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List Of Opera Directors
This list of opera directors is a list of notable stage producers and directors who have worked, or are working, in the opera world. * Christopher Alden (born 1949) * David Alden (born 1949) * Neil Armfield (born 1955) * Lucy Bailey (born 1962) * Stephen Barlow (born 1969) * Ruth Berghaus (1927–1996) * Anthony Besch (1924–2002) * Calixto Bieito (born 1963) * Saskia Boddeke (born 1962) * Luc Bondy (1948–2015) * Tito Capobianco (1931–2018) * Albert Carré (1852–1938) * Robert Carsen (born 1954) * Patrice Chéreau (1944–2013) * Martha Clarke (born 1944) * John Copley (born 1933) * Frank Corsaro (1924–2017) * John Cox (born 1935) * Paul Curran (born 1964) * Willy Decker (born 1950) * John Dexter (1925–1990) * Doris Dörrie (born 1955) * Carl Ebert (1887–1980) * Peter Ebert (1918–2012) * Johannes Erath (born 1975) * August Everding (1928–1999) * Brigitte Fassbaender (born 1939) * Walter Felsenstein (1901–1975) * Jürgen Flimm (born 1941) * Götz Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Director
A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance, drama, musical theatre performance, etc. by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director thereby collaborates with a team of creative individuals and other staff to coordinate research and work on all the aspects of the production which includes the Technical and the Performance aspects. The technical aspects include: stagecraft, costume design, theatrical properties (props), lighting design, set design, and sound design for the production. The performance aspects include: acting, dance, orchestra, chants, and stage combat. If the production is a new piece of writing or a (new) translation of a play, the director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Copley (producer)
John Michael Harold Copley CBE (born 12 June 1933), is a British theatre and opera producer and director. He was born in Birmingham to Ernest and Lilian (née Forbes) Copley, and attended King Edward VI Five Ways grammar school. After a brief career as an actor, he became stage manager at Sadler's Wells in 1953 and resident producer for The Royal Opera, Covent Garden, in 1972. He has produced most of the standard operatic repertoire for many opera houses and festivals in Europe, the United States, and Canada. He is also an accomplished pianist and singer. He has had a long association with Opera Australia, including the Australian premiere of Leoš Janáček's ''Jenůfa'' in 1974. The filmed operas he has been associated with are: * ''Semiramide'' (1990) * '' Adriana Lecouvreur'' (1984) * ''Giulio Cesare'' (1984) * ''La bohème'' (1982) * '' Lucrezia Borgia'' (1980) * ''Lucia di Lammermoor'' (1986) For over 50 years Copley was the partner of John Hugh Chadwyck-Healey (1922–201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jürgen Flimm
Jürgen Flimm (born 17 July 1941, in Gießen) is a German theater and opera director, and theater manager. After establishing himself as one of the exponents of Regietheater, Flimm was called to manage renowned theaters and festivals. His operatic productions in Germany led to an international career, with operas staged in the Netherlands, Austria, Switzerland, England, Italy, and the United States. Life and career Flimm studied the theory of drama, literature and sociology at the University of Cologne and started his career with his first position as assistant director at the Munich Kammerspiele in 1968. He had positions as director at the National Theatre Mannheim and as a senior director at the Thalia Theater in Hamburg (1973/74), then he worked as freelance director and director at the Schauspiel Cologne. In 1985, he once more joined the Thalia Theatre, where he worked as leading director for the next fifteen years and which became, under his executive, one of the artisticall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Felsenstein
