Listed Buildings In Crich
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Listed Buildings In Crich
Crich is a civil parish in the Amber Valley district of Derbyshire, England. The parish contains 52 Listed building#England and Wales, listed buildings that are recorded in the National Heritage List for England. Of these, one is listed at Grade I, the highest of the three grades, one is at Grade II*, the middle grade, and the others are at Grade II, the lowest grade. The parish contains the villages of Crich, Fritchley, Whatstandwell, and Wheatcroft, Derbyshire, Wheatcroft, and the surrounding countryside. Most of the listed buildings are houses, cottages and associated structures, farmhouses and farm buildings. In the parish is the National Tramway Museum, and a number of structures that have been moved from other sites to the museum are listed. The other listed buildings include churches and chapels, a bridge over the Cromford Canal and a road bridge over the River Derwent, Derbyshire, River Derwent, public houses, buildings associated with tramways, a mile ...
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Crich
Crich is a village in the English county of Derbyshire. The population at the 2001 Census was 2,821, increasing to 2,898 at the 2011 Census (including Fritchley and Whatstandwell). It has the National Tramway Museum inside the Crich Tramway Village and, at the summit of Crich Hill above, a memorial tower for those of the Sherwood Foresters regiment who died in battle, particularly in World War I. Built in 1923 on the site of an older tower called Crich Stand, the memorial tower is the destination of an annual pilgrimage on the first Sunday in July. It is above sea level and has 58 steps to the top. From there, seven counties can be seen (Derbyshire, Nottinghamshire, Yorkshire, Leicestershire, Staffordshire, Lancashire and Lincolnshire), including landmarks such as Lincoln Cathedral and the Humber Bridge. History In 1009 King Æthelred the Unready signed a charter at the Great Council which recognised the position and boundaries of Weston-on-Trent and several other manors inc ...
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Clerestory
In architecture, a clerestory ( ; , also clearstory, clearstorey, or overstorey) is a high section of wall that contains windows above eye level. Its purpose is to admit light, fresh air, or both. Historically, ''clerestory'' denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows. Similar structures have been used in transportation vehicles to provide additional lighting, ventilation, or headroom. History Ancient world The technology of the clerestory appears to originate in the temples of ancient Egypt. The term "clerestory" is applicable to Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, lightwel ...
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Embattled
A battlement in defensive architecture, such as that of city walls or castles, comprises a parapet (i.e., a defensive low wall between chest-height and head-height), in which gaps or indentations, which are often rectangular, occur at intervals to allow for the launch of arrows or other projectiles from within the defences. These gaps are termed " crenels" (also known as ''carnels'', or ''embrasures''), and a wall or building with them is called crenellated; alternative (older) terms are castellated and embattled. The act of adding crenels to a previously unbroken parapet is termed crenellation. The function of battlements in war is to protect the defenders by giving them something to hide behind, from which they can pop out to launch their own missiles. A defensive building might be designed and built with battlements, or a manor house might be fortified by adding battlements, where no parapet previously existed, or cutting crenellations into its existing parapet wall. A d ...
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Lucarne
In general architecture a lucarne is a term used to describe a dormer window. The original term french: lucarne refers to a dormer window, usually set into the middle of a roof although it can also apply to a façade lucarne, where the gable of the lucarne is aligned with the face of the wall. This general meaning is also preserved in British use, particularly for small windows into unoccupied attic or spire spaces. Nikolaus Pevsner gives its meaning as "a small gabled opening in a roof or a spire". In industrial architecture the term lucarne is used to describe a feature of a warehouse, mill or factory where a window or opening high up on an outside wall supports a hoist above doors on the floors below. The simplest lucarne is no more than the extension of a roof beyond a gable wall, with a ridge timber strong enough to support a hoist. A gin wheel on this beam can provide a simple rope hoist, sufficient to lift a sack of grain. Any greater weights than this are likely to nee ...
