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Peter Ebert
Peter Ebert (6 April 1918, Frankfurt am Main, Germany – 25 December 2012, Sussex, England) was a German opera director. Son of noted German director Carl Ebert who left Nazi Germany in 1934 with his son and moved to England, he was best known for his work with Glyndebourne Opera and the Scottish Opera where he staged over 50 productions from 1963 to 1980 and which brought him great success. Family life in Germany Peter Ebert was the son of Charles, later Carl, Ebert and Cissi (Lucie Frederike Karoline (née Splisgarth), who was German. Carl was the outcome of a romantic liaison of a Polish count and an Irish American music student. Peter was therefore half German. Peter's parents divorced when he was six, both parties remarrying and staying on excellent terms. Due to the separation, his early years of schooling were chequered, so he was finally sent to one of Kurt Hahn's boarding schools in Germany. In 1933 Carl was invited by the Nazis to take charge of the theatre scene i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Ebert
Carl Anton Charles Ebert (20 February 1887 – 14 May 1980), was an actor, stage director and arts administrator. Ebert's early career was as an actor, training under Max Reinhardt and becoming one of the leading actors in his native Germany during the 1920s. During that decade he was also appointed to administrative posts, both theatrical and academic. In 1929 he directed opera for the first time, and during the 1930s established a reputation as an operatic director in Germany and beyond. A strong opponent of Nazism, he left Germany in 1933 and did not return until 1945. Together with John Christie and the conductor Fritz Busch, Ebert created the Glyndebourne Festival Opera in 1934. Ebert remained its artistic director until 1959, though productions were suspended during the Second World War. In the 1930s and 1940s Ebert helped establish a national conservatory in Turkey, where he and his family lived from 1940 to 1947. In his later years Ebert held administrative posts in L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macbeth (opera)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 (''Rigoletto'', ''Il trovatore'' and '' La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of ''King Lear'' (as ''Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis for ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Joseph Walsh (Wexford)
Thomas Joseph Walsh (20 November 1911 – 8 November 1988) was an Irish doctor, writer, and founder and director of the Wexford Opera Festival.Boydell, B.: "Walsh, T(homas) J(oseph)", in: '' New Grove Dictionary of Opera'' (London and New York: Macmillan, 1997). Life Walsh was born in Wexford, Ireland, and graduated in medicine from University College Dublin in 1944. During his years in Dublin he took singing lessons from Adelio Viani at the Royal Irish Academy of Music. In 1972, he completed a Ph.D. at Trinity College, Dublin, the thesis becoming the basis for his 1973 book on ''Opera in Dublin''. He became chairman and artistic director of the Wexford Festival in 1951 and established its international recognition over 15 years while still working as an anaesthetist at Wexford County Hospital. Known locally as "Doctor Tom" he "inspired great affection, admiration, and, given his great learning, even a measure of awe".Obituary in ''Opera'' magazine, January 1989, p. 38. Writi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wexford Festival
Wexford Festival Opera () is an opera festival that takes place in the town of Wexford in south-eastern Ireland during the months of October and November. The festival began in 1951 under Tom Walsh and a group of opera lovers who quickly generated considerable interest by programming unusual and rare works, a typical festival staging three operas. This concept has been maintained over the company's history under the direction of seven different artistic directors. From the beginning, the company embraced new and upcoming young singers, many of whom were Irish, but it also included new international names who made first appearances there. By the 1960s Czech and Russian operas entered the repertory, while the 1970s saw an interest in the operas of Jules Massenet under director Thomson Smillie, followed by an emphasis on Italian operas from the end of that decade. However, into the mix there appeared more modern operas by Benjamin Britten and Carlisle Floyd while Elaine Padmore's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Pritchard (conductor)
Sir John Michael Pritchard, (born Stanley Frederick Pritchard, 5 February 1918 – 5 December 1989) was an English conductor. He was known for his interpretations of Mozart operas and for his support of contemporary music. Life and career Pritchard was born in Walthamstow, Essex, to a musical family. His father, Albert Edward Pritchard, was a violinist with the London Symphony Orchestra. The young Pritchard was educated at the Monoux School and studied violin, piano, and conducting in Italy.Ponsonby, Robert"Pritchard, Sir John Michael (1918–1989)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, accessed 4 November 2007 Pritchard, as a conscientious objector, refused to serve in the Second World War, but was in any case unfit on medical grounds. In 1943 he took over the semi-professional Derby String Orchestra and was its principal conductor until 1951. He joined the music staff of Glyndebourne Festival Opera in 1947 and was appointed chorus mas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the University of Music and Performing Arts, Vienna, Vienna Conservatory and then with Wilhelm Mayer (composer), Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arlecchino (opera)
''Arlecchino'', ''oder Die Fenster'' (''Harlequin, or The Windows'', is a one-act opera with spoken dialog by Ferruccio Busoni, with a libretto in German, composed in 1913. He completed the music for the opera while living in Zurich in 1916. It is a number opera written in neo-classical style and includes ironic allusions to operatic conventions and situations typical of the late 18th and early 19th centuries. It even includes a parody of a duel. Performance history The premiere performance was on 11 May 1917 at the Stadttheater, Zürich.Chapter XIII ''Arlecchino'' in Beaumont (1985), p. 219. Busoni's two-act opera ''Turandot'' was also performed on the program as part of a double-bill. The first British staged performance of ''Arlecchino'' was in 1954 at Glyndebourne. However, Edward Clark had produced a concert version in London in 1939, using an English translation by Edward Dent. It was conducted by Hyam Greenbaum on 12 February 1939 and televised by the BBC. Background ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittorio Gui
Vittorio Gui (14 September 188516 October 1975) was an Italian conductor, composer, musicologist and critic. Gui was born in Rome in 1885. He graduated in humanities at the University of Rome and also studied composition at the Accademia Nazionale di Santa Cecilia; his principal composition teachers were the noted composers Giacomo Setaccioli and Stanislao Falchi. His style was "impressionistic with characteristic Italian traits".''The New Grove Dictionary of Music and Musicians'' Gui's opera ''David'' premiered in Rome in 1907; later that year, he made his professional conducting debut at the Teatro Adriano in Rome, leading Ponchielli's '' La Gioconda'' as a substitute. This led to invitations to conduct in Naples and Turin (he met Claude Debussy in Turin in 1911). In 1923, Arturo Toscanini invited him to conduct '' Salome'' by Richard Strauss as the season opener at La Scala in Milan. He conducted the Teatro Regio in Turin from 1925 to 1927; in his last year in Turin, he prem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Comte Ory
''Le comte Ory'' (''Count Ory'') is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera ''Il viaggio a Reims'' written three years earlier for the coronation of Charles X of France, Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817. The work is ostensibly a comic opera in that the story is humorous, even farcical. However, it was devised for the Académie Royale de Musique, Opéra rather than for the Opéra-Comique, Théâtre de l'Opéra-Comique and there are structural inconsistencies with the contemporary ''opéra comique'' genre: whereas the latter consists of relatively short lyrical numbers and spoken dialogue, ''Le comte Ory'' consists of "highly developed, even massive musical forms linked by accompanied recitative". Although the opera contains some of Rossini's most colorful orchestral writing, the quaint, brief overture is oddly restraine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as ''Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