Walter Felsenstein (30 May 1901 – 8 October 1975) was an Austrian theater and opera director. He was one of the most important exponents of textual accuracy, productions in which dramatic and musical values were exquisitely researched and balanced. His most famous students were Götz Friedrich and Harry Kupfer both of whom went on to have important careers developing Felsenstein's work. Opera director Siegfried Schoenbohm was one of his assistants. Biography Felsenstein was born in Vienna and began his career at the Burgtheater there. From 1923 to 1932, he was a theater actor in Lübeck, Mannheim and Beuthen, where he first worked as a director. In Basel and Freiburg im Breisgau, he became closely acquainted with the contemporary concert hall. From 1932 to 1934 he worked as an opera director in Cologne, and from 1934 to 1936 at the Oper Frankfurt. He worked in Zürich from 1938 to 1940 and returned in 1940 to Germany, where he was active at the Berlin Schillertheater u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brigitte Fassbaender
Brigitte Fassbaender (; born 3 July 1939), is a German mezzo-soprano opera singer and a stage director. From 1999 to 2012 she was intendant (managing director) of the Tyrolean State Theatre in Innsbruck, Austria. She holds the title Kammersängerin from the Bavarian State Opera in Munich and the Vienna Staatsoper. Career Fassbaender was born in Berlin, the daughter of screen actress Sabine Peters and baritone Willi Domgraf-Fassbaender. The family settled in Nuremberg after World War II. She spent her early career in Munich. Fassbaender studied singing with her father, at the Nuremberg Conservatory. She joined the Bavarian State Opera in 1961, where her first leading role was Nicklausse in ''The Tales of Hoffmann''. Fassbaender appeared as Octavian, the title role of ''Der Rosenkavalier'' by Richard Strauss, in Munich in 1967, the role that launched her international career. In 1971, she performed at Royal Opera, London and made her Metropolitan Opera debut in 1974. Fassbaender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Everding
August Everding (; 31 October 1928; Bottrop, Germany – 26 January 1999; Munich) was a German opera director and administrator. He studied at the Universities of Bonn and Munich, where launching his career in the 1950s. He was a member of the Roman Catholic fraternity Katholischer Studentenverein Arminia Bonn. From 1968 onwards he worked as a director in Hamburg, before moving back to Munich in 1977 to become the General Intendant of the Bayerische Staatsoper. In the following years he also directed in Bayreuth, the Deutsche Oper Berlin, Zurich Opera, In 1988 the Prinzregententheater was renovated under his patronage and could be reopened as theatre and opera house. It also houses the Bavarian Theatre Academy. His productions were seen in all the major international houses: Vienna State Opera, Salzburg Festival. the Royal Opera House, Covent Garden, London, La Scala, Milan, the Lyric Opera of Chicago, the Metropolitan Opera New York City, San Francisco Opera, Victoria State Ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Erath
Johannes Erath (born 1975) is a German opera director. Career Erath was born in 1975 in Rottweil. First he studied violin with Rainer Küchl at der University of Music and Performing Arts, Vienna and with Hansheinz Schneeberger in Freiburg. He worked as an orchestra musician at the Volksoper Wien and at the Orchesterakademie of the Vienna Philharmonic. Thereafter he decided to go toward directing. First he served as an assistant to Willy Decker, , , Peter Konwitschny and Graham Vick in theaters all over Europe. 2002 he became Stage Manager at the Hamburg State Opera. From 2005 till 2007 he held a scholarship of the and their »Akademie Musiktheater heute«. Among the early productions of Erath were mostly operas by contemporary composers — i.e. the world premiere of Jörn Arnecke's ''Drei Helden'' in Rheinsberg, Gerhard Schedl's ''Triptychon'', Dieter Kaufmann's ''Fuge Unfug-e'', Elliott Carters ''What Next?'' and the world premiere of Péter Eötvös’ ''Paradise Reloaded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Ebert
Peter Ebert (6 April 1918, Frankfurt am Main, Germany – 25 December 2012, Sussex, England) was a German opera director. Son of noted German director Carl Ebert who left Nazi Germany in 1934 with his son and moved to England, he was best known for his work with Glyndebourne Opera and the Scottish Opera where he staged over 50 productions from 1963 to 1980 and which brought him great success. Family life in Germany Peter Ebert was the son of Charles, later Carl, Ebert and Cissi (Lucie Frederike Karoline (née Splisgarth), who was German. Carl was the outcome of a romantic liaison of a Polish count and an Irish American music student. Peter was therefore half German. Peter's parents divorced when he was six, both parties remarrying and staying on excellent terms. Due to the separation, his early years of schooling were chequered, so he was finally sent to one of Kurt Hahn's boarding schools in Germany. In 1933 Carl was invited by the Nazis to take charge of the theatre scene i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Ebert