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Coping (architecture)
Coping (from ''cope'', Latin ''capa'') is the capping or covering of a wall. A splayed or wedge coping is one that slopes in a single direction; a saddle coping slopes to either side of a central high point. A coping may be made of stone (capstone), brick, clay or terracotta, concrete or cast stone, tile, slate, wood, thatch, or various metals, including aluminum, copper, stainless steel, steel, and zinc. In all cases it should be weathered (have a slanted or curved top surface) to throw off the water. In Romanesque work, copings appeared plain and flat, and projected over the wall with a throating to form a drip. In later work a steep slope was given to the weathering (mainly on the outer side), and began at the top with an astragal; in the Decorated Gothic style there were two or three sets off; and in the later Perpendicular Gothic these assumed a wavy section, and the coping mouldings continued round the sides, as well as at top and bottom, mitring at the angles, as ...
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Trefoil
A trefoil () is a graphic form composed of the outline of three overlapping rings, used in architecture and Christian symbolism, among other areas. The term is also applied to other symbols with a threefold shape. A similar shape with four rings is called a quatrefoil. Architecture Ornamentation 'Trefoil' is a term in Gothic architecture given to the ornamental foliation or cusping introduced in the heads of window-lights, tracery, and panellings, in which the centre takes the form of a three-lobed leaf (formed from three partially overlapping circles). One of the earliest examples is in the plate tracery at Winchester Cathedral (1222–1235). The fourfold version of an architectural trefoil is a quatrefoil. A simple trefoil shape in itself can be symbolic of the Trinity, while a trefoil combined with an equilateral triangle was also a moderately common symbol of the Christian Trinity during the late Middle Ages in some parts of Europe, similar to a barbed quatrefoil. Two for ...
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Parapet
A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. In the Bible the Hebrews are obligated to build a parapet on the roof of their houses to prevent people falling (Deuteronomy 22:8). Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of ...
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Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ...
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String Course
A belt course, also called a string course or sill course, is a continuous row or layer of stones or brick set in a wall. Set in line with window sills, it helps to make the horizontal line of the sills visually more prominent. Set between the floors of a house, it helps to make the separate floors distinguishable from the exterior of the building. The belt course often projects from the side of the building. Georgian architecture is notable for the use of belt courses. Although the belt course has its origins as a structural component of a building, by the 18th century it was almost purely a decorative element and had no functional purpose. In brick or stone buildings taller than three stories, however, a shelf angle Shelf ( : shelves) may refer to: * Shelf (storage), a flat horizontal surface used for display and storage Geology * Continental shelf, the extended perimeter of a continent, usually covered by shallow seas * Ice shelf, a thick platform of ice f ... is usuall ...
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Molding (architecture)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ...
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Buttress
A buttress is an architectural structure built against or projecting from a wall which serves to support or reinforce the wall. Buttresses are fairly common on more ancient buildings, as a means of providing support to act against the lateral (sideways) forces arising out of inadequately braced roof structures. The term ''counterfort'' can be synonymous with buttress and is often used when referring to dams, retaining walls and other structures holding back earth. Early examples of buttresses are found on the Eanna Temple (ancient Uruk), dating to as early as the 4th millennium BC. Terminology In addition to flying and ordinary buttresses, brick and masonry buttresses that support wall corners can be classified according to their ground plan. A clasping or clamped buttress has an L shaped ground plan surrounding the corner, an angled buttress has two buttresses meeting at the corner, a setback buttress is similar to an angled buttress but the buttresses are set back from the ...
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Steeple
In architecture, a steeple is a tall tower on a building, topped by a spire and often incorporating a belfry and other components. Steeples are very common on Christian churches and cathedrals and the use of the term generally connotes a religious structure. They might be stand-alone structures, or incorporated into the entrance or center of the building. Architecture Towers were not a part of Christian churches until about AD 600, when they were adapted from military watchtowers. At first they were fairly modest and entirely separate structures from churches. Over time, they were incorporated into the church building and capped with ever-more-elaborate roofs until the steeple resulted. Towers are a common element of religious architecture worldwide and are generally viewed as attempts to reach skyward toward heavens and the divine. Some wooden steeples are built with large wooden structural members arranged like tent poles and braced diagonally inside both with wood and stee ...
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