, though the Chinese sovereign, known as the king of Zhou, ruled merely as a figurehead and served as a backdrop against the machinations of the warring states. The "Warring States Period" derives its name from the ''Record of the Warring States'', a work compiled early in the Han dynasty. Geograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