Carl Anton Charles Ebert (20 February 1887 – 14 May 1980), was an actor, stage director and arts administrator. Ebert's early career was as an actor, training under Max Reinhardt and becoming one of the leading actors in his native Germany during the 1920s. During that decade he was also appointed to administrative posts, both theatrical and academic. In 1929 he directed opera for the first time, and during the 1930s established a reputation as an operatic director in Germany and beyond. A strong opponent of Nazism, he left Germany in 1933 and did not return until 1945. Together with John Christie and the conductor Fritz Busch, Ebert created the Glyndebourne Festival Opera in 1934. Ebert remained its artistic director until 1959, though productions were suspended during the Second World War. In the 1930s and 1940s Ebert helped establish a national conservatory in Turkey, where he and his family lived from 1940 to 1947. In his later years Ebert held administrative posts in L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doris Dörrie
Doris Dörrie (; born 26 May 1955) is a German film director, producer and author. Biography Born in Hanover, Dörrie completed her secondary education there in 1973. The same year, she began a two-year attendance in film studies in the drama department of the University of the Pacific in Stockton, California. She then studied at the New School of Social Research in New York. She worked odd jobs in cafés and as a film presenter in New York's Goethe-Institut. In 1975, back in Germany, Dörrie began to study at the University of Television and Film Munich. She wrote film reviews for the '' Süddeutsche Zeitung'', where she was also assistant editor. Subsequently, Dörrie worked as a volunteer for various television stations, and filmed short documentaries. She has published several novels, short story collections and children's books, and also staged and directed a number of operas. Dörrie is a member of the PEN Centre Germany and the German Film Academy. She was a member of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dexter
John Dexter (2 August 1925 – 23 March 1990) was an English theatre, opera and film director. Theatre Born in Derby, Derbyshire, England, Dexter left school at the age of fourteen to serve in the British Army during the Second World War. Following the war, he began working as a stage actor before turning to producing and directing shows for repertory companies. In 1957, he was appointed Associate Director of the English Stage Company based at the Royal Court. Dexter's first great success was his production of ''Roots'', in 1959, which brought Joan Plowright to prominence. He went on to direct '' Toys in the Attic'' (with Wendy Hiller, 1960) and '' Saint Joan'' (1963). In 1964, he was named Associate Director of the National Theatre of Great Britain, and he produced ''The Royal Hunt of the Sun'' (1964). That year, he also directed '' Othello'', with Sir Laurence Olivier, Maggie Smith and Frank Finlay. It was considered a tremendous success. RCA recorded an audio version, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willy Decker
Willy Decker (born 1950) is a German theatre director, particularly known for his opera productions. He staged the world premieres of Hans Werner Henze's ''Pollicino'' (Montepulciano, 1980), Antonio Bibalo's ''Macbeth'' (Oslo, 1990), and Aribert Reimann's ''Das Schloss'' (''The Castle'') (Berlin, 1992). Decker was born in Pulheim near Cologne and was educated first at the Rheinischen Musikschule in Cologne where he studied violin and later at the University of Cologne and the Hochschule für Musik Köln where he studied philosophy, theatre, music, and singing. In his early 20s he started work as an assistant director in Essen at the Cologne State Opera, where he eventually served as the artistic director. He went on to direct many new opera productions for major European opera houses, as well as for San Francisco Opera and Lyric Opera of Chicago. He made his Salzburg Festival debut in 2004 directing Korngold's ''Die tote Stadt'' and returned in 2005 for an acclaimed new pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
